* Trouser Press commentary on Crowded House, Neil Finn and Tim Finn discography

* Trouser Press entry

Trouser Press critic Ian McCaleb later described the record as the " archetype for the musical explosion that was about to occur ".

" Exploited ", in The Trouser Press Record Guide, 4th ed., ed.

" Radio Birdman ", in The Trouser Press Record Guide, 4th ed., ed.

" Television ", in The Trouser Press Record Guide, 4th ed., ed.

* Comateens bio from Trouser Press

* April – New York rock and roll magazine Trouser Press folds after a decade, publishing its 96th and final issue.

* Magma at Trouser Press

A month later, their debut album Crossing The Red Sea was released, and has become one of the most highly regarded albums of the punk era, with Dave Thompson calling it " a devastating debut, one of the finest albums not only of the punk era, but of the 1970s as a whole ", Trouser Press calling it " the equal of the first Sex Pistols or Clash LP, a hasty statement that captures an exciting time ", and several other writers including it in lists of all-time greatest albums.

* Trouser Press entry

Ira Robbins of the Trouser Press called the album a " primary classic of hip-hop's original commercial surge " and went on to write:

In an " Autodiscography " feature article in the Trouser Press magazine, the band members recalled that while five different studios were credited on the album's liner notes, all of the recording took place at Gold Star Studios, the same facility Spector had used for his classic " Wall of Sound " productions of the 1960s.

Dee Dee's account contradicts much of the band's collective account from the 1982 Trouser Press interview, where the band stated that the only track that Johnny, Dee Dee and Marky did not play on was the cover version of " Baby, I Love You ", as the band, save for Joey, had gone home after cutting basic tracks for the rest of the album.

His only consistent recollection in both accounts is his dissatisfaction with his songwriting contributions to the album ; he specifically cited the anti-war songs " High Risk Insurance " and " Let's Go " in the Trouser Press interview.

* Au Pairs Trouser Press Guide.

* David Thomas solo overview at Trouser Press

* Thirlwell Biography / Discography at Trouser Press

Trouser Press was one of the few major media outlets that did not give the album a good review, stating that " more time spent in the songwriting lab might have yielded material more suitable to the evident studio effort invested and brought Wilco closer to making a truly great album.

* on the Trouser Press site

* Trouser Press entry

* Trouser Press entry

* Half Japanese entry at the Trouser Press website

Trouser Press Guide.

* The dB's at Trouser Press

Trouser Press describes them as ' one of America's finest and least formulaic roots-rock combos '.

Trouser Press describes it as " as challenging and inventive as the band's other work, adding industrial and classical instrumentation to the creative arsenal ", " dark and thoroughly uncompromising " and " not for the easily intimidated.

" Trouser Press describes Bird Wood Cage as " inserting fascinating bits of business into superficially forbidding songs ", including female backing vocals, funky wah-wah guitar and elements of dub reggae.

Trouser Press describes Funky Little Demons as " straight-ahead dance music with the correct materials ", though " no longer enigmatic risk-takers, the Wolfgang Press have become just another white post-new wave soul band.

Trouser Press called it " a brilliant 21-song suite " in which the band " manipulated classic rock song structure by condensing them into brief, intense explosions of attitude and energy, coming up with a collection of unforgettable tunes ".

The sound mellowed somewhat with the release of debut album " Hold On It Hurts " in 1994, described by Trouser Press as " a politically charged popfest, ten tracks of noisy delights that meld incisive social commentary with a firm hold on British post-punk.

Afterglow is a box set compilation by Electric Light Orchestra released in 1990 with liner notes by music critic and editor Ira Robbins of Trouser Press fame.

Trouser Press said " in its own way " the album " is the equal of the first Sex Pistols or Clash LP, a hasty statement that captures an exciting time ".

This image is of the CD cover for the Mr. Scruff album entitled Trouser Jazz.

It is used in the article about the album, Trouser Jazz.

The band is known for having its songs remixed by a wide variety of dance music producers, including Leftfield, Band of Gypsies, Carl Cox, Push, Rollo Armstrong from Faithless, Red Jerry, Matt Darey, Slam, X-Press 2, Trouser Enthusiasts, Robbie Rivera, Jimmy Gomez, K-Klass, Armand Van Helden, and Fire Island ( Pete Heller and Terry Farley ) among others.

The first is the single mix of " Boy Is Crying " done by Welsh dance act Hybrid ; the second is the Trouser Enthusiast remix of " Lose That Girl ", which was prepared for the track's ( eventually shelved ) single release.

For example Trouser Press wrote " To call it bad is curt but realistic ," and Allmusic calls it " gloomy conclusion to what was once a most vibrant band.

Her Holly Beth Vincent album, titled Holly and the Italians fulfill contractual obligations with Virgin Records is one of Ira Robbins / Trouser Press record guide's top albums of all-time.

Trouser Press called it " the best of the three original albums " in which " Perrett's languid vocals and songs provide the character and focus, while the band's skills carry it off handsomely ".

The steep wet hills and access to major wool markets meant that Hebden Bridge was ideal for water powered weaving mills and the town developed during the 19th and 20th centuries ; at one time Hebden was so well known for its clothing manufacture that it was known as " Trouser Town ".

" Trouser Press journalist Jeff Chang called it " an amazing debut " and complimented Kool Keith's " shifty rhyme patterns ", while writing that Ced-Gee " pushes sampling technology to its early limits, providing sonics that are less bassy and more breakbeat heavy than most of their contemporaries.

Ira Robbins of Trouser Press called the music " stunning in its mischievous diversion of traditional concepts ", describing the music as " Wagnerian orchestration, exotic ethnic elements, blaring big-band swing, continental drift and found-sound constructions ".