fr: Serge Ier ( pape )

fr: Serge II

fr: Serge III

fr: Serge IV

fr: Serge de Diaghilev

fr: Serge Witte

fr: Serge Ier

fr: Serge ( tissu )

fr: Serge Clair

fr: Serge Lepeltier

fr: Serge Dassault

fr: Serge Brussolo

fr: Serge ( tissu )

fr: Serge de Radonège

fr: Serge Reggiani

fr: Serge Lang

fr: Serge Chaloff

fr: Serge Netchaïev

fr: Victor Serge

fr: Serge Joyal

fr: Serge Marcil

fr: Serge Alexandrovitch de Russie

fr: Serge Thion

fr: Serge et Bacchus de Rasafa

In the mid-1970s, a review of the American movie Jaws marked the magazine's return to more commercial perspectives, and an editorial turnover: ( Serge Daney, Serge Toubiana, Thierry Jousse, Antoine de Baecque and Charles Tesson ).

Recent writers have included Serge Daney, Serge Toubiana, Thierry Jousse, Antoine de Baecque, Vincent Ostria, Charles Tesson and Franck Nouchi, André Téchiné, Léos Carax, Olivier Assayas, Danièle Dubroux, and Serge Le Péron.

Serge Daney ( June 4, 1944, Paris – June 12, 1992 ) was an influential French movie critic who went on from writing film reviews to developing a “ television criticism ” and onto building a personal theory of the image.

After Cahiers ’ failure to create a “ Revolutionary Cultural Front ”, Daney took the responsibility of the magazine in 1973, supported by Serge Toubiana.

Serge Daney participated in several documentaries:

: Jacques Rivette, le veilleur ( 1990 ), 2h20, directed by Serge Daney and Claire Denis

: Serge Daney, Le Cinephile et le village ( 1993 ), 55min, directed by Pascal Kané

: Du cinéma à la télévision, propos d ' un passeur, Serge Daney ( 1993 ), 55min, directed by Philippe Roger

Serge Daney hosted a weekly broadcast on French radio station France-Culture called Microfilms from the last quarter of 1985 to July 1990.

* Serge Daney in English

es: Serge Daney

it: Serge Daney

In his obituary for Eustache, the influential critic Serge Daney wrote :" In the thread of the desolate 70s, his films succeeded one another, always unforeseen, without a system, without a gap: film-rivers, short films, TV programs, hyperreal fiction.

French critics ' response to the film was much more positive than it was on its original release, with former editor-in-chief of Cahiers du cinéma Serge Daney calling the film " a marvel ".