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These flutes are unable to play all chromatic pitches, while many of the chromatic pitches they can play are grossly out of tune.
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These and flutes
These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.
These men may also have used flutes to announce themselves as friendly as they approached a settlement.
These orchestras play lighter versions of the danzón without a brass section and emphasizing flutes, violins, and piano.
These flutes were carved with five to eight holes, and is capable of producing varied sounds in a nearly accurate octave.
These flutes share common features of other simple flutes from cultures all around the world, including the ney, an end-blown cane flute which was depicted in Egyptian paintings and stone carvings.
These ideas included the provision of smaller scaled diapasons, along with more higher-pitched and mutation stops in place of large-scaled unison diapasons, color reeds and flutes.
These sounds included violin and viola sections, brass, cellos, various flutes, organs, recorders, choirs etc.
These primitive and simple-system flutes continue to be used in folk music ( particularly Irish traditional music ) and in " historically informed " performances of Baroque ( and earlier ) music.
These flutes became known as " German flutes ", to distinguish them from others, such as the recorder.
These pieces, also collectively titled " Chansons de Bilitis ," were scored for two flutes, two harps, and celesta including another six poems making a total of twelve scored poems.
These instruments are often supplemented by other available instruments, most notably, accordions, flutes, or an additional violin.
These and are
These are traversed by another line of vaults, and thus rooms, arched on all four sides, are formed.
These songs ( practically all Persian music, for that matter ) are limited to a range of two octaves.
These my grandmother left in their places ( they are still there, more persistent and longer-lived than the generations of man ) and planted others like them, that flourished without careful tending.
These are like the initial ways in which the world forces itself upon the self and thrusts the self into decision and choice.
These assumptions lead to an organization with one man at the top, six directly under him, six under each of these, and so on until there are six levels of personnel.
These ways are absolutely irreconcilable because they offer two different recipes for man's redemption from chaos.
These are, if the research is done with subtlety and skill, researchable topics, but the research is missing.
These moments are historical events in the lives of individual authors with which the student of comparative literature must be frequently concerned.
These lives are in themselves outside of the moral order and are unburdened with moral responsibility.
These conceptions and the manner in which they were transposed into poetry or engendered by poetic form are intrinsic to western life from the time of Aeschylus to that of Shakespeare.
These biographical analogies are obvious, and far too much time has been spent speculating on their possible implications.
These women whose organization grew out of the old suffrage movement are dedicated to Thomas Jefferson's dictum that one must cherish the people's spirit but `` Keep alive their attention ''.
These are, of course, the same people whose support he has only now rejected to seek the independent vote.
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