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Troyanos and was
McCracken made a number of complete opera recordings, including " Le prophète " ( with Marilyn Horne and Renata Scotto, ( Col / CBS ), c1976 ), " Carmen " ( conducted by Leonard Bernstein, ( DG ), 1972 ), " Fidelio " ( with Birgit Nilsson, ( Decca / London ), 1964 ), " Otello " ( with Dame Gwyneth Jones, ( EMI / Angel ), 1968 ) and " Pagliacci ", on which side 4 of the original LP version was a recital of opera arias, ( Decca / London ), ( 1967 ), as well as Schoenberg's Gurre-Lieder ( with Jessye Norman, Tatiana Troyanos and David Arnold, ( Phi ), 1979 ), and a program of Irish and Scottish songs with piano ( EMI / Angel ), 1977.
Tatiana Troyanos ( September 12, 1938 – August 21, 1993 ) was an American mezzo-soprano of Greek and German descent.
After a long run in the chorus in the original Broadway production of The Sound of Music, Troyanos was engaged by the New York City Opera and made her professional operatic debut in April 1963 as Hippolyta in the New York premiere production of Britten's A Midsummer Night's Dream.
" The star of the show was Miss Troyanos ... the most aristocratic Octavian at the Met in years ," wrote Speight Jenkins in a review of the Rosenkavalier in the New York Post.
" Tatiana Troyanos: Flair and Flamboyance ", < i > The Gramophone </ i >, December 2003, accessed August 24, 2012 .</ ref > from 1976 to her death in 1993, she was internationally revered for her uniquely sensual, burnished sound, her versatility and beauty, as well as the thrilling intensity of all her performances.
" Troyanos ' voice was the kind you recognize after one bar, and never forget ," wrote Cori Ellison in Opera News.
Troyanos was also active as a song recitalist, both solo ( she made her Carnegie Hall recital debut in 1978 ) and, later in her career, in partnership with the soprano Benita Valente.
Tatiana Troyanos died on August 21, 1993, at the age of 54 in New York City from breast cancer which was first diagnosed in the mid-1980s and, about five weeks before her death, was found to have metastasized to her liver.
Troyanos, who died twenty-two days before her 55th birthday, was one of three female opera stars of international stature who succumbed to cancer in 1993 in or near their 54th year ; the others were sopranos Lucia Popp and Arleen Auger.

Troyanos and known
Generally known as the " operatic version " of West Side Story, it stars Kiri Te Kanawa as Maria, José Carreras as Tony, Tatiana Troyanos as Anita, Kurt Ollmann as Riff, and Marilyn Horne as the offstage voice who sings " Somewhere ".
Generally known as the " operatic version ", it starred Te Kanawa as Maria, José Carreras as Tony, Tatiana Troyanos as Anita, Kurt Ollman as Riff, and Marilyn Horne as the offstage voice who sings " Somewhere ".

Troyanos and for
** Richard Mohr ( producer ), Erich Leinsdorf ( conductor ), Ezio Flagello, Sherrill Milnes, Leontyne Price, Judith Raskin, George Shirley, Tatiana Troyanos & the New Philharmonia Orchestra for Mozart: Cosi Fan Tutte
** Richard Mohr ( producer ), Erich Leinsdorf ( conductor ), Ezio Flagello, Sherrill Milnes, Leontyne Price, Judith Raskin, George Shirley, Tatiana Troyanos & the New Philharmonia Orchestra for Mozart: Così fan tutte
From 1981 to 1983, Troyanos appeared in all three season opening nights at the Met —" typically enough ," James Levine, the conductor for all three, noted, " in three different styles and languages "— as Adalgisa in Bellini's Norma in 1981 ( opposite Renata Scotto ), Octavian in Strauss's Der Rosenkavalier in 1982 ( opposite Kiri Te Kanawa ), and Didon in Berlioz's Les Troyens in 1983 ( with Jessye Norman and Plácido Domingo ).

