* Very possibly described as a lituus in Bb: Cantata BWV 118-O Jesu Christ, meins Lebens Licht ( Johann Sebastian Bach )

* Cantata BWV 170 Vergnügte Ruh, beliebte Seelenlust history, scoring, sources for text and music, translations to various languages, discography, discussion, bach-cantatas website

* Cantata BWV 54 Widerstehe doch der Sünde history, scoring, sources for text and music, translations to various languages, discography, discussion, bach-cantatas website

* BWV 54 – " Cantata BWV 54 Widerstehe doch der Sünde " English translation, discussion, Emmanuel Music

* Cantata BWV 35 Geist und Seele wird verwirret on bach-cantatas

* Cantata BWV 169 Gott soll allein mein Herze haben history, scoring, sources for text and music, translations to various languages, discography, discussion, bach-cantatas website

Most notably their collaboration was on religious works such as the St Matthew Passion ( BWV 244, 1727 ), but they also produced secular works such as the Coffee Cantata ( BWV 211, 1732 – 1734 ).

She arranged the chorale prelude of " Jesus bleibet meine Freude " ( known in English as " Jesu, Joy of Man's Desiring ") from Johann Sebastian Bach's Cantata Herz und Mund und Tat und Leben, BWV 147 for piano.

* Cantata BWV 29 Wir danken dir, Gott, wir danken dir history, scoring, sources for text and music, translations to various languages, discography, discussion, bach-cantatas website

Bach: Cantata BWV 199 Mein Herze schwimmt in Blut, Bruno Weil, Carmel Bach Festival Orchestra, Rosa Lamoreaux, Jonathan Wentworth 1998

* Cantata BWV 199 Mein Herze schwimmt im Blut history, scoring, sources for text and music, translations to various languages, discography, discussion, bach-cantatas website

* Johann Sebastian Bach premieres his First Köthen Funeral Music at Evening on March 23 and his Funeral Cantata Klagt, Kinder, klagt es aller Welt, BWV 244a before midday on March 24 both at the St. James Church, Köthen for the funeral services of his former employer, Leopold, Prince of Anhalt-Köthen.

* Johann Sebastian Bach in Cantata BWV 196, Der Herr denket an uns

-ACCORD / UNIVERSAL issued a 6-CD set with Bach orchestral works ( including the Brandenburgs, the Suites and The Art of Fugue ) in 2000 ; a 4-CD set entitled " L ' art de Teresa Stich-Randall " which includes sacred compositions by Bach, Handel, Mozart and Schubert in which the soprano is accompanied by Ristenpart ’ s Saar Orchestra, in 2005 ; a double-CD set with cantatas 56, 82, Wachet auf, ruft uns die Stimme, BWV 140, Gott soll allein mein Herze haben, BWV 169, Coffee Cantata, and 212 in 2006.

* Cantata BWV 1 Wie schön leuchtet der Morgenstern on bach-cantatas. com

* Cantata BWV 67 Halt im Gedächtnis Jesum Christ history, scoring, sources for text and music, translations to various languages, discography, discussion, bach-cantatas website

* Cantata Wachet auf, ruft uns die Stimme, BWV 140 on bach-cantatas

* Cantata BWV 82 Ich habe genug history, scoring, sources for text and music, translations to various languages, discography, discussion, bach-cantatas website

* Cantata BWV 2 Ach Gott, vom Himmel sieh darein history, scoring, sources for text and music, translations to various languages, discography, discussion, bach-cantatas website

* Cantata BWV 3 Ach Gott, wie manches Herzeleid I history, scoring, sources for text and music, translations to various languages, discography, discussion, bach-cantatas website

* Cantata BWV 4 Christ lag in Todesbanden history, scoring, sources for text and music, translations to various languages, discography, discussion, bach-cantatas website

* Cantata No. 4, " Christ lag in Todes Banden ," BWV 4 Allmusic

; Scoring for Cantata Mundi: 2 flutes ( 1 doubling on piccolo ), 2 oboes ( 1 doubling on English horn ), 2 clarinets, 2 bassoons, 6 horns, 3 trumpets, 4 trombones, tuba, timpani, claves, cowbell, güiro, 2 cabacas, triangle, chenchen, Egyptian tabla, doholla, tom-tom, cymbals, chekere, xylophone, glockenspiel, bass marimba, bongos, rek, udu pot, tablas, sticks, pandeiro, timbales, surdo, bass drum, tamtam, suspended cymbals, tambourine, recorder, strings ( featuring on album are also the violin, electro-acoustic percussion and gemshorn )

122 Cantata No. 4: Auguries of Innocence ( 2003 )( Vocal Quartet and Piano ) ( William Blake )

* Erdélyi kantáta ( Una Cantata transilvana ), 4 Folk Song Arrangements for mixed chorus a cappella ( 1935 )

Bach Cantata No. 4 " Christ lag in Todesbanden " Melico Salazar, Costa Rica

* Cantata BWV 7 Christ unser Herr zum Jordan kam history, scoring, sources for text and music, translations to various languages, discography, discussion, bach-cantatas website

* In 2000, Gardiner set out on his Bach Cantata Pilgrimage, performing, over a 52-week period, all of Bach's sacred cantatas in churches around Europe and the United States.

In 1934, his father added the hyphenated " Dieskau " to the family name ( through his mother, he was descended from the Kammerherr von Dieskau, for whom Johann Sebastian Bach wrote the " Peasant Cantata ").

