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Roger and Fry
* 1866 – Roger Fry, English artist and art critic ( d. 1934 )
* September 9 – Roger Fry, British artist ( b. 1866 )
" Leonard Woolf, in the 1960s, listed as ' Old Bloomsbury ' Vanessa and Clive Bell, Virginia and Leonard Woolf, Adrian and Karin Stephen, Lytton Strachey, Maynard Keynes, Duncan Grant, E. M. Forster, Saxon Sydney-Turner, Roger Fry, Desmond and Molly MacCarthy, with Julian, Quentin and Angelica Bell, and David Garnett as later additions ".
Others such as Lytton Strachey, Leonard Woolf, the MacCarthys, Duncan Grant, and Roger Fry needed to work for their living.
All the Cambridge men except Clive Bell and the Stephen brothers were also members of " the exclusive Cambridge society, the ' Apostles '"; there they met older members such as Desmond MacCarthy and Roger Fry as well as E. M. Forster and J. M. Keynes, who were all from King ’ s College.
It was also in 1910 that Roger Fry joined the group.
Clive Bell polemicized post-impressionism in his widely read book Art ( 1914 ), basing his aesthetics partly on Roger Fry ’ s art criticism and G. E. Moore ’ s moral philosophy ; and as the war came he argued provocatively that " in these days of storm and darkness, it seemed right that at the shrine of civilization-in Bloomsbury, I mean-the lamp should be tended assiduously ".
Roger Fry wrote and lectured widely on art ; while Clive Bell applied Bloomsbury values to his book Civilization ( 1928 ), which Leonard Woolf saw as limited and elitist, describing Clive as a " wonderful organiser of intellectual greyhound racing tracks ".
Roger Fry, who had become England ’ s greatest art critic, died in 1934.
* Manuscripts and Woodcuts: Visions and Designs from Bloomsbury – Duke University Libraries Digital Collections Includes 12 woodcuts by Roger Fry and the manuscript of Elizabeth and Essex written in Lytton Strachey's hand with 7 miscellaneous manuscript letters.
Forster is noted for his use of symbolism as a technique in his novels, and he has been criticised ( as by his friend Roger Fry ) for his attachment to mysticism.
Critic and artist Roger Fry did something to restore it in the 1930s, when he described Lawrence as having a " consummate mastery over the means of artistic expression " with an " unerring hand and eye ".
* Roger Fry
Morrell's lovers may have included the philosopher Bertrand Russell, the writer Dorothy Bussy, the painters Augustus John, and Henry Lamb, the artist Dora Carrington, the art historian Roger Fry, and in her later years, there was even a brief affair with a gardener, Lionel Gomme, who was employed at Garsington.
This brought him into close contact with the Bloomsbury Group, particularly Roger Fry and Clive Bell, with whom he soon fell out.
After a brief tenure at the Omega Workshops, Lewis quarrelled with the founder, Roger Fry, over a commission to provide wall decorations for the Daily Mail Ideal Home Exhibition, which Lewis believed Fry had misappropriated.
The Vorticism group began with the Rebel Art Centre which Wyndham Lewis and others established after disagreeing with Omega Workshops founder Roger Fry, and has roots in the Bloomsbury Group, Cubism, and Futurism.
Post-Impressionism is the term coined by the British artist and art critic Roger Fry in 1910 to describe the development of French art since Manet.
The term was coined in 1910 by Roger Fry in the title of an exhibition of modern French painters: Manet and the Post-Impressionists, organized by Fry for the Grafton Galleries in London.
1918 portrait of Nina Hamnett painted by Roger Fry.
She went on to have a love affair with Brzeska, and later with Modigliani and Roger Fry.
Her reputation soon reached back to London, where for a time, she went to work making or decorating fabrics, clothes, murals, furniture, and rugs at the Omega Workshops, which was directed by Roger Fry, Vanessa Bell, and Duncan Grant .< ref >
Edward Fry was the father of the art critic and artist Roger Fry and the social reformers, Joan Mary Fry ( 1862 – 1955 ), Margery Fry ( 1874 – 1958 ) and Ruth Fry ( 1878 – 1962 ).

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