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Cage and said
Cage said that many of his pieces were written either specifically for Tudor to perform or with him in mind, once stating " what you had to do was to make a situation that would interest him.
After some consideration, Cage said that he realized it was possible “ to place in the hands of a single pianist the equivalent of an entire percussion orchestra ... With just one musician, you can really do an unlimited number of things on the inside of the piano if you have at your disposal an exploded keyboard ” ( Cage and Charles, 38 ).
Cage pulled out of the movie because Aronofsky wanted Rourke to star, Aronofsky said, stating that Cage was " a complete gentleman, and he understood that my heart was with Mickey and he stepped aside.
Though Cage Rage promoter Andy Geer said that the UFC show would not affect ticket sales for CR21, the signing of Sapp was a clear sign that the company knew it would need a superstar draw in order to successfully compete with the American promotion.
Cage said that " Joel and Ethan have a very strong vision and I've learned how difficult it is to accept another artist's vision.
In April 1944, Merce Cunningham accompanied his dance with music that was composed and performed by John Cage who said that Cunningham's dance " no longer relies on linear elements (...) nor does it rely on a movement towards and away from climax.
Additionally, many underground artists are said to have " intelligent ", " intricate ", or " complex " lyrics, these include Akir, Ugly Duckling, Brother Ali, Cage, Immortal Technique, El Da Sensei, Blackalicious, NCKF99, Mr. Lif, Andre Nickatina, Murs, Binary Star, Planet Asia, Lifesavas, Sage Francis, Kooley High, Sniped, Tah Phrum Duh Bush, Hustla Dreamz, Zion I, The Even Keel, Skidzz, Y Not Flow, Omega Jackson, All Names Were Taken, Timeless Truth, Yasiin Bey, Talib Kweli and Yak Ballz.
In an interview with Trackmarx, a punk and indie webzine, Penny Rimbaud of the anarcho-punk band Crass said that they were more influenced by classical composers Benjamin Britten, John Cage and the avant garde than rock ' n ' roll.
" Rolling Stones Peter Travers said of the film, " You may not buy the premise or the windup, but with Travolta and Cage taking comic and psychic measures of their characters and their own careers, there is no resisting Face / Off.
Cage said " What I wanted to do was to have the programs such that if twelve people were sitting in a row each one would be looking at a different opera.
Once Tomko returned from Japan, Cage offered Tomko a spot on Team Cage at Lockdown, but Tomko said he would not choose a team until he got a title shot at the NWA World Heavyweight Championship.
Dennis Hopper, the director of Easy Rider, said in the making-of documentary Shaking the Cage:
McCartney said the work was inspired by composers Stockhausen and John Cage.
Allen later said that Bird Wood Cage was the Wolfgang Press album he was most proud of.

Cage and interview
It included two audio commentaries, one featuring actor-director-writer Dennis Hopper, the other Hopper, actor-writer Peter Fonda, and production manager Paul Lewis, Born to Be Wild ( 1995 ) and “ Easy Rider ”: Shaking the Cage ( 1999 ), documentaries about the making and history of the film, television excerpts showing Hopper and Fonda at the Cannes Film Festival, and a new video interview with BBS cofounder Steve Blauner.
In a 1982 interview, and on numerous other occasions, Cage stated that 4 ′ 33 ″ was, in his opinion, his most important work.
Molly inexplicably makes a cameo appearance in New Avengers # 7, as one of the applicants Luke Cage and Jessica Jones interview as a possible nanny.

