Writing for the Chicago Reader, Jonathan Rosenbaum called the film " generic " and " standard issue ", stating that the audience shouldn't " expect to remember it ten minutes later ".

" Writing for the Chicago Sun-Times, film critic Roger Ebert wrote " film stars actors of considerable physical appeal, most particularly Penelope Cruz as Silvia.

Writing years later for The Chicago Reader, Dave Kehr wrote " Malick's 1973 first feature is a film so rich in ideas it hardly knows where to turn.

* Henri-Jean Martin, The History and Power of Writing, University of Chicago Press 1995, ISBN 0-226-50836-6

Tales of the Field: On Writing Ethnography Chicago: University of Chicago Press.

* Vance, Jonathan " Creighton, Donald Grant " pages 258-259 from The Encyclopedia of Historians and Historical Writing, Volume 1, Chicago: Fitzroy Dearborn, 1999

In 2005, Marshall alum and Chicago Tribune reporter Julia Keller won the Pulitzer Prize for Feature Writing.

" Writing in The Chicago Tribune, Michael Phillips, in an otherwise tepid review, said of her performance: “ Every scene she ’ s in, even the silly ones, becomes better — truer, often against long odds — because she ’ s in it.

Writing guides, such as the Chicago Manual of Style, generally suggest that a manuscript should have no widows and orphans even when avoiding them results in additional space at the bottom of a page or column.

Writing for the Chicago Sun-Times, Roger Ebert called Full Frontal " a film so amateurish that only the professionalism of some of the actors makes it watchable ".

* Moses, John " Fischer, Fritz " pages 386-387 from The Encyclopedia of Historians and Historical Writing edited by Kelly Boyd, Volume 1, Chicago: Fitzroy Dearborn Publishers, 1999, ISBN 1-884964-33-8.

* Cook, Hera " Rowbotham, Sheila " pages 1020-1021 from The Encyclopedia of Historians and Historical Writing, Volume 2, Chicago: Fitzroy Dearborn, 1999.

She was the Springer Lecturer in Creative Writing ( 2003 – 2005 ) at the University of Chicago, as well as an advisor for the online prose magazine, Otium.

* The Compleat Melancholick, supported by a National Endowment for the Arts grant, was published in 1985, received a Chicago Book Clinic Exhibit Certificate of Award in 1986, and was selected for inclusion in the National Endowment for the Arts ' New American Writing Exhibits at the International Book Fairs of Frankfurt and Liber.

Inspiring Writing in Art and Design: Taking a Line for a Write ( Bristol ; Chicago: Intellect )

* Watson, David Robin Furet, François, pp. 426-427 from The Encyclopedia of Historians and Historical Writing, Volume 1, Chicago: Fitzroy Dearborn, 1999.

* Finley-Croswhite, Annette " Mousnier, Roland " pages 843-844 from The Encyclopedia of Historians and Historical Writing, Volume 2, edited by Kelly Boyd, Fitzroy Publishers, London, Chicago, 1999.

Writing for the Chicago Sun Times, Jeff Shannon described the episode thus: " Clearly aware that taking sides in the right-to-life debate would be a divisive, no-win strategy, Parker and Stone aimed their satirical arrows at the one aspect of the Schiavo case that's indisputably offensive: the horrendous media circus that turned a private matter into a shamefully public spectacle.

* Conzen, M. 1993, ‘ The historical impulse in Geographical writing about the United States 1850 1990 ’, in Conzen, M., Rumney, T. and Wynn, G. 1993, A Scholar's Guide to Geographical Writing on the American and Canadian Past, The University of Chicago Press, Chicago, pp. 3 90.

* 1998 Chicago International Film Festival – Individual Achievement Award, Writing ( Edgy Lee )

* Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane Chicago and London: University of Chicago Press, 1987.

Writing for the New York Times, Ralph Thompson states, “ the normal life of Negroes in the South today – the life with its holdovers from slave times, its social difficulties, childish excitements, and endless exuberances … compared to this sort of story, the ordinary narratives of Negroes in Harlem or Birmingham seem ordinary indeed .” For the New York Herald Tribune, Sheila Hibben described Hurston as writing “ with her head as with her heart ” creating a “ warm, vibrant touch .” She praised Their Eyes as filled with “ a flashing, gleaming riot of black people, with a limitless sense of humor, and a wild, strange sadness .” New York Times critic Lucille Tompkins described Their Eyes, “ It is about Negroes … but really it is about every one, or at least every one who isn ’ t so civilized that he has lost the capacity for glory .”

" Writing for the Star Tribune, Neal Justin rated the episode as the one of his ten favorite episodes, writing, " The annual Halloween specials glow because all the rules are thrown out, never with more ingenuity than in this second installment.

Writing for the Star Tribune, Neal Justin rated the episode as one of his ten favorite episodes, commenting that the scene where " Homer dreams about prancing across a literal ' land of chocolate ' perhaps the most outrageous moment in Simpsons history.

Writing for Tribune Media Services in 1993, columnists Chip and Jonathan Carter gave Bartman Meets Radioactive Man a more positive review.

As chairman and editor of The Daily Tribune in Ames, Iowa, from 1993 to 1999, Gartner won the Pulitzer Prize for Editorial Writing for his editorials about community issues.

