`` We know Penny spent some -- and Carmer must have dropped a few dollars getting that load on ''.

`` We have now a national character to establish '', Washington wrote in 1783.

We have ample light when the sun sets ; ;

We have staved off a war and, since our behavior has involved all these elements, we can only keep adding to our ritual without daring to abandon any part of it, since we have not the slightest notion which parts are effective.

We are forced, in our behavior towards others, to adopt empirically successful patterns in toto because we have such a minimal understanding of their essential elements.

We showed them to each other and said `` Would you have guessed ''??

A Yale historian, writing a few years ago in The Yale Review, said: `` We in New England have long since segregated our children ''.

We hear equally fervent concern over the belief that we have not enough generalists who can see the over-all picture and combine our national skills and knowledge for useful purposes.

We have proved so able to solve technological problems that to contend we cannot realize a universal goal in the immediate future is to be extremely shortsighted, if nothing else.

We must believe we have the ability to affect our own destinies: otherwise why try anything??

We have recourse to the scientifically-trained specialist in the laboratory.

We must not forget, to be sure, that free discussion and debate have produced beneficial results.

We have so completely entered the child's fantasy that his illness and his death are the plausible and the necessary conclusion.

We experience a vague uneasiness about events, a suspicion that our political and economic institutions, like the genie in the bottle, have escaped confinement and that we have lost the power to recall them.

We feel uncomfortable at being bossed by a corporation or a union or a television set, but until we have some knowledge about these phenomena and what they are doing to us, we can hardly learn to control them.

`` We have nothing to hide under a bushel.

We already have the only one of its kind ''.

We may also recognize cases in which the poets have influenced the philosophers and even indirectly the scientists.

We must, therefore, have a look at the new archaeological material and re-examine the literary and place-name evidence which bears upon the problem.

`` We have just returned from Roswell, N.M., where we were defeated, 34 to 9 '', the young man noted.

`` We have a tremendous amount of talent -- but we lack cohesion ''.

We in East Greenwich have the example of two neighboring communities, one currently utilizing double sessions in their schools, and the other facing this prospect next year.

We have far less to fear in the migrant family than we have in the migrant developer under these conditions.

Early films, including those from the silent era, which feature the station include Traffic in Souls ( 1913 ), which starred Matt Moore ; The Yellow Passport ( 1916 ), starring Clara Kimball Young ; My Boy ( 1921 ), starring Jackie Coogan ; Frank Capra's The Strong Man ( 1926 ), starring Harry Langdon ; We Americans ( 1928 ), starring John Boles ; The Mating Call ( film ), 1928, co-starring Thomas Meighan and Renée Adorée ; Ellis Island ( 1936 ), starring Donald Cook ; Paddy O ' Day ( 1936 ), starring Jane Withers ; Gateway ( 1938 ), starring Don Ameche ; Exile Express ( 1939 ), which starred Anna Sten ; I, Jane Doe ( 1948 ), starring Ruth Hussey and Vera Ralston, and Gambling House ( 1951 ), starring Victor Mature

" We were dominated to the point where one play didn't make much of a difference ", said Dolphins coach Don Shula.

We can see Don Alonso Quijano ’ s Galgo looking at its owner.

In a July 2009 article drummer Don Bolles spoke about the band's plans to re-record old material for a planned box set entitled Lest We Forget: The Sounds Of The Germs.

All The Ways We Don ’ t Tell the Truth, January 6, 2002.

" We have no concerns ," Esri spokesman Don Berry said.

In June 2006, Don Kaplan of the tabloid New York Post ( owned by News Corporation, which also owns Fox News ) wrote a column titled " Do We Need MSNBC?

Reagon's work as a scholar and composer is reflected in publications on African American culture and history, including: a collection of essays entitled If You Don ’ t Go, Don ’ t Hinder Me: The African American Sacred Song Tradition ( University of Nebraska Press, 2001 ); We Who Believe In Freedom: Sweet Honey In The Rock: Still on the Journey, ( Anchor Books, 1993 ); and We'll Understand It Better By And By: Pioneering African American Gospel Composers ( Smithsonian Press, 1992 ).

