Her producer was present and suggested she include a version of it on her 1970 album Whales & Nightingales.

Her later work was more introspective in its lyrics as opposed to aggressive ; Hole's Celebrity Skin and Love's solo album, America's Sweetheart, focused more on celebrity life, Hollywood, and drug addiction, while also carrying on past themes of vanity and body image, and Nobody's Daughter was lyrically reflective of Love's past relationships and her struggle to sobriety, with the majority of its lyrics having been written while Love was in rehab in 2006.

* Cradle of Filth, a popular British extreme metal band, has produced an album called Dusk ... and Her Embrace inspired by " Carmilla ", and have also recorded an instrumental track titled " Carmilla's Masque ".

A 2003 compilation album, Classic Masters, was released only in the US, while 2005 saw the release of the album She Will Have Her Way, a collection of cover versions of Crowded House, Split Enz, Tim Finn and Finn Brothers songs by Australasian female artists.

Following the success of the album She Will Have Her Way in 2005, a second album of cover versions of Finn Brothers songs, He Will Have His Way, was released on 12 November 2010.

Her first entirely self-produced effort, 1977's New Harvest ... First Gathering, highlighted Parton's pop sensibilities, both in terms of choice of songs-the album contained covers of the pop and R & B classics " My Girl " and " Higher and Higher " – and the album's production.

Her 1995 re-recording of " I Will Always Love You " ( performed as a duet with Vince Gill ), from her album Something Special won the Country Music Association's Vocal Event of the Year Award for Parton and Gill.

Her 1998 country-rock album Hungry Again was made up entirely of her own compositions.

Her album sales were more than 75 million worldwide, with over 26. 5 million in album sales in the US.

Her first real success came in 1975 with the release of her album Never Can Say Goodbye, which established her as a disco artist.

Her 1986 album, The Power of Gloria Gaynor, was almost entirely composed of cover versions of other songs that were popular at the time.

Her relationship with Gilbert became acrimonious soon after the album was released, and disputes arose about songwriting credits.

Her fifth studio album Wildflower was released in September 2005.

Her fifth album was released 15 November 2011.

Her first solo contract was with Arista Nashville, with the album Words being released in 1997.

Her second and final album for Arista was 1999's Love in the Real World, led off by the No. 29 " Never Been Kissed ", which was followed by " Little Bird.

Her fourth album of country music, titled Streets of Heaven, produced her biggest country hit in its title track.

Her 1995 album The Woman in Me brought her fame, and her 1997 album Come On Over became the best-selling studio album of all time by a female act in any genre and the best-selling country album of all time, Come On Over sold more than 40 million copies worldwide.

Her fourth album, Up !, was released in November 2002.

In the late 1970s Wat Tham Krabok, and particularly its abbot, Luang Por Chamroon, supported the Hmong resistance against the Lao PDR government, particularly the Chao Fa movement led by Pa Kao Her.

Her introduction to film began in Por la libre, under the direction of Juan Carlos de Llaca.

Her syncretic iconographical depiction is usually based on that of the Virgin and Child, because she is the mother of Ti.

Her first single, " Llegar a Ti ", topped the Billboard Hot Latin Tracks and became the first Christian song to top the chart.

Her 1997 single, " Ti Amo ", peaked at number-one in Lebanon.

Agwe arranges for the car of Daniel Beauxhomme, a young Grande Homme, to crash during a storm so that Ti Moune may meet Daniel and restore him to health (" And The Gods Heard Her Prayer / Rain ").

Her face was very thin, and burned by the sun until much of the skin was dead and peeling, the new skin under it red and angry.

Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.

Her form was silhouetted and with the strong light I could see the outlines of her body, a body that an artist or anyone else would have admired.

Her mouth, which had been so much in my thoughts, was warm and moist and tender.

Her heart, her maternal feeling, in fact her being was too busy expressing itself, as quietly thrilled by this sight of her Nicolas curled asleep under a blanket, in a park like a scene from Poussin.

Her white blond hair was clean and brushed long straight down to her shoulders.

Her thick hair was the color and texture of charcoal.

Her laugh was hard.

Her face was pale but set and her dark eyes smoldered with blame for Ben.

Her stern was down and a sharp list helped us to cut loose the lifeboat which dropped heavily into the water.

Her name was L'Turu and she told me many things.

( Her account was later confirmed by the Scobee-Frazier Expedition from the University of Manitoba in 1951.

Her mother was a good manager and established a millinery business in Milwaukee.

Her name was Esther Peter.

Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.

Her mother, now dead, was my good friend and when she came to tell us about her plans and to show off her ring I had a sobering wish to say something meaningful to her, something her mother would wish said.

Her action was involuntary.

Her name was Mollie.

Her speech was barren of southernisms ; ;

Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.

Her hair was dyed, and her bloom was fading, and she must have been crowding forty, but she seemed to be one of those women who cling to the manners and graces of a pretty child of eight.

Her voice was ripe and full and her teeth flashed again in Sicilian brilliance before the warm curved lips met and her mouth settled in repose.