Troyanos and her
Troyanos continued her musical studies at Juilliard and privately with voice teacher Hans Heinz, whom she called " the major influence in my life.
After debuts in Chicago, Dallas, Boston, and in San Francisco where the Chronicles Robert Commanday wrote of her appearance in Monteverdi's L ' incoronazione di Poppea, " The means by which Poppea seduces Nero ... could liquefy even stone the way the sensational new mezzo soprano Tatiana Troyanos sang "— she returned to New York to make her Metropolitan Opera debut as Octavian, closely followed by the Composer, in the spring of 1976.
Other roles Troyanos sang on opera stages in the course of her career included
Troyanos had successfully concealed her illness from the vast majority of her colleagues, having sung her last Met performance the last of three performances as Waltraute ( a role debut ) to Gwyneth Jones ' Brünnhilde in Wagner's Götterdämmerung on May 1, 1993.
" Troyanos is still a profoundly immediate and expressive artist ," wrote Richard Dyer in the Boston Globe, citing her " pliant and meaningful delivery and coloration of the text " and her " beautiful, sophisticated and natural shaping of the musical line.

Troyanos and from
The role of the Composer has been sung there most often by a mezzo-soprano ( at least 64 times ), including, besides Kerstin Meyer, who sang the role 6 times, Tatiana Troyanos ( 19 appearances from 1976 to 1988 ), Susanne Mentzer ( 20 appearances from 1993 to 2003 ), Susan Graham ( 5 appearances in the fall of 2005 ) and Sarah Connolly ( 5 appearances in the winter of 2010 ).
Troyanos sang in concert performances of operas ranging from Handel's Deidamia and Mozart's Mitridate to Donizetti's Roberto Devereux and Bartók's Bluebeard's Castle ( performing the latter, in the original Hungarian, under Pierre Boulez, Georg Solti, and Rafael Kubelik ), in addition to concert works by Mozart, Beethoven, Brahms, Berlioz, Verdi, Ravel, Mahler, Prokofiev, Schoenberg, Berg and others.
" Troyanos ' last opera performances were in Richard Strauss ' Capriccio at San Francisco Opera from June 12 to July 1, 1993.

Troyanos and roles
Throughout the many years at the Lyric, Carol Fox developed the confidence and authority to bring the following world-famous artists to the Lyric: Luciano Pavarotti ( 56 performances in 7 roles ), Tito Gobbi, Eleanor Steber, Jussi Björling, Birgit Nilsson, Renata Tebaldi, Giuseppe di Stefano, Giulietta Simionato, Richard Tucker, Boris Christoff, Eileen Farrell, Dorothy Kirsten, Leonie Rysanek, Leontyne Price, Elisabeth Schwarzkopf, Geraint Evans, Mirella Freni, Nicolai Ghiaurov, Alfredo Kraus, Renata Scotto, Robert Merrill, Joan Sutherland, Christa Ludwig, Jon Vickers, Marilyn Horne, Grace Bumbry, Monserrat Caballe, Tatiana Troyanos, Sherill Milnes, Plácido Domingo, Felicia Weathers and Jose Carreras.

Troyanos and ;
* Bernstein: West Side Story ( Te Kanawa, Troyanos, Carreras ; Bernstein, 1984 ) Deutsche Grammophon
* Verdi: Don Carlos ( Scotto, Troyanos, Moldoveanu, Plishka, Hines ; Levine, cond., Dexter, dir.
In 1994, the Metropolitan Opera performed a concert in memory of Troyanos ; in his printed eulogy, Music Director James Levine wrote, " The idea that we are gathered here ... to pay memorial tribute to Tatiana Troyanos is incomprehensible.
" Tatiana Troyanos Is Dead at 54 ; Mezzo Star of Diverse Repertory ", The New York Times, August 23, 1993.

