* 2002, Rosalyn Deutsche, “ Sharing Strangeness: Krzysztof Wodiczko ’ s Aegis and the Question of Hospitality ” in Grey Room 6 ( Winter 2002 ): 26-43.

Bordewijk, Jan L. and van Kaam, Ben ( 2002 ) “ Towards a New Classification of Tele-Information Services ,” in Denis McQuail ( ed.

10 ” are documented in Markhardt, Heidemarie: “ Das österreichische Deutsch im Rahmen der EU ,” Peter Lang, 2005.

“ The Austrian Dehomogenization Debate, or the Possibility of a Hayekian Planner ,” Review of Political Economy, Vol.

" Christ opened the doors of hell to missionary work among the dead ..." ( H. Donl Peterson, “ I Have a Question ,” Ensign, Apr.

Known to the Iranians by the Pahlavi compound word kah-ruba ( from kah “ straw ” plus rubay “ attract, snatch ,” referring to its electrical properties ), which entered Arabic as kahraba ' or kahraba, it too was called amber in Europe ( Old French and Middle English ambre ).

* J. J. Bellermann thinks it a compound of the Egyptian words abrak and sax, meaning “ the honorable and hallowed word ,” or “ the word is adorable .”

* Abraham Geiger sees in it a Grecized form of ha-berakhah, “ the blessing ,” a meaning which C. W.

B. Passerius derives it from abh, “ father ,” bara, “ to create ,” and a-negative —“ the uncreated Father .”

* Giuseppe Barzilai goes back for explanation to the first verse of the prayer attributed to Rabbi Nehunya ben HaKanah, the literal rendering of which is “ O, with thy mighty right hand deliver the unhappy ,” forming from the initial and final letters of the words the word Abrakd ( pronounced Abrakad ), with the meaning “ the host of the winged ones ,” i. e., angels.

She has only the ability to create a soulless body, and thus she is “ persuaded to undertake the journey to heaven to ask for a soul ,” and “ the Seven Liberal Arts produce a chariot for her ... the Five Senses are the horses ”.

“ Carl was telling me I had a natural ability and I should follow that line ,” Pletch later confessed to prosecutors in Missouri.

“ The new Atlanta Falcons logo is fresh, strong and dynamic, and yet appreciates the tradition and history of this franchise ,” said Falcons owner and CEO Arthur Blank.

* The various ethnicities originating from early social factors of Race in the United States and the gastronomy and cuisines of the “ New World ,” Latin American cuisine and North American cuisine:

The work contexts in which African-Americans sang songs comparable to shanties included: boat-rowing on rivers of the south-eastern U. S. and Caribbean ; the work of stokers or “ firemen ,” who cast wood into the furnaces of steamboats plying great American rivers ; and stevedoring on the U. S. eastern seaboard, the Gulf Coast, and the Caribbean — including " cotton-screwing ": the loading of ships with cotton in ports of the American South.

According to a 2008 television programme, presented by Griff Rhys Jones, “ the flame has only been extinguished once, by a drunken Mexican football supporter on the night that France beat Brazil here in Paris ,” most likely referring to the 1998 FIFA World Cup Final.

“ Alexander of Hales ,” in The Spiritual Senses: Perceiving God in Western Christianity, edited by Paul L. Gavrilyuk and Sarah Coakley.

“ Tynan had asked … to write a brief skit for an erotic review, and Beckett agreed when he heard that Edna O ' Brien., Jules Feiffer, Leonard Melfi, John Lennon and Tynan himself were planning to contribute.

“ In one of his few displays of public anger, Beckett called Tynan a ‘ liar ’ and a ‘ cheat ’, prompting Tynan to send a formal notice through his lawyers that he was not responsible for the travesty, which he claimed was due to others … Beckett decided the incident wasn ’ t worth the argument and dropped it .”

“ 85 million people saw 1314 performances making it easily Beckett ’ s most viewed play .”