After a year apart, Collins and Fagenson began writing and producing for other artists, including Puddle of Mudd's “ We Don ’ t Have To Look Back Now ”, and collaborating on a new experimental side project, The Sugi Tap.

: For We Don ’ t Give a Damn For Any Damn Man Who Don ’ t Give a Damn For Us!

Among his roles were Signor Matiste, Susan Alexander Kane's opera coach in Citizen Kane ( 1941 ); General Sebastiano in Five Graves to Cairo ( 1943 ); Don Miguel in The Black Swan ( 1942 ); Fernando in For Whom the Bell Tolls ( 1943 ); Sam Garlopis in Double Indemnity ( 1944 ); and a singing Christopher Columbus in Where Do We Go From Here ?.

Hiatt met Don Ellis of Epic Records in 1973, and received a record deal, releasing his first single, " We Make Spirit ," later that year with Ellis on drums and Michael Bell, a young but powerhouse guitar player from Hampton, Virginia on second lead guitar.

We were all touched by his statement ," Don Gjergji said at the end of his eyewitness account.

In a 2009 interview, Plain Dealer music critic John Soeder asked Don Henley this about the lyrics :" On " Hotel California ," you sing: " So I called up the captain / ' Please bring me my wine ' / He said, ' We haven't had that spirit here since 1969.

On December 3, 1976, the Don Ellis Orchestra performed on a Shirley MacLaine television special entitled Where Do We Go From Here?

In God We Trust / Golden Mansions / I'll Fly Away / He Never Lived A Day Without Jesus / Nero My God To Thee / Amos / Long Way To Nowhere / Iuka / Will The Circle Be Unbroken / I've Tried ( Trucker's Lament )( personnel: Don Nix: vcl / gtr, Eddie Hinton: gtr, Furry Lewis: sl. gtr / poem on track 8, Larry Rasberry: rh. gtr, Barry Beckett: keys, David Hood: bs, Roger Hawkins: dms, J.

She's A Friend Of Mine / The Train Don't Stop Here No More / Black Cat Moan / Rainy Night In Paris ( Memphis Reject )/ When I Lay My Burden Down / Sweet Sweet Surrender / We Gotta Move ( Keep On Rolling )/ Miss Eleana / I Need You / Look What The Years Have Done ( personnel: Don Nix: vcl / gtr, Pete Carr / Eddie Hinton / Larry Rasberry / Bobby Manuel / Furry Lewis: gtr, George Harrison slide gtr, Wayne Perkins: gtr / bcgr. vcls, Barry Beckett / Chris Stainton: keys, Steve Smith: keys / gtr, Tim Smith: gtr / pno, David Hood / Klaus Voormann: bs, Roger Hawkins: dms, Lon Price: sax, Jay Pruitt: strings, Jeanie Green / Claudia Lennear: bcgr. vcls + The Dallas-Ft. Worth Symphony Orchestra ) ( recorded at Apple Studio, London & Muscle Shoals Sound Studio etc., produced by Don Nix ) ( reissue: P-Vine PCD-5175, 1997 JAP )</ TD >< TD >< font size =" 2 "> 1973 US </ TD ></ TR >

In May 1995, a WICD reporter interviewed members of the Peoria tribe in Oklahoma, Chief Don Giles said, " We do not have a problem with the mascot .".

* NYPD Blue: " Don We Now Our Gay Apparel " ( 1995 ) as Kira

The group released four albums under the Immature moniker including On Our Worst Behavior in 1992 which included former member Don " Half Pint " Santos, later replaced by Kessee, Playtyme Is Over in 1994, then We Got It in 1995 and finally in 1997 released the album, The Journey.

All The Ways We Don ’ t Tell the Truth, January 6, 2002.