The Genoa Group of Eight Summit protest from July 18 to July 22, 2001 was one of the bloodiest protests in Western Europe's recent history, as evidenced by the wounding of hundreds of policemen and civilians forced to lock themselves inside of their homes and the death of a young Genoese anarchist named Carlo Giuliani — who was shot in the face while trying to throw a fire extinguisher on a police car — during two days of violence and rioting by fringe groups supported by the nonchalance of more consistent and peaceful masses of protesters, and the hospitalisation of several of those peaceful demonstrators just mentioned.

** Carlo Giuliani, Italian anarchist ( d. 2001 )

The 27th G8 summit in the city, in July 2001, was overshadowed by violent protests, with one protester, Carlo Giuliani, killed amid accusations of police brutality.

Carlo Giuliani (; 14 March 1978 – 20 July 2001 ) was an Italian anti-globalist who was shot dead by a police officer during the demonstrations against the Group of Eight summit that was held in Genoa from July 19 to July 21, 2001.

Death of Carlo Giuliani.

Carlo Giuliani, born in Rome, was the son of Giuliano Giuliani, a CGIL trade union activist, and Haidi Giuliani, who after his death would become a Senator for the Communist Refoundation Party.

* 20 – Carlo Giuliani, 19, Italian anarchist, murder.

* " Carlo Giuliani " 7 " / CD ( April 2003, Mortarhate Records )

* Death of Carlo Giuliani

* Carlo Giuliani, who died during the demonstrations against 2001 G8

* Carlo Giuliani, Activist and anarchist killed during Anti-G8 demonstrations in Genoa, 2001

Armida was soon followed by Salieri's first truly popular success ; a commedia per musica in the style of Carlo Goldoni La fiera di Venezia ( The Fair of Venice ).

This uneven work was followed by another popular comedic success La locandiera ( Mine Hostess ), an adaptation of the classic and popular spoken stage comedy La locandiera by Carlo Goldoni, the libretto was prepared by Domenico Poggi.

:* La bataille de Jemappes ( The Battle of Jemappes ), by Carlo Marochetti ( EAST façade ),

Puccini completed the score of La rondine, to a libretto by Giuseppe Adami in 1916 after two years of work, and it was premiered at the Grand Théâtre de Monte Carlo on 27 March 1917.

* La fanciulla del West, libretto by Guelfo Civinini and Carlo Zangarini ( premiered at the Metropolitan Opera, 10 December 1910 )

* La rondine, libretto by Giuseppe Adami ( premiered at the Opéra of Monte Carlo, 27 March 1917 )

It is also true that none of Cocteau's works has inspired as much imitation: Francis Poulenc's opera La Voix humaine, Gian Carlo Menotti's " opera bouffa " The Telephone and Roberto Rosselini's film version in Italian with Anna Magnani L ' Amore ( 1948 ).

Carlo La Vecchia, a Milan-based epidemiologist said, " Pizza could simply be indicative of a lifestyle and food habits, in other words the Italian version of a Mediterranean diet.

Bellini's next opera, Bianca e Gernando, met with some success at the Teatro San Carlo, leading to a commission from the impresario Barbaia for an opera at La Scala.

The opera was soon mounted at major opera houses throughout Italy, including the Teatro Regio di Parma ( 20 April 1872 ), the Teatro di San Carlo ( 30 March 1873 ), La Fenice ( 11 June 1873 ), the Teatro Regio di Torino ( 26 December 1874 ), the Teatro Comunale di Bologna ( 30 September 1877, with Giuseppina Pasqua as Amneris and Franco Novara as the King ), and the Teatro Costanzi ( 8 October 1881, with Theresia Singer as Aida and Giulia Novelli as Amneris ) among others.

The opera quickly became popular throughout Italy and productions were soon mounted by the following companies: The Teatro di San Carlo ( 14 March 1896, with Elisa Petri as Musetta and Antonio Magini-Coletti as Marcello ); The Teatro Comunale di Bologna ( 4 November 1896, with Amelia Sedelmayer as Musetta and Umberto Beduschi as Rodolfo ); The Teatro Costanzi ( 17 November 1896, with Maria Stuarda Savelli as Mimì, Enrico Giannini-Grifoni as Rodolfo, and Maurizio Bensaude as Marcello ); La Scala ( 15 March 1897, with Angelica Pandolfini as Mimì, Camilla Pasini as Musetta, Fernando De Lucia as Rodolfo, and Edoardo Camera as Marcello ); La Fenice ( 26 December 1897, with Emilia Merolla as Mimì, Maria Martelli as Musetta, Giovanni Apostolu and Franco Mannucci as Rodolfo, and Ferruccio Corradetti as Marcello ); Teatro Regio di Parma ( 29 January 1898, with Solomiya Krushelnytska as Mimì, Lina Cassandro as Musetta, Pietro Ferrari as Rodolfo, and Pietro Giacomello as Marcello ); And the Teatro Donizetti di Bergamo ( 21 August 1898, with Emilia Corsi as Mimì, Annita Barone as Musetta, Giovanni Apostolu as Rodolfo, and Giovanni Roussel as Marcello ).