“ John Calder claims that Tynan commissioned it ; but Ruby Cohn disputes this, saying that Samuel Beckett had recited it to her years before, and that Calder published a fair copy but not the original, which SB had written on the paper tablecloth of a café .”

In the filmed version directed by artist Damien Hirst as part of the Beckett on Film project “ the debris features hospital and medical waste ” as well as cigarette butts shaped to form swastikas.

This is not the first time Beckett has used light to symbolise existence: “ They give birth astride of a grave, the light gleams an instant, then it ’ s night once more .” The protagonist is nameless, he is Everyman.

“ As Beckett told Barney Rossett, his longtime U. S. publisher, in 1957: he is just ‘ human meat or bones .’”

G. C. Barnard argues the prevalent interpretation of the ending ; the protagonist does not move because he is simply crushed: ‘ the man remains, defeated, having opted out of the struggle, lying on the empty desert .’ “ But within this obvious, traditional ending, Beckett works his consummate skill, for the real play begins with its terminus.

Their “ aces so lost to age and aspect as to seem almost part of the urns .” Beckett has used similar imagery before, Mahood ’ s jar in The Unnameable, for example, or the dustbins occupied by Nell and Nagg in Endgame.

It is one of Beckett ’ s most ‘ musical ’ pieces with “ a chorus for three voices, orchestration, stage directions concerning tempo, volume and tone, a da capo repeat of the entire action ” and a short coda.

According to Knowlson and John Pilling in Frescoes of the Skull: the later prose and drama of Samuel Beckett, “ he three figures in Play … are not three-dimensional characters.

“ Beckett seems to have been immediately attracted to her and she to him.

“ In a visit to Paris in January 1961, Barbara … informed Beckett that she intended to move to live permanently ” “ a move which had been discussed more than once with Sam .” His response was unusual.

To comply with the law Beckett “ was obliged to be in residence in Folkstone for a minimum of two weeks to allow him to be married in the Registry Office there ” and this time spent there observing the locals may well have influenced the “ middle class, English, ‘ Home Counties ’” setting of Play though James Knowlson also point to two visits to Sweetwater about the same time.

“ Whitelaw ’ s deep brooding voice caught so many inflections that Beckett found himself at times listening to her instead of rehearsing the play .”

In the final version we are presented instead with, as Michael Robinson describes it in The Long Sonata of the Dead: A Study of Samuel Beckett, “ the three corners of love ’ s eternal triangle ( the emphasis here is on the eternal ) … They have no names, simply the designations M, W1 and W2 which aim at anonymity but also stand for all men and women who have, like them, been caught up in a three-part love affair ,”

In writing to George Devine, who directed the Old Vic production, Beckett suggests that “ the inquirer ( light ) begins to emerge as no less a victim of his inquiry than they and as needing to be free, within narrow limits, literally to act the part, i. e. to vary only slightly his speeds and intensities .” But the role of the light is even more ambiguous, for it has also been seen as “ a metaphor for our attention ( relentless, all-consuming, whimsical )” and a way of “ switching on and switching off speech exactly as a playwright does when he moves from one line of dialogue on his page to the next .” Neither of these analogies conflicts with the more popular views where the spotlight is believed by to represent God, or some other moral agent tasked with assessing, each character's case to be relieved from the binds of the urn by having them relive this relationship, which has ruined all their lives.

This reliving of the details surrounding the affair only takes up the first half of the text however ; Beckett called this part the ‘ Narration .’ As Paul Lawley says in " Beckett ’ s dramatic counterpoint: a reading of Play ", “ he second half of the text ( preceded by a five second long blackout ) – called ‘ Meditation ’ by Beckett himself – sheds a subtle new light on the first.

As they build, Lady Rectitude informs Christine with examples and “ stories of pagan, Hebrew, and Christian ladies ” who possessed the gift of prophecy, chastity, or devotion to their families and others.

Hymes ’ goal, in his own mind, is to understand the artistry and “ the competence … that underlies and informs such narratives ” ( Hymes 2003: vii ).