Special Achievement – The Bach Cantata Pilgrimage on SDG

* Coffee Cantata – Johann Sebastian Bach

* Bach: Cantatas No. 67 & 11, from cantata No. 147, Reginald Jacques, The Cantata Singers, The Jacques Orchestra, Kathleen Ferrier, William Herbert, William Parsons, London / Decca Ace of Clubs 1949

Bach: Cantata No. 140, Cantata No. 57, Karl Ristenpart, Chorus of the Conservatory of Sarrebruck, Chamber Orchestra of the Saar, Ursula Buckel, Jakob Stämpfli, Accord 1962

She sang in the St Matthew Passion in November 1929 ( with Keith Falkner and Elsie Suddaby ) at Westminster with the Bach Cantata Club under Charles Kennedy Scott.

Bach: Cantata BWV 10, Magnificat BWV 243, Karl Münchinger, Wiener Akademiechor, Stuttgarter Kammerorchester, Elly Ameling, Helen Watts, Werner Krenn, Marius Rintzler, Decca 1968

Bach: Cantata BWV 10-Magnificat BWV 243, Michael Gielen, Anton-Webern-Chor, SWR Sinfonieorchester Baden-Baden, Christiane Oelze, Cornelia Kallisch, Christoph Prégardien, Anton Scharingere, SWF 1991

Bach had written two birthday cantatas for that court, the Hunting Cantata, BWV 208, in 1713 and the Shepherd Cantata, BWV 249a, in 1713.

In December 2005, an additional performance of Britten's cantata St. Nicolas and Arthur Honegger's A Christmas Cantata with the Basel Girls ' Choir were successfully brought to the stage.

On 22 November the same year his Cantata to Saint Cecilia for soloists, choir, children's choir, and chamber orchestra was given its first performance at the Ny Carlsberg Glyptotek in Copenhagen, and the following year it was recorded and released on the album Cæciliemusik ( Music for Saint Cecilia ) by the Danish Cæciliekoret ( The Cecilia Choir ) conducted by Gunnar Svensson with the soloists Birgitte Ewerlöf ( soprano ), Tuva Semmingsen ( alto ), and Jørgen Ditlevsen ( bass ).

by E. C. Nunn, from the Cantata Bethlehem ( 1913 )

A gigue is usually in 3 / 8 or in one of its compound metre derivatives, such as 6 / 8, 6 / 4, 9 / 8 or 12 / 8, although there are some gigues written in other metres, as for example the gigue from Johann Sebastian Bach's first French Suite ( BWV 812 ), which is written in 4 / 4.

Also, two arrangements of outside composers ' pieces figure on the Palmer side: one of Johann Sebastian Bach's baroque D Minor Invention # 4, BWV 775, and a piece titled ' The Enemy God Dances With the Black Spirits ', an excerpt of the 2nd movement of " The Scythian Suite " by Sergei Prokofiev ( 1891-1953 ), written in 1915.

The group's music has a trademark sound and is used frequently on television ( The West Wing, Sex in the City, Miami Vice, Glee ), in movies ( Bach's Fugue in G Minor ( BWV 578 ) in Thank You for Smoking, Mozart's " Horn Concerto No. 4 " in Wedding Crashers, Bach's " Prelude No. 7 in E flat Well Tempered Clavier-Book 2 BWV 876 " in Milk ).

* March 4 – Johann Sebastian Bach revives ( for the last time under his leadership ) his St John Passion BWV 245 ( BC D 2d ) with some textual and instrumentational changes at St. Nicholas Church, Leipzig.

* March 23 Johann Sebastian Bach premieres his St Mark Passion BWV 247 ( BC D 4 ) at St. Thomas Church, Leipzig.

4 and 5, BWV 815 – 816.

Bach Cantatas BWV 4, BWV 19, 21, 22, 31, 32, 37, 38, 39, 42, 47, 52, 56, 58, 73, 76, 79, 88, 106, 108, 127, 140, 160, 164, 176, 178, 180, 199, and 202 ).

The two most important German composers of the late Baroque era, Johann Sebastian Bach and George Frideric Handel, both studied Kerll's work: Bach arranged the Sanctus part of Kerll's Missa superba in his Sanctus in D major ( BWV 241 ), and Handel frequently borrowed themes, and sometimes whole pieces, from Kerll's canzonas ( the theme from Canzona No. 6 is taken for Let all the Angels of God from Messiah, Egypt was Glad from Israel in Egypt is practically similar to Canzona No. 4, etc.

Movement 4 of the chorale ( in English, " Zion hears the watchmen's voices ") corresponds to the organ piece BWV 645, the first of the Schübler Chorales.

** Christ lag in Todes Banden, BWV 4 ( cantata )

Brandenburg Concerto No. 4, BWV 1049: Members of the Marlboro Festival and Alexander Schneider ( violin ), Ornulf Gulbransen, Nancy Dalley ( flutes ), Rudolf Serkin ( piano ); Brandenburg Concerto No. 5, BWV 1050: Members of the Marlboro Festival and Ornulf Gulbransen ( flute ), Alexander Schneider ( violin ), Rudolf Serkin ( piano ); Brandenburg Concerto No. 6, BWV 1051: Members of the Marlboro Festival and Peter Serkin ( continuo ); Orchestral Suite No. 4, BWV 1069: Members of the Marlboro Festival and Henry Nowak, Wilmer Wise, Louis Opalesky ( trumpets ), John Mack, Joseph Turner, Patricia Grignet ( oboes ), Joyce Kelley ( bassoon ), John Wyre ( timpani ), Ruth Laredo ( piano ); Marlboro Festival Orchestra: Pablo Casals.

My First Recital ; Bach: Prelude No. 1 in C, BWV 846 ; Two-Part Invention No. 1 in C, BWV 772 ; Two-Part Invention No. 4 in d, BWV 775 ; Two-Part Invention No. 8 in F, BWV 779 ; Mozart: Fantasia in d, K. 397 ; Sonata in C, K. 545 ; Beethoven: Für Elise ; Sonata No. 20 in G, Op.