* Le maschere ( 17 January 1901 Teatro Carlo Felice, Genoa-Teatro Regio, Turin-Teatro alla Scala, Milan-Teatro La Fenice, Venice-Teatro Filarmonico, Verona-Teatro Costanzi, Rome )

* La vestale ( 10 March 1840, Teatro S. Carlo, Naples )

* La schiava saracena, ovvero Il campo di Gerosolima ( 26 December 1848, Teatro alla Scala, Milan ) 1850 Teatro S. Carlo, Naples

Turandot quickly spread to other venues: Rome ( Teatro Costanzi, April 29, four days after the Milan premiere ), Buenos Aires ( Teatro Colón, June 23 ), Dresden ( September 6, in German ), Venice ( La Fenice, September 9 ), Vienna ( October 14 ; Mafalda Salvatini in the title role ), Berlin ( November 8 ), New York ( Metropolitan Opera, November 16 ), Brussels ( La Monnaie, 17 December, in French ), Naples ( Teatro San Carlo, January 17, 1927 ), Parma ( February 12 ), Turin ( March 17 ), London ( Covent Garden, June 7 ), San Francisco ( September 19 ), Bologna ( October 1927 ), Paris ( March 29, 1928 ), Australia 1928, Moscow ( Bolshoi Theatre, 1931 ).

Carlo Fontana, the general manager of La Scala since 1990, was dismissed in February 2005 by the board of governors over differences with the music director, Riccardo Muti.

* Don Carlo with Luciano Pavarotti and Daniela Dessi ( live La Scala – stage director )

The Petruzzelli Theatre is one of the grandest opera houses in Italy after La Scala in Milan and the San Carlo Theatre in Naples.

* Carlo Cantoni and Patrizia Cattaneo, " La mortadella: aspetti attuali tecnici della sua produzione " ( in Italian )

On the other hand, producers Dino De Laurentiis and Carlo Ponti are considered to have personally won the 1956 Foreign Language Film Award given to Fellini's La Strada ( 1954 ), since their names were explicitly included in the nomination.

The prolific operas of these composers, plus the works of Verdi's maturity, such as Un ballo in maschera, La forza del destino, Don Carlos / Don Carlo, the revised Simon Boccanegra, Aida, Otello and Falstaff, blazed many new and rewarding performance pathways for baritones.

They included Giorgio Ronconi, who created the title role in Verdi's Nabucco ; Felice Varesi, who created the title roles in Macbeth and Rigoletto as well as Germont in La traviata ; Antonio Superchi, the originator of Don Carlo in Ernani ; Francesco Graziani, who was the original Don Carlo di Vargas in La forza del destino ; Leone Giraldoni, the creator of Renato in Un ballo in maschera and the first Simon Boccanegra ; Enrico Delle Sedie, who was London's first Renato ; Adriano Pantaleoni, renowned for his performances as Amonasro in Aida as well as other Verdi roles at La Scala, Milan ; Francesco Pandolfini, whose singing at La Scala during the 1870s was praised by Verdi ; Antonio Cotogni, a much lauded singer in Milan, London and Saint Petersburg, the first Italian Posa in Don Carlos and later a great vocal pedagogue, too ; and Giuseppe Del Puente, who sang Verdi to acclaim in the United States.

Most of the designs were inspired by Italian designer Carlo Scarpa.

The second was a series of large scale paintings inspired by the paintings of Carlo Crivelli in the National Gallery, known as ' Crivelli ’ s Garden ' which are now housed in the main restaurant at the gallery.

Under a second pseudonym, Aldo Camini, he published anti-philosophical prose, inspired by the Italian representative of Metaphysical art, Carlo Carrà.

The historian was a highly productive dramatist, inspired by the works of Carlo Goldoni, William Shakespeare, Pierre Corneille and the Romanian Barbu Ştefănescu Delavrancea.

Most famous is the " Torqued Ellipse " series, which began in 1996 as single elliptical forms inspired by the soaring space of the early 17th century Baroque church San Carlo alle Quattro Fontane in Rome.

The general project is clearly inspired by great Italian theatres like the San Carlo of Naples ( interior ) and La Scala in Milan ( interior and façade ).

He has stated that he prefers formations that use four lines of players ( as opposed to three lines in the classic 4-4-2 ) due to the added depth in defence and presence in midfield, and was inspired to use the formations by Carlo Ancelotti.

Pallavicino's scandalous reputation continued until the end of the century and inspired satires of Antonio Lupis, Carlo Moscheni, Gregorio Leti and Alain René Lesage.

The development will include Trump Club Privee, a Monte Carlo inspired casino.

Carlo Ginzburg's two books on the Benandanti have inspired a number of fictional works:

The Weber themes are taken from incidental music Weber wrote for a play by Carlo Gozzi based on the same Turandot legend that later inspired Giacomo Puccini and others.

Adopting a literary career, he was inspired by anti-Austrian feeling and devotion to the royal house of Savoy, and in early life his combination of a sympathy for national independence with monarchical sentiments brought him into trouble in both quarters, to the point that Guerrazzi expelled him from Tuscany in 1849 for his praise of Carlo Alberto.