The abundant imagery concerning his person —“ of penetration, wounds, blood, marriage, orgasm, and shame ”— informs the view of some critics that the Roman “ figures Antony's body as queer, that is, as an open male body ... not only ' bends ' in devotion ' but ... bends over ”.

Some words require more emphasis than others, and, according to Thorndike, his list informs teachers of the most frequently occurring words that should be reinforced by instruction and thus become “ a permanent part of stock of word knowledge ” ( p. xi ).

The Sri Guru Granth Sahib informs “ Remember in meditation the Almighty Lord, every moment and every instant ; meditate on God in the celestial peace of Samadhi .” ( p 508 ).

A signboard informs that E. 1027 will be restored: the restoration is an initiative of the state of France, the department „ Alpes Maritimes “ and the city of Roquebrune ( bearing 50 % / 10 % / 40 % of the expenses ).

He explains that is when “ something informs him that all life on earth is like death.

In “ emphasizing poetry ’ s relationship to images and games ,” for example, Mazzoni informs romantic writers such as Samuel Taylor Coleridge and Friedrich von Schiller ( Leitch, 301 ).

“ The inscription also informs us of the war in Karnataka and Kulothunga ’ s subsequent placing of victory pillar in Sahyadri hills.

The English writer Alaxendar Kinloch Forbes mentions Vallabhipur or ‘ Wullubheepoor ’ in his book ‘ Ras Mala the Hindu Annals of Western India ’, written around 1856 A. D. informs us in his book ‘ Ras Mala ’ “ Of these princes eighteen are mentioned, the first two of who bore the title of ‘ senapatee or military chief ’, and are conjectured to have been vassals of the Purmar of Oojein or more probably we should say, of the Solunkee of Kuleean ”.

Vexed by an off screen narrator who informs her she has mistaken Chiffon margarine for butter, she responds with the trademarked slogan: “ It ’ s not nice to fool Mother Nature ” ( underscored by thunder and lightning ).

When Mrs. Otis notices a mysterious red mark on the floor, she simply replies that she does “ not at all care for blood stains in the sitting room .” When Mrs. Umney, the housekeeper, informs Mrs. Otis that the blood stain is indeed evidence of the ghost and cannot be removed, Washington Otis, the oldest son, suggests that the stain will be removed with Pinkerton ’ s Champion Stain Remover and Paragon Detergent: A quick fix, like the Tammany Rising Sun Lubricator, and a practical way of dealing with the problem.

As well as staff announcements, e. g. “ Will Mr FIRE please come to the flammable items gallery ”, Jane the Announcer also informs the public about new attractions.

The Preamble of the Parish constitution states that “ the people of Resurrection parish have a commitment to the concept of community .” This commitment informs and influence the liturgies, religious education programs, outreach, and concern for the larger community though social justice work.

She informs Yusuke that, due to his noble actions, he will be given a second chance at life as a “ Spirit Detective ”, an investigator of cases involving apparitions and demons on Earth.

Jesus gave each disciple a “ loaf ,” at the Last Supper, but the Scholion informs us that to John he gave two with the instructions to eat only one and to save the other.

This team of journalists addresses any news piece that readers report as being offensive or inaccurate and informs writers and readers of the correct terminology, which furthers their mission of equality and helps to “ spread awareness about issues facing the LGBT community ”.

Plutarch ’ s Life of Pericles, 13. 4 – 9, informs us “ the man who directed all the projects and was overseer for him was Phidias ...

In the chronicle he called Khatim al-Awliya, al-Hakim Tirmidhi ( d. 905 ) informs us the Khatim al-Awliya is the person, “ upon whom the leadership ( imama ) of the saints is incumbent, who bears in his hand the Banner of the saints, and whose intercession all the saints have need of, just as prophets have need of Prophet Sidna Mohammed ”.

The reverend informs him that his late mother never wanted him to go to the “ House of Shaws ” and asks him to stay in Essendean.