tr: Roger Zelazny

tr: Roger Ebert

tr: Roger Vadim

tr: Roger Wolcott Sperry

tr: Roger Moore

tr: Roger Avary

tr: Roger Ackroyd Cinayeti

tr: Roger Sherman

tr: Roger Garaudy

< tr >< td > Roger E. Howe ( Harvard ) </ td >< td > 1964 </ td ></ tr >

tr: Roger Milla

tr: Roger Glover

tr: Roger Hargreaves

< tr >< td > 2006 </ td >< td > J. Roger Angel </ td >< td > Adaptive optics for infra-red spectroscopy </ td ></ tr >

Roger & Micheline Ronnaux </ td >< td style =" border-top: solid 1px # ccd2d9 ; padding: 0. 4em 1em 0. 4em 0 ;"> France </ td ></ tr >

tr: Roger Sanchez

tr: Roger Guillemin

The production was directed by Roger Blin, who also played the role of Pozzo.

Roger Blin advises: " Beckett heard their voices, but he couldn't describe his characters to me.

" When Roger Blin asked him who or what Godot stood for, Beckett replied that it suggested itself to him by the slang word for boot in French, godillot, godasse because feet play such a prominent role in the play.

* Roger Blin – The Poet

The play was premiered on 3 April 1957 at the Royal Court Theatre, London, directed by Roger Blin, who also played Hamm ; Jean Martin was Clov, Georges Adet was Nagg and Christine Tsingos was Nell.

While the French playwright Jean Genet articulates a very different world view in his dramas to that found in Brecht's, in a letter to the director Roger Blin on the most appropriate approach to staging his The Screens in 1966, he advises an epic approach to its production:

1966. Letters to Roger Blin.

Roger Blin considered staging it in the early 1950s, but opted for Waiting for Godot, because it was easier to stage.

The play afterward attracted some of the twentieth century's most celebrated directors, including Max Reinhardt, Olof Molander, Antonin Artaud, Ingmar Bergman, Roger Blin, Robert Wilson, Mike Dempsey, and Robert Lepage.

Since Peter Zadek directed its first production at the Arts Theatre Club in London in 1957, the play has been revived frequently ( in various versions ) and has attracted many prominent directors, including Peter Brook, Erwin Piscator, Roger Blin, Giorgio Strehler, and JoAnne Akalaitis.

The production featured Marie Bell as Irma and Roger Blin as the Envoy.

A production opened in Boston in November 1966, while Roger Blin, who had played the Envoy in Brook's 1960 production, directed the play in Rotterdam in April 1967.

Roger Blin ( Neuilly-sur-Seine, France, 22 March 1907 – Évecquemont, France, 21 January 1984 ) was a French actor and director notable for directing ( and starring in ) the first production of Samuel Beckett's Waiting for Godot.

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He assisted with a representation of the " La Sonate des spectres " by Strindberg, directed by Roger Blin ; while involved in the theater he decided he wanted to become an actor.