* Very possibly described as a lituus in Bb: Cantata BWV 118-O Jesu Christ, meins Lebens Licht ( Johann Sebastian Bach )

* In 2000, Gardiner set out on his Bach Cantata Pilgrimage, performing, over a 52-week period, all of Bach's sacred cantatas in churches around Europe and the United States.

Bach: Cantata BWV 199 Mein Herze schwimmt in Blut, Bruno Weil, Carmel Bach Festival Orchestra, Rosa Lamoreaux, Jonathan Wentworth 1998

In 1934, his father added the hyphenated " Dieskau " to the family name ( through his mother, he was descended from the Kammerherr von Dieskau, for whom Johann Sebastian Bach wrote the " Peasant Cantata ").

Special Achievement – The Bach Cantata Pilgrimage on SDG

* Coffee Cantata – Johann Sebastian Bach

* Johann Sebastian Bach premieres his First Köthen Funeral Music at Evening on March 23 and his Funeral Cantata Klagt, Kinder, klagt es aller Welt, BWV 244a before midday on March 24 both at the St. James Church, Köthen for the funeral services of his former employer, Leopold, Prince of Anhalt-Köthen.

* Johann Sebastian Bach in Cantata BWV 196, Der Herr denket an uns

-ACCORD / UNIVERSAL issued a 6-CD set with Bach orchestral works ( including the Brandenburgs, the Suites and The Art of Fugue ) in 2000 ; a 4-CD set entitled " L ' art de Teresa Stich-Randall " which includes sacred compositions by Bach, Handel, Mozart and Schubert in which the soprano is accompanied by Ristenpart ’ s Saar Orchestra, in 2005 ; a double-CD set with cantatas 56, 82, Wachet auf, ruft uns die Stimme, BWV 140, Gott soll allein mein Herze haben, BWV 169, Coffee Cantata, and 212 in 2006.

* Bach: Cantatas No. 67 & 11, from cantata No. 147, Reginald Jacques, The Cantata Singers, The Jacques Orchestra, Kathleen Ferrier, William Herbert, William Parsons, London / Decca Ace of Clubs 1949

Bach: Cantata No. 140, Cantata No. 57, Karl Ristenpart, Chorus of the Conservatory of Sarrebruck, Chamber Orchestra of the Saar, Ursula Buckel, Jakob Stämpfli, Accord 1962

She sang in the St Matthew Passion in November 1929 ( with Keith Falkner and Elsie Suddaby ) at Westminster with the Bach Cantata Club under Charles Kennedy Scott.

* Cantata BWV 4 " Christ lag in Todes Banden " Bach Choir of Bethlehem

Bach: Cantata BWV 10, Magnificat BWV 243, Karl Münchinger, Wiener Akademiechor, Stuttgarter Kammerorchester, Elly Ameling, Helen Watts, Werner Krenn, Marius Rintzler, Decca 1968

Bach: Cantata BWV 10-Magnificat BWV 243, Michael Gielen, Anton-Webern-Chor, SWR Sinfonieorchester Baden-Baden, Christiane Oelze, Cornelia Kallisch, Christoph Prégardien, Anton Scharingere, SWF 1991

Bach had written two birthday cantatas for that court, the Hunting Cantata, BWV 208, in 1713 and the Shepherd Cantata, BWV 249a, in 1713.

Hand-written musical notation by Johann Sebastian Bach | J. S. Bach: beginning of the Prelude from the Suite for Lute in G minor BWV 995 ( transcription of Cello Suite No. 5, BWV 1011 ) BR Bruxelles II.

The LP was originally supposed to feature twelve tracks, but the duo could not agree on the twelfth track: Simon refused to record a Bach chorale track favored by Garfunkel, while Garfunkel refused to record a song Simon had written called " Cuba Si, Nixon No ".

A notable exception is the Brandenburg Concerto No. 6 composed by J. S. Bach, scored for 2 violas, cello, 2 violas da gamba, and continuo, in which the two violas were placed in the primary melodic role.

At ten years of age, Saint-Saëns gave his debut public recital at the Salle Pleyel, with a performance of Mozart's Piano Concerto No. 15 in B-flat major ( K. 450 ), and various pieces by Handel, Kalkbrenner, Hummel, and Bach.

Many examples of rounded binary are found among the church sonatas of Vivaldi including his Sonata No. 1 for Cello and Continuo, First Movement, while certain Baroque composers such as Bach and Handel used the form rarely.

* " Suite No. 5 for solo Cello in C Minor, 4th mvt ' Sarabande '" by Johann Sebastian Bach.

Ma has appeared in an episode of the animated children's television series, Arthur, as well as on The West Wing ( episode " Noël ", in which he performed the prelude to the Bach Cello Suite No. 1 at a Christmas dinner at the White House ), Sesame Street and Mister Rogers ' Neighborhood.

This symphony is an extremely compressed contrapuntal unfolding of ideas that owes as much to Bach as to Romanticism, and includes the classical four movements – the finale is reminiscent of the last movement of Mozart's Symphony No. 41.

* Bach: Prelude and Fugue No. 1 in C major ( The Well-Tempered Clavier, Book 1 )

# " Suite No. 3 in D Major, BWV 1068 Air " – written by Johann Sebastian Bach, performed by Stuttgarter Kammerorchester / Karl