tr: Roger Zelazny

tr: Roger Vadim

tr: Roger Wolcott Sperry

tr: Roger Moore

tr: Roger Avary

tr: Roger Ackroyd Cinayeti

tr: Roger Sherman

tr: Roger Garaudy

< tr >< td > Roger E. Howe ( Harvard ) </ td >< td > 1964 </ td ></ tr >

tr: Roger Milla

tr: Roger Glover

tr: Roger Hargreaves

< tr >< td > 2006 </ td >< td > J. Roger Angel </ td >< td > Adaptive optics for infra-red spectroscopy </ td ></ tr >

Roger & Micheline Ronnaux </ td >< td style =" border-top: solid 1px # ccd2d9 ; padding: 0. 4em 1em 0. 4em 0 ;"> France </ td ></ tr >

tr: Roger Sanchez

tr: Roger Guillemin

tr: Roger Blin

tr: Friedrich Ebert

* 1967 – Film critic Roger Ebert published his very first film review in the Chicago Sun-Times.

Roger Ebert gave the film two out of four stars and wrote, " The movie isn't as funny or entertaining as Evil Dead II, however, maybe because the comic approach seems recycled ".

Critics that frequently admire De Palma's work include Pauline Kael, Roger Ebert and Armond White, among others.

Love received critical acclaim, a Golden Globe nomination for Best Actress, and a New York Film Critics Circle Award for Best Supporting Actress, for what film critic Roger Ebert called " quite a performance ; Love proves she is not a rock star pretending to act, but a true actress ".

In a review in the Chicago Sun-Times, Roger Ebert states: " Barrymore is the right actress for this role precisely because she approaches it with such grave calm.

Barrymore's role in the costume drama Ever After ( 1998 ) offered a modern take on the classic fairy tale of Cinderella and served as a reminder, according to Roger Ebert, of how well Drew Barrymore " can hold the screen and involve us in her characters ".

Summing up Barrymore's appeal, Roger Ebert, in his review of 50 First Dates, described Barrymore as having a " smiling, coy sincerity ," describing the film as " ingratiating and lovable.

Roger Ebert approves of the use of the label in unsuccessful films that had been tampered with by studio executives, such as Sergio Leone's original cut of Once Upon a Time in America, and the moderately successful theatrical version of Daredevil, which were altered by studio interference for their theatrical release.

Critic Roger Ebert was and remains today a champion of the film, including it on his all-time top ten best films list.

Roger Ebert of the Chicago Sun-Times gave the film a three star rating ( out of four ) describing it as " a fairly sophisticated satire.

Roger Ebert considers it to be the finest film on the Vietnam war and included it on his list for the 2002 Sight and Sound poll for the greatest movie of all time.

Roger Ebert gave The Rainmaker three stars out of four, remarking: " I have enjoyed several of the movies based on Grisham novels ... but I've usually seen the storyteller's craft rather than the novelist's art being reflected.

Roger Ebert of the Chicago Sun-Times gave the film 3 stars, praising the film for being " boldly operatic, involving family drama, secrets, generations at war, melodrama, romance and violence ".

* An article by critic Roger Ebert describing his involvement with science fiction fanzines in the 1950s.

Film critic Roger Ebert gave the film three-and-a-half stars out of four, calling it " delightful and sly ", and directed with " light-hearted enchantment " by Newell.

Roger Ebert, who gave the film a mere one star in the Chicago Sun-Times, wrote :" The filmmakers must have known that the original Godzilla ( 1956 ) had many loyal fans all over the world who treasured the absurd dialogue, the bad lip-synching, the unbelievable special effects, the phony profundity.

Roger Ebert praised the ability of the film to spoof the " illogic of the TV show ".

Critic Roger Ebert, in a review dated January 1, 1972, did not care for the film.

* 1942 – Roger Ebert, American journalist, critic, and screenwriter

Roger Ebert said of his performance: " For one thing, there's more of a human element in the movie, and it comes from Klaus Maria Brandauer, as Largo.

Roger Ebert commented that Dunst's creation of the child vampire Claudia was one of the " creepier " aspects of the film, and mentioned her ability to convey the impression of great age inside apparent youth.

One of Scorsese's most consistent supporters, Roger Ebert of the Chicago Sun-Times, wrote that " In countless ways, right down to the detail of modern TV crime shows, Mean Streets is one of the source points of modern movies.

Roger Ebert discussed it in a June 2000 article and praised Strange Company's machinima setting of Percy Bysshe Shelley's sonnet " Ozymandias ".

" Similarly, Roger Ebert, writing of his iconic performance in Last Tango in Paris, said: " This was the greatest movie actor of his time, the author of performances that do honor to the cinema.

* Ebert, Roger.