Marker used very little commentary in this film, but the film's montage structure and preoccupation with memory make it a Marker film.

On the film's DVD commentary, Di Novi mentions that the filmmakers wanted to use the original Doris Day version of the song, but Day would not lend her name to any project using profanity.

The film's commentary was written largely by Carl Foreman.

Again on the film's DVD commentary, Cleese also spoke up for religious people who have come forward and congratulated him and his colleagues on the film's highlighting of double standards among purported followers of their own faith.

On the Laserdisc audio commentary, Scorsese acknowledged several critics ' interpretation on the film's ending being Bickle's dying dream.

However, these scenes are not on the DVD as he changed his mind after recording the commentary ; Mendes felt that to show scenes he previously chose not to use would detract from the film's integrity.

In the film's actor / director DVD commentary, Brian Helgeland, co-commentating with Paul Bettany, states that the film was intended to have occurred sometime in the 1370s during a six-month period in which Chaucer had apparently gone missing and show what he might have done during this time, which Helgeland says later on in the commentary inspired Chaucer to write his Canterbury Tales.

Fox released a " Special Music Edition " DVD in 2007, with an audio commentary by the film's Oscar-winning editor, Alan Heim.

Paramount rereleased the film on March 12, 1992, with Fatal Attraction as part of a " Director's Series "; these editions had additional commentary and were presented in a widescreen letterbox format to preserve the film's original cinematography.

" Hoffman has never discussed any inspiration Evans may have provided for the role, and claims on the commentary track for the film's DVD release that much of Motss ' characterization was based on his own father, Harry Hoffman, a former prop manager for Columbia Pictures.

In an audio commentary track recorded by Friedkin for the Collector's Edition DVD release of the film, Friedkin notes that the film's documentary-like realism was the direct result of the influence of having seen Z, a French film.

On the DVD commentary, Boyle and Garland explain that this was the original ending of the film's first cut, which was tested with preview audiences.

The film's commentary states that the idea behind the high flat noses was that they evolved both the noses and the severe bureaucracy from being repeatedly smacked in the face by the paddle creatures under the sand on Vogsphere whenever they had an independent thought ( in the film, the Vogon bureaucracy is centred on Vogsphere ).

This depiction, along with a seemingly transgendered bartender ( who the crew deny on the DVD commentary as having any sort of gender confusion ) and Pinocchio's expansive nose in Shrek 2, raised the ire of some groups who objected to the film's sexual content, in what is billed as a children's film.

" Blatty's screenplay was later published in 2000 with commentary by English film critic Mark Kermode ( Kermode also contributed to the audio commentary and feauturette on the film's DVD release in 2002 ).

III ( 1994 ) which also featured commentary from Horne on why the scene was deleted prior to the film's release.

This information was revealed in the film's DVD audio commentary DVD by Kyle Gass.

A director's cut DVD was released in November 2006, which features Zwigoff's cut of the film ( including an audio commentary with him and the film's editor ), but is three minutes shorter than the theatrical cut and ten minutes shorter than the unrated version.

In one of the commentary sequences, the film's writer, David Benioff, said that when it came to deciding whether to follow Iliad or do what was best for the film, they always decided with what was best for the film.

Director Tarsem Singh in the film's audio commentary says that the painting was the inspiration for the scene's imagery.

This character was modeled on Goldsmith as stated by the film's director Oliver Stone in the DVD special feature documentary and the director's commentary as Sir Lawrence Wildman is introduced.

In addition to English being the film's primary language, French, Latin, and Scottish Gaelic are also spoken.

A teacher's desire to have a talented student, the obligations between a student and a master, and tensions in these relationships are central to the characters ' motives, conflicts between the characters, and the unfolding of the film's plot.

Another example occurs in the 1998 film Waking Ned, when two of the film's characters, Jackie and Michael, are walking through a storm towards Ned's house.

All of the files are ' conformed ' to match an edit list created by the film editor, and are then color corrected under the direction of the film's staff.

Crew are also separate from producers, those who own a portion of either the film company or the film's intellectual property rights.

Although this is not a creative role, it is pivotal in ensuring that the film's post-production budget is manageable and achievable, and that all deadlines are met.

Because large amounts of money are involved, and most of a film's budget is spent during production, the post-production period can often be difficult and challenging.

Though directors wield a great deal of power, they are ultimately subordinate to the film's Producer or Producers.

: VFX Creative Directors are very much like Production Designers, except they direct and supervise the creative side of the film's visual effects.

During the Answer Print stage, corrections in the film's density and color are corrected ( timed ) to the filmmakers ' tastes.

There is a brief epilogue sequence in which the fates of the six only known survivors are shown: Sydney underwent surgery on his kneecap injuries and lives as a horticulturist with his son Seymour, Arthur received an OBE for lifelong service to the theatre and retired to the country, Sebastian wrote a book about the film's events and is currently negotiating the film rights.

In the 2010 film adaptation of Scott Pilgrim vs. the World there are multiple references to the Zelda games and the soundtrack, including use of the " Fairy Fountain " theme in one of the film's dream sequences.

The short film's episodes are framed by dreamy paintings and the song " Michelangelo Antonioni ", composed and sung by Caetano Veloso.

Among the film's strongest detractors was Jonathan Rosenbaum, who described it as " creepy " and claimed " this characterless world of Manhattan-Venice-Paris, where love consists only of self-validation, and political convictions of any kind are attributable to either hypocrisy or a brain condition, the me-first nihilism of Allen's frightened worldview is finally given full exposure, and it's a grisly thing to behold.

Tigers, leopards, and bears are slaughtered on camera, while the film's climax shows Kru's house being demolished by a stampeding elephant.

Most of the film's characters are either real or based on real characters to varying degrees.

The film's timeline of the Arab Revolt and World War I, and the geography of the Hejaz region, are frequently questionable.

) The film's historical inaccuracies are, in Wilson's view, more troublesome than what can be allowed under normal dramatic license.

" More accurately, such recordings are made from a film's music track, because they usually consist of the isolated music from a film, not the composite ( sound ) track with dialogue and sound effects.

These royalties, also called secondary payments, are generated not from the film's theatrical release, but from secondary markets ( e. g. cable television and DVD sales and rental ).

Hidetora has a back-story: a violent and ruthless rise to power, and the film portrays contrasting victims: the virtuous characters Sue and Tsurumaru who are able to forgive, and the vengeful Kaede ( Mieko Harada ), Hidetora's daughter-in-law and the film's Lady Macbeth-like villain.

Because each country chooses its official submission according to its own rules, the decisions of the nominating bodies in each respective country are sometimes mired in controversy: for instance, the Indian selection committee ( Film Federation of India ) was recently accused of bias by Bhavna Talwar, the director of Dharm ( 2007 ), who claimed her film was rejected in favor of Eklavya: The Royal Guard ( 2007 ) because of the personal connections of the latter film's director and producer.