Cage and was
No matter whether it appeared above or below a main strip, the extra strip was known as the topper, such as The Squirrel Cage which ran along with Room and Board, both drawn by Gene Ahern.
Coppola's nephew, Nicolas Cage, starred in Coppola's film Peggy Sue Got Married and was featured in Rumble Fish and The Cotton Club.
The 1979 film La Cage aux Folles ran for well over a year at the Paris Theatre, an art house cinema in New York City, and was a commercial success at theaters throughout the country, in both urban and rural areas.
Gary Desmond's Candy's Room, coming from Liverpool, was the first in 1980, quickly followed by Dan French's Point Blank, Dave Percival's The Fever, Jeff Matthews ' Rendezvous, and Paul Limbrick's Jackson Cage.
Sinatra was named Pack Leader, Bacall was named Den Mother, Bogie was Director of Public Relations, and Sid Luft was Acting Cage Manager.
On April 18, 2010, Grammer made his Broadway musical debut playing the role of Georges in a revival of the Jerry Herman / Harvey Fierstein musical La Cage aux Folles, for which he was nominated for a Tony Award for Best Performance by a Leading Actor in a Musical.
It was directed by Michael Bay, director of Bad Boys, and stars Sean Connery, Nicolas Cage and Ed Harris.
This was the first film on which Cage and Bruckheimer worked together.
In the original UK DVD release, the scene in which Connery throws a knife through a sentry's throat and says " you must never hesitate " to Cage was cut, although this scene was shown on British television.
Nicolas Cage was considered for the role of John Bender.
This was followed by a non-album single, " Bear Cage ", backed with " Shah Shah a Go Go " from The Raven.
A 12-inch single, the band's first, containing extended mixes of both tracks was also released, but " Bear Cage " also only managed No. 36 in the charts.
The setting was Los Angeles and starred Meg Ryan and Nicolas Cage.
" The second version, told by McCartney, is that in late 1965, Ono was in London compiling original musical scores for a book John Cage was working on called Notations.
John Cage was one of the most important influences on Ono's performance art.
It was her relationship to Ichiyanagi Toshi, who was a pupil of John Cage's legendary class of Experimental Composition at the New School, that would introduce her to the unconventional avant-garde, neo-Dadaism of John Cage and his protégés in New York City.
Almost immediately after John Cage finished teaching at the New School for Social Research in the summer of 1960, Ono was determined to rent a place to present her works along with the work of other New York avant-garde artists.
During her career, Ono has collaborated with a diverse group of artists and musicians including John Lennon, Eric Clapton, Klaus Voormann, Cornelius ( Keigo Oyamada, Naoki Shimizu and Yoko Araki ), Frank Zappa, Sean Lennon, Yuka Honda, Jim Keltner, Earl Slick, Peaches, John Cage, David Tudor, George Maciunas, Ornette Coleman, Charlotte Moorman, George Brecht, Jackson Mac Low, Jonas Mekas, Fred DeAsis, Yvonne Rainer, La Monte Young, Richard Maxfield, Zbigniew Rybczyński, Yo La Tengo, and Andy Warhol ( in 1987 Ono was one of the speakers at Warhol's funeral ).
In late 1965, Ono was in London compiling original musical scores for a book John Cage was working on.

Cage and always
John Cage and Mauricio Kagel were other prominent influences, and worked through Cage ’ s unpredictability by setting up musical compositions that were followed, but not always set in stone, on the staff paper when performed.
* " My friend Peter Schmidt used to talk about ‘ not doing the things that nobody had ever thought of not doing ’, which is an inverse process – where you leave out an assumption that everybody has always made and see what happens ( e. g. music has to be made of intentionally produced sounds was the assumption that Cage left out ).

Cage and attracted
In the 1940, Amero went to Seattle to teach at the Cornish School, which had attracted such innovators as Martha Graham, and John Cage.

Cage and those
The official Tiswas Reunited ' mini-site ' features exclusive material about the making of the programme, as well as blogs by those who took part in the programme itself ( guests and residents of the Cage!
Among those who admired Weber's music were Ned Rorem, Aaron Copland, Virgil Thomson, John Cage, Elliott Carter, Milton Babbitt, and David Diamond.
The use of found objects in modern classical music is often connected to experiments in indeterminacy and aleatory music by such composers as John Cage and Karlheinz Stockhausen, although it has reached its ascendancy in those areas of popular music as well, such as the ambient works of Brian Eno.
The book came out at the same time as some highly public celebrity breakups, including those of Tom Green and Drew Barrymore, Angelina Jolie, Jennifer Lopez, Nicolas Cage and Lisa Marie Presley, and socialite Nina Griscom.
From the early 1960s onwards, Otte frequently presented contemporary experimental American composers in his Bremen radio festival pro musica nova, among them in those days completely unknown people like John Cage, David Tudor, Terry Riley, and Lamonte Young.

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