Writing for Dvořák ’ s 100th anniversary, Julius Harrison agrees with these comparisons to Brahms ’ Symphony no.

Wolf won a Saturn Award for Best Writing for Jim Harrison and Wesley Strick's screenplay, and it was nominated for a further 5 Saturn Awards, in the categories of Best Horror Film, Best Actor ( Jack Nicholson ), Best Actress ( Michelle Pfeiffer ), Best Supporting Actor ( James Spader ) and Best Make-up ( Rick Baker ).

Writing credits are shared by all five band members, George Harrison, Jeff Lynne, Roy Orbison, Tom Petty, and Bob Dylan.

Writing in Rolling Stone Press ' Harrison tribute, Greg Kot views the performance as " a snapshot of early-Seventies rock royalty "; yet their joint soloing was about friendship, writes musical biographer Simon Leng, rather than the " six-string ego battles " or " macho showdowns " so typical of that decade.

Writing in Variety, Todd McCarthy said the cast ensemble " could not be better "; he praised Spacey's " handling of innuendo, subtle sarcasm and blunt talk " and the way he imbued Lester with " genuine feeling ".

Writing in Film Quarterly, Gary Hentzi praised the actors, but said that characters such as Carolyn and Col. Fitts were stereotypes.

Writing in The New York Times, Bosley Crowther praised the film, writing " Mr. Hecht has written and Mr. Hitchcock has directed in brilliant style a romantic melodrama which is just about as thrilling as they come — velvet smooth in dramatic action, sharp and sure in its characters and heavily charged with the intensity of warm emotional appeal.

Writing in The New York Times, Andrew Johnston praised Svankmajer's artistry, stating " while his films are rife with cultural and scientific allusions, his unusual imagery possesses an accessibility that feels anchored in the shared language of the subconscious, making his films equally rewarding to the culturally hyperliterate and to those who simply enjoy visual stimulation.

Writing for Rediff, Sukanya Varma praised most of the compositions, while being critical of the song " Say Shava Shava " due to the " overdose of Punjabi emotions ".

Writing for The Hindu, Ziya Salam praised Kajol's performance and Karan's ability to " keep the viewer occupied ".

The episode was highly praised when it aired and was the only episode in the entire series to be nominated for an Emmy Award in Outstanding Writing for a Drama Series ; it also received a nomination for Outstanding Cinematography for a Single Camera Series ( Michael Gershman ).

Writing for Eye for Film, Amber Wilkinson praised Culloden, commenting that " the mastery of direction is obvious from first to last ".

Writing in the New York Times, Janet Maslin praised Ferrara's talent for making " gleefully down-and-dirty films ", continuing, " He has come up with his own brand of supersleaze, in a film that would seem outrageously, unforgivably lurid if it were not also somehow perfectly sincere.

Writing for The Women's Review of Books, Robin Herndobler praised Adler's " clear, graceful prose ", and the manner in which she had written about Paganism " with interest and compassion.

His thesis advisor was Marvin Meyers, a historian of Jacksonian America, whom Taylor praised in the preface of his book Writing Early American History ( 2005 ).

Writing in The New Yorker the film critic Pauline Kael praised both the film and director Mazursky, calling it " a slick, whorey movie, and the liveliest American comedy so far this year.

Writing for Sequential Tart, Margaret O ' Connell praised the series as an ' absorbing, well-crafted tale which effectively combines both crime and science fictional elements ,' comparing the series to George R. R. Martin's Wild Cards series, NYPD Blue, and DC Comics ' Gotham Central.

" Writing in the New York Times, reviewer and fellow author Joshua Mohr praised Franco for how, in the story " American History ", he juxtaposed historical parts with a present-day social commentary that " makes the we wonder how much we ’ ve actually evolved in post-bellum America.

Writing for Blistering, Justin Donnelly praised the album as " diverse, melodic and hard hitting all at the same time ", ranking it as one of Dream Theater's best releases.

Writing for Exclaim !, Greg Pratt praised the album's artwork and production, but said that " there ’ s nothing that blows any minds here, or even gives a mild bend ; hell, a good chunk of this disc feels like basic radio rock from the local old-guy bar band ".

Writing in The New York Times, Villiers Gerson praised the novel as " crackling with suspense, lit by humor, sparkling with complexities of plot, and alive with interest ".

Writing in The New York Times, Sidney Lohman praised Pirates as " grand science fiction for all ages.

Writing in The Jerusalem Post, historian Jean Ancel dismissed Hohenzollern's claims and praised the wartime actions of the king and his mother, Queen Helen.

Writing for Rolling Stone, Meredith Ochs praised the album for its " flashes of brilliance " and said that it probably marks the beginning of a successful career.

Writing for Allmusic, music critic Michael G. Nastos praised the album, writing: " Setting him apart from the rest, this recording established Montgomery as the most formidable modern guitarist of the era, and eventually its most influential ...

Writing for the same publication thirty years later, Anthony DeCurtis praised the song for its musical demonstration of “ the sweet satisfactions of faith ”.

" Writing in the Hartford Courant, reviewer R. W. Wallace praised More Than Human, saying " In its psychological wisdom and its deep humanity this novel is one of the finest achievements of science fiction.