* Kuniyoshi Ueda – arranger, translation

Until the mid-1960s, males vastly outnumbered the handful of females ( for example: Toshiko Ueda, Hideko Mizuno, Masako Watanabe, and Miyako Maki ) amongst the artists working on shōjo manga.

Following Izo's death, a woman called Ueda Naraito partially carried on this role for a while, although she does not appear to have held the actual title " Honseki ".

Lead developer Fumito Ueda came up with the concept for Ico in 1997, envisioning a " boy meets girl " story where the two main characters would hold hands during their adventure, forming a bond between them without communication.

With the help of an assistant, Ueda created an animation in Lightwave to get a feel for the final game and to better convey his vision.

Ueda stated that having this movie that represented his vision helped to keep the team on track for the long development process, and he reused this technique for the development of Shadow of the Colossus, the team's next effort.

Ueda believed this version had too much detail for the graphics engine they had developed, and as part of the " subtracting design ", replaced the warriors with the shadow creatures.

The cover used for releases in Japan and PAL regions was drawn by Ueda himself, and was inspired by the surrealist artist Giorgio de Chirico and his work, The Nostalgia of the Infinite.

In 1997, the international lawyer Kōnen Tsuchiya filed a class action suit against the Japanese government demanding reparations for the actions of Unit 731, using evidence filed by Rikkyo University professor Makoto Ueda.

In 1989 Kenji Ueda, bassist for Kenzi & The Trips, left the band with former Kenzi's drummer Sninichiro Sato and invited The Coin Locker Babies vocalist Sawao Yamanaka to form a new band.

Out of respect for Ueda, Kashima was labeled as a guest musician on releases on which he performed and Ueda's bassist post has never been officially replaced.

Losing his composure, Musashi antagonizes Ueda, who then makes light of the fact that Musashi would become so angry at his own imminent death but feel nothing for killing Denshichirō and his brother.

Ueda takes advantage of this emotional distraction to successfully cut Musashi, but the battle is cut short by Takuan, who houses Musashi for the night.

This was the Second Battle of Ueda Castle, and, whilst it was not exactly a victory, Masayuki was able to deliver a heavy blow to Hidetada and delay his forces for long enough that they were unable to show up at the main battlefield on time.

Masayuki, previously serving Takeda Shingen and Takeda Katsuyori as a retainer, inherited the Sanada clan and left for Ueda Castle.

Rose of Versailles has also been dramatized for Takarazuka Revue by Shinji Ueda.

* In an issue of Official U. S. PlayStation Magazine, Japanese game designer Fumito Ueda cited Another World as an influence for his creation of Ico for the PlayStation 2.

He is most known for the roles of Hakaider ( Android Kikaider ), Doctor Neo Cortex ( Crash Bandicoot series ), Ryu Jose ( Mobile Suit Gundam ), Heart ( Fist of the North Star ), Happosai Ueda ( Nintama Rantarou ), Nappa ( Dragon Ball ) and Sergeant Bosco Albert " B. A.

Ueda made the mistake of saying, " We bid farewell to Yamada and Fukumoto ( who will leave the team ) ..." instead of " We bid farewell to Yamada but will have Fukumoto ( for the new team ) ...".

Fukumoto felt no ill-will towards Ueda and went on to coach for Orix in 1989 and 1990.

The soundtrack for Devil May Cry 4 was composed by Tetsuya Shibata, Shusaku Uchiyama, Kento Hasegawa, Akihiko Narita, Kota Suzuki, Rei Kondo, Chamy Ishi, Masami Ueda and Shinichiro Sato.

Kihachiro Ueda, learned in naval vessels, handled most of the box art for the Water Line Series.

In 2010, as a veteran at the age of 39 years, she still belongs to the world elite, takes part in the Dextro Energy World Championship Series together with Ai Ueda, and she won for instance the gold medal at the World Cup in Ishigaki.

Ueda purposely left the ending vague, not stating whether Yorda was alive, whether she would travel with Ico, or if it was simply the protagonist's dream.

Though limiting the presence of enemies to only bosses was partly intended to differentiate the game from others, Ueda also expressed that it was to ensure that the programmers ' focus was entirely on the colossi so that their quality would be as high as possible.

On reflection, Ueda noted that the subtracting design may have taken too much out of the game, and did not go to as great an extreme with Shadow of the Colossus.

Some historians have argued that Ieyasu actually feigned illness in order to avoid going to Kusatsu, as the Sanada clan, which was hostile towards him, resided in the vicinity of Kusatsu, in Ueda Castle.

Ueda wished the game to have a unique presentation and change how both players and developers perceived the idea of what bosses should be in video games.

KL1 is an implementation of Flat GHC ( a subset of the Guarded Horn Clauses language by Kazunori Ueda ), making it a parallelised Prolog variant.

Ueda, when asked about the connection between the two games, stated that Shadow of the Colossus is a prequel to Ico, specifically citing the ending of Shadow where a child is born with two horns.

In 1994 the pillows changed to King Records and with Ueda no longer in the band to combat Sawao's eccentric diversity and rapidly changing musical interests, the pillows ' style started drifting away from their style of eclectic pop rock, and the band wildly experimented between varying genres ; during this time, the band's style of music could best be described as jazz, but with the ever-present sixties pop rock influence.

He instigates a duel between wandering swordsmen including Ueda Ryōhei and Denshichirō of the Yoshioka.

The Scaife Mountains () is a group of mountains rising west of Prehn Peninsula and between the Ketchum and Ueda glaciers, in Palmer Land, at the base of Antarctic Peninsula.

A theme of companionship between the player and an AI-controlled partner was a concern for Ueda.

Kenji Kaido and Fumito Ueda, the creative team behind Ico

These consisted of two programmers, four artists, and one designer in addition to Ueda and Kaido, forming the base of what is now known as Team Ico.

Ueda believed that " the surrealistic world of de Chirico matched the allegoric world of Ico ".

Ueda commented that he purposely tried to distance Ico from conventional video games due to the negative image that video games were receiving at that time, in order to draw more people to the title.

A film adaption of Ico may come about based on the success of the adaptation of Shadow of the Colossus being created by Misher Films in conjunction with Sony and Fumito Ueda.

Ueda has stated that " the essence of the game is rather close to Ico ".

It was directed by Fumito Ueda and developed at SCEI's International Production Studio 1, also known as Team Ico ; the same development team responsible for the cult hit Ico.

However, Fumito Ueda expressed that, at the time, it was simpler to reuse the character design of Ico < nowiki >'</ nowiki > s protagonist, and that he never explicitly desired a sequel to Ico.