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This is why Artemis has no other servants because Butler can do it all.
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is and why
And if he is so scornful of the rights of states, why not advocate a different sort of constitution that he could more sincerely support??
But it is more than irony: one of the main reasons why nationalism is no longer a tenable concept is because it has spread throughout the planet.
Lucretius has remarked: `` The reason why all Mortals are so gripped by fear is that they see all sorts of things happening in the earth and sky with no discernable cause, and these they attribute to the will of God ''.
That is why the form itself becomes a preoccupation, because it exists as a problem separate from the material it accommodates.
That is why, the argument runs, the squares are so fearful of jazz and yet perversely fascinated by it.
`` The Rocking Horse Winner '' is a fantasy with extraordinary power to disturb the reader -- but we do not know why.
It is a characteristic of thoughts that in re-thinking them we come, ipso facto, to understand why they were thought ''.
Because of these involvements in the matter at stake, Boniface lacked the impartiality that is supposed to be an essential qualification for the position of arbiter, and in retrospect that would seem to be sufficient reason why the English embassies to the Curia proved so fruitless.
Conceived as an organ of economic cooperation, there is no reason why O.E.C.D. cannot evolve into a broader instrument of union if its members so desire.
The schedules are flexible so that the program can be accelerated as the public becomes more tolerant or realizes that it is something that has to be done, `` so why not now ''.
That is why the United Nations was formed so that intelligent men with good intentions from all countries could meet and solve problems without resorting to war.
Armed Forces Day is the annual report on this investment, a public presentation designed to give our own people, and the people of other lands who stand with us for peace with freedom and justice, the best possible opportunity to see and understand what we have and why we have it.
That we had the wit and wisdom to adopt Mr. Lowell's concept and make it the base for our processes of selection is one reason why our selections have been, it may be said truly, pretty uniformly good.
Really there is no reason why this fine exercise should not find its way into your leg program at all times, for the following suggestions show why it is so effective: 1.
is and Artemis
Apollo's sister Artemis, who was the Greek goddess of hunting, is identified with Britomartis ( Diktynna ), the Minoan " Mistress of the animals ".
He fell to the fatal wrath of Artemis, but the surviving details of his transgression vary: " the only certainty is in what Aktaion suffered, his pathos, and what Artemis did: the hunter became the hunted ; he was transformed into a stag, and his raging hounds, struck with a ' wolf's frenzy ' ( Lyssa ), tore him apart as they would a stag.
There are various other versions of his transgression: The Hesiodic Catalogue of Women and pseudo-Apollodoran Bibliotheke state that his offense was that he was a rival of Zeus for Semele, his mother's sister, whereas in Euripides ' Bacchae he has boasted that he is a better hunter than Artemis:
There are several reasons throughout myth for such wrath: in Aeschylus ' play Agamemnon, Artemis is angry for the young men who will die at Troy, whereas in Sophocles ' Electra, Agamemnon has slain an animal sacred to Artemis, and subsequently boasted that he was Artemis ' equal in hunting.
The fortified site described below, originally identified as Abae by Colonel William Leake in the 19th century, is much more likely to be that of the Sanctuary of Artemis at Hyampolis.
However, the name Artemis ( variants Arktemis, Arktemisa ) is most likely related to Greek árktos ‘ bear ’ ( from PIE * h₂ŕ ̥ tḱos ), supported by the bear cult that the goddess had in Attica ( Brauronia ) and the Neolithic remains at the Arkouditessa, as well as the story about Callisto, which was originally about Artemis ( Arcadian epithet kallisto ).
It is believed that a precursor of Artemis was worshiped in Minoan Crete as the goddess of mountains and hunting, Britomartis.
Artemis, who is with her companions at Letrenoi, goes to Alpheus, but, suspicious of his motives, she covers her face with mud so that the river god does not recognize her.
Sipriotes is a boy, who, either because he accidentally sees Artemis bathing or because he attempts to rape her, is turned into a girl by the goddess.
The details vary but at the core they involve a great hunter, Actaeon who Artemis turns into a stag for a transgression and who is then killed by hunting dogs.
On the Tablets of Pylos a theonym δι ( digamma ) ια is supposed as referring to a deity precursor of Artemis.
is and has
`` And if the dive goes OK he has the exclusive import rights to your line for this country, is that right ''??
In fact it has caused us to give serious thought to moving our residence south, because it is not easy for the most objective Southerner to sit calmly by when his host is telling a roomful of people that the only way to deal with Southerners who oppose integration is to send in troops and shoot the bastards down.
As it is, they consider that the North is now reaping the fruits of excess egalitarianism, that in spite of its high standard of living the `` American way '' has been proved inferior to the English and Scandinavian ways, although they disapprove of the socialistic features of the latter.
Historically, however, the concept is one that has been of marked benefit to the people of the Western civilizational group.
While the pattern is uneven, some having gained more than others, nationalism has in fact served the Western peoples well.
It has nothing of the proud stride of the trained runner about it, it is not a lope, it is not done with style or verve.
The music director of the Pittsburgh Symphony Orchestra, William Steinberg, has molded his group into a prominent musical organization, which is his life.
`` Now that Bruno Walter is virtually in retirement and my dear friend Dimitri Mitropoulos is no longer with us, I am probably the only one -- with the possible exception of Leonard Bernstein -- who has this special affinity for and champions the works of Bruckner and Mahler ''.
Even though in most cases the completion of the definitive editions of their writings is still years off, enough documentation has already been assembled to warrant drawing a new composite profile of the leadership which performed the heroic dual feats of winning American independence and founding a new nation.
It is interesting, however, that despite this strong upsurge in Southern writing, almost none of the writers has forsaken the firmly entrenched concept of the white-suited big-daddy colonel sipping a mint julep as he silently recounts the revenue from the season's cotton and tobacco crops ; ;
But the South is, and has been for the past century, engaged in a wide-sweeping urbanization which, oddly enough, is not reflected in its literature.
In the meantime, while the South has been undergoing this phenomenal modernization that is so disappointing to the curious Yankee, Southern writers have certainly done little to reflect and promote their region's progress.
An approach that has appealed to some choreographers is reminiscent of Charles Olson's statement of the process of projective verse: `` one perception must immediately and directly lead to a further perception ''.
The process stipulates that the choreographer sense the quality of the initial movement he has discovered and that he feel the rightness of the quality that is to follow it.
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