Troyanos and .
* 1938 – Tatiana Troyanos, American soprano ( d. 1993 )
Other important commercial recordings include Rigoletto with Dietrich Fischer-Dieskau and Carlo Bergonzi under Rafael Kubelík, Turandot with Birgit Nilsson and Franco Corelli under Francesco Molinari-Pradelli, I Pagliacci with José Carreras, Cavalleria rusticana with Plácido Domingo, Norma with Tatiana Troyanos, Otello ( Verdi's ), Adriana Lecouvreur and Andrea Chénier.
Performers include Johnny Otis and Tatiana Troyanos.
* Mozart: Così fan tutte ( with L. Price, Troyanos, Raskin, Shirley, Flagello – Leinsdorf, cond.
During its nearly 70 year history, the NYCO has helped launch the careers of many great opera singers including Beverly Sills, Sherrill Milnes, Plácido Domingo, Carol Vaness, José Carreras, Shirley Verrett, Tatiana Troyanos, Jerry Hadley, Catherine Malfitano, Bejun Mehta, Samuel Ramey, and Gianna Rolandi.
Orpheus has collaborated with many of the great artists of our time including Isaac Stern, Gidon Kremer, Itzhak Perlman, Gil Shaham, Yo-Yo Ma, Mischa Maisky, Emanuel Ax, Richard Goode, Alicia de Larrocha, Radu Lupu, Martha Argerich, Alfred Brendel, Horacio Gutierrez, Murray Perahia, Peter Serkin, Mitsuko Uchida, Tatiana Troyanos, Maureen Forrester, Frederica von Stade, Peter Schreier, Anne Sofie von Otter, Dawn Upshaw, and Renée Fleming.
Among notable singers who were never engaged by Sir Rudolf were Patricia Brooks, Dietrich Fischer-Dieskau, Maureen Forrester, Leyla Gencer, Chester Ludgin, Patricia Neway, Magda Olivero, Mirto Picchi, Miriam Pirazzini, Arlene Saunders, Nancy Shade, Rita Shane, Sills, Norman Treigle, Tatiana Troyanos, and Beverly Wolff.
Born in New York City, Troyanos grew up in Forest Hills, Queens, where she attended Forest Hills High School.
" Troyanos has a sumptuous voice, a very sharp intelligence, enormous ambition, and do-or-die determination to be a great artist ," observed British record producer Walter Legge.
Troyanos enjoyed an equally versatile career as a recording artist, appearing in the title role of Sir Georg Solti's acclaimed recording of Bizet's Carmen, as Cherubino in Karl Böhm's 1968 recording of Mozart's The Marriage of Figaro, and as Anita in Leonard Bernstein's high-profile operatic recording of West Side Story, among others.

Troyanos and
" Tatiana Troyanos A Voice Which Dreams Are Made On.

was and known
He knew who was riding after him -- the men he had known all his life, the men who had worked for him, sworn their loyalty to him.
But she'd known plenty of handsomer guys, and, conceding his good looks, what was there left??
For Matilda, it was the first she had known in many a night.
Even the knowledge that she was losing another boy, as a mother always does when a marriage is made, did not prevent her from having the first carefree, dreamless sleep that she had known since they dropped down the canyon and into Bear Valley, way, way back there when they were crossing those other mountains.
`` Gyp Carmer couldn't have known about Colcord's money unless he was told -- and who else would have told him ''??
When the possibility that he had not given reconsideration to so weighty a decision seemed to disconcert his questioners, Mr. Eisenhower was known to make his characteristic statement to the press that he was not going to talk about the matter any more.
Besides, Miss Henrietta -- as she was generally known since she had put up her hair with a chignon in the back -- had little time to spare them from her teaching and writing ; ;
The contents of this 195-page document would become known to many before it would become known to the man it was written about.
I had known him for some years, when I was a delegate and before, and this manner had never been his ''.
On one visit he stopped at the office of the American, where he was known surreptitiously as `` the Great White Chief '', and for the first time met his managing editor, fat Moses Koenigsberg.
It need hardly be remarked that Thompson was not generally known for his scrupulosity about keeping his social engagements, which makes his irritation in this letter all the more significant.
The internationally known sportsman and traveler Friedrich Gerstacker was typical of its detractors in the mid-thirties.
What is not so well known, however, and what is quite important for understanding the issues of this early quarrel, is the kind of attack on literature that Sidney was answering.
This was accordingly done, and the plight of the grateful Mrs. Morris was much relieved as a result of the generous loan, the amount of which is not known.
In spite of the armistice negotiated by Amadee two years earlier, the war between Bishop Guillaume of Lausanne and Louis of Savoy was still going on, and although little is known about it, that little proves that it was yet another phase of the struggle against French expansion and was closely interwoven with the larger conflict.
And with the publication of E. T. Leeds' Archaeology Of The Anglo-Saxon Settlements the student was presented with an organized synthesis of the archaeological data then known.
The malady was popularly known as the `` Spanish flu '' from the alleged locale of its origin.
He was placed in charge of athletics, and among other things adapted the type of calisthenics known as the daily dozen.
The CTCA program of activities was profuse: William Farnum and Mary Pickford on the screen, Elsie Janis and Harry Lauder on the stage, books provided by the American Library Association, full equipment for games and sports -- except that no `` bones '' were furnished for the all-time favorite pastime played on any floor and known as `` African golf ''.
In light of the scholarly reappraisals engendered by the higher criticism this is a most remarkable statement, particularly coming from one who was well known for his antifundamentalist views.

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