She wrote gay plays about the girls for family entertainments, like `` Oh, What Fun!!

She called him `` Stuck-up -- that's why nobody plays with you, Mister Stuck-up ''.

She plays a central role in the first part of G. A. Henty's novel Beric the Briton and in a children's novel by Henry Treece.

She was introduced anonymously while still a teenager in the third book in the series and plays a larger role in several of the titles of the 1930s and 1940s.

She then plays a character named " Laliari " while wearing the name Jane Doe as an actress.

" She had been a model since she was sixteen and had acted in two failed plays.

She provides the only major element of Bring It On that plays as tweaking parody rather than slick, strident, body-slam churlishness.

She leans forward to restrain the Christ Child as he plays roughly with a lamb, the sign of his own impending sacrifice.

She plays Katherine Rhumor, a New York socialite who finds herself drawn into the central intrigue of a think tank, after the death of her husband.

She also read the plays of William Shakespeare, and novels by Charles Dickens and Sir Walter Scott.

She wrote fourteen plays, including " Fools Errand " which ran on Broadway in 1927.

She plays Sofia, the love interest of Eduardo Noriega's lead character.

She plays poker each week with them and also runs the onboard theatre troupe, being a skilled actress and director.

She went on to star in several other plays in Washington.

She plays a major part in various adventures of Jason's crew, suffered injury in a battle at Colchis, and was healed by Medea.

She plays a woman raped, along with her sister, by a ruthless gang at a fairground and seeks revenge for her sister's now vegetative state by systematically murdering her rapists.

She plays hopscotch in the Villa and sees the patient as a noble hero who is suffering.

She discovers his name is Nino Quincampoix, and she plays a cat and mouse game with him around Paris before eventually anonymously returning his treasured album.

She plays beautiful, sensitive, deep parts with a little bit of intelligence behind them.

She also began to participate in amateur plays and musicals, starting in 1780, in a theatre built for her and other courtiers who wished to indulge in the delights of acting and singing.

She has also published two plays but has not yet translated either.

She composes plays for her sisters to perform and writes short stories.

She also plays the ukulele.

She also cites verbal similarities between both Shrew plays and the anonymous play A Knack to Know a Knave ( c1592 ), which was first performed at The Rose on 10 June 1592.

She is mentioned briefly in The Lord of the Rings, and plays a supporting role in The Silmarillion.

She put the violin away and took out some linen, needles and yarn to while away the long, idle days in Budapest.

She made her debut as a guitar player and singer in Peoria, Illinois in 1859, with George on the violin, and was teaching guitar by age thirteen.

She played the violin and sang her own original compositions.

She taught herself to play on the violin and flute, and sang in the peasants ' fairs in Sweden with her brother.

She studied the violin and became interested in theatre and poetry as a teenager.

She furthered her study of the piano and violin, taking the place of the music teacher at White's when the woman resigned.

She played Sioux melodies on the violin and Hanson transcribed them into Western notes.

She also received instruction in acrobatics, juggling, ice skating, baton twirling, piano and violin.

She tended to her clients all day, and entertained at parties with violin music in her gardens at night, attended by Parisian upper class society.

She took up the violin at the age of three and as a seven-year-old was admitted at the Warsaw Conservatory.

She was born Gisèle Marie-Louise Marguerite LaFlèche in Winnipeg, Manitoba, and studied violin and voice at The Royal Conservatory of Music in Toronto, Ontario.

She remarked that Benny was so enthusiastic about his own violin playing that at each break in rehearsal he would get his violin and they would play duets.

Although Paul still played the violin on occasion, when he did “ even Zilla was silent as the lonely man who lost his way … spun out his dark soul in music .” Even though Babbitt and Paul abandoned their former goals and ideals, Babbitt still dreams of a “ fairy child .” She is an imaginary woman, full of life and gaiety, who does not see him as a stogy old businessman, but a “ gallant youth .” He imagines various women as his fairy child, including his secretary, a manicurist, his son ’ s girlfriend Eunice Littlefield, and finally Tanis Judique.

She comes from six generations of classical musicians on her father's side: Klass's grandmother was an opera singer and her grandfather left his violin to her, which she went on to play.

She took Associated Board of the Royal Schools of Music exams in violin, piano and voice.

She began playing piano at the age of three and violin at five.

She appeared on the 1997 Janet Jackson album The Velvet Rope playing a violin solo on the song " Velvet Rope ".

She has also been using a silver-grey Zeta Jazz Model electric violin since 2001.

She began studying classical violin at age five but soon switched to bluegrass.

She studied violin under the virtuoso Leopold Auer, and remains to this day the youngest student ever to be admitted to the institution.

She was a child prodigy and gave public performances on the violin by the time she was ten years old.

She is currently a B. M student majoring in violin performance at the Peabody Institute of The Johns Hopkins University.

She taught Bennett piano, while his father taught him violin and trumpet.