The Roman attempt during the second consulship of Lucius Manlius Vulso ultimately failed, but it shows his leadership abilities through his capacity to keep recruiting sailors, even after a serious loss.

Carthage under Hamilcar tries to intervene but a force under the Roman general and consul Marcus Atilius Regulus and his colleague Lucius Manlius Vulso Longus defeat the Carthaginian fleet in the Battle of Cape Ecnomus off the southern coast of Sicily.

At the time, it was known as the Year of the Tribunate of Esquilinus, Capitolinus, Vulso, Medullinus, Saccus and Vulscus ( or, less frequently, year 354 Ab urbe condita ).

At the time it was known as the Year of the Consulship of Nobilior and Vulso ( or, less frequently, year 565 Ab urbe condita ).

At the time it was known as the Year of the Consulship of Brutus and Vulso ( or, less frequently, year 576 Ab urbe condita ).

At the time, it was known as the Year of the Consulship of Medullinus and Vulso ( or, less frequently, year 280 Ab urbe condita ).

At the time, it was known as the Year of the Tribunate of Cincinnatus, Vulso, Medullinus and Atratinus ( or, less frequently, year 334 Ab urbe condita ).

At the time, it was known as the Year of the Tribunate of Capitolinus, Vulso, Iullus, Sextilius, Albinius, Antistius, Trebonius and Erenucius ( or, less frequently, year 375 Ab urbe condita ).

Lucius Manlius Vulso Longus was a Roman patrician who became consul in 256 and 250 BC.

The two consuls of the year, Marcus Atilius Regulus and Lucius Manlius Vulso Longus, were given command of the fleet.

Two of the squadrons, commanded by the consuls Marcus Atilius Regulus and Lucius Manlius Vulso Longus, led the way.

In 189 BC, Rome sent Gnaeus Manlius Vulso on an expedition against the Galatians, the Galatian War.

After setting up Roman defenses for the city, the two consuls receive instructions from Rome that Vulso is to set sail for Rome, taking most of the fleet with him.

Livy gives due attention to the plundered wealth of statuary, gold and silver, but particular weight to the specialist chefs, flute girls, one-legged tables and other " dinner-party amusements " brought to Rome from exotic Galatia for the ( putative ) triumph of Gnaeus Manlius Vulso in 187 BCE.

* The Romans under consul Gnaeus Manlius Vulso, along with a Pergamene army under Eumenes II, defeat the Galatians in Anatolia and make them subjects of Pergamum.

* Marcus Atilius, duumvir in 216 BC, with Gaius Atilius, dedicated the temple of Concordia, which L. Manlius Vulso, the praetor, had vowed.

The cognomen Vulso appeared shortly thereafter, and this family flourished for over three hundred years.

f. Vulso, consul in 474 BC.

f. P. n. Vulso, decemvir in 451 BC.

n .) Vulso, tribunus militum consulari potestate in 420 BC.

n. Vulso Capitolinus, tribunus militum consulari potestate in 405, 402, and 397 BC.

* Lucius Manlius A. f. P. n. Vulso Longus, consul in 256 and 250 BC.

* Lucius Manlius Vulso, unsuccessful candidate for the consulship in 216 BC.

* Publius Manlius Vulso, praetor in BC 210, received Sardinia as his province.

f. L. n. Vulso, consul in 189 BC.

The AMPAS was originally conceived by Metro-Goldwyn-Mayer studio boss Louis B. Mayer as a professional honorary organization to help improve the film industry ’ s image and help mediate labor disputes.

The International Encyclopedia of the Social Sciences defines psychological altruism as " a motivational state with the goal of increasing another ’ s welfare ".

Psychological altruism is contrasted with psychological egoism, which refers to the motivation to increase one ’ s own welfare.

One way is a sincere expression of Christian love, " motivated by a powerful feeling of security, strength, and inner salvation, of the invincible fullness of one ’ s own life and existence ".

Another way is merely " one of the many modern substitutes for love, ... nothing but the urge to turn away from oneself and to lose oneself in other people ’ s business.

* David Firestone-When Romney ’ s Reach Exceeds His Grasp-Mitt Romney quotes the song

" Swift extends the metaphor to get in a few jibes at England ’ s mistreatment of Ireland, noting that " For this kind of commodity will not bear exportation, and flesh being of too tender a consistence, to admit a long continuance in salt, although perhaps I could name a country, which would be glad to eat up our whole nation without it.

George Wittkowsky argued that Swift ’ s main target in A Modest Proposal was not the conditions in Ireland, but rather the can-do spirit of the times that led people to devise a number of illogical schemes that would purportedly solve social and economic ills.

In response, Swift ’ s Modest Proposal was " a burlesque of projects concerning the poor ", that were in vogue during the early 18th century.

Critics differ about Swift ’ s intentions in using this faux-mathematical philosophy.

Charles K. Smith argues that Swift ’ s rhetorical style persuades the reader to detest the speaker and pity the Irish.

Swift ’ s specific strategy is twofold, using a " trap " to create sympathy for the Irish and a dislike of the narrator who, in the span of one sentence, " details vividly and with rhetorical emphasis the grinding poverty " but feels emotion solely for members of his own class.

Swift ’ s use of gripping details of poverty and his narrator ’ s cool approach towards them create " two opposing points of view " that " alienate the reader, perhaps unconsciously, from a narrator who can view with ' melancholy ' detachment a subject that Swift has directed us, rhetorically, to see in a much less detached way.

Once the children have been commodified, Swift ’ s rhetoric can easily turn " people into animals, then meat, and from meat, logically, into tonnage worth a price per pound ".

Swift uses the proposer ’ s serious tone to highlight the absurdity of his proposal.

In making his argument, the speaker uses the conventional, text book approved order of argument from Swift ’ s time ( which was derived from the Latin rhetorician Quintilian ).

James Johnson argued that A Modest Proposal was largely influenced and inspired by Tertullian ’ s Apology: a satirical attack against early Roman persecution of Christianity.

Johnson notes Swift ’ s obvious affinity for Tertullian and the bold stylistic and structural similarities between the works A Modest Proposal and Apology.

He reminds readers that " there is a gap between the narrator ’ s meaning and the text ’ s, and that a moral-political argument is being carried out by means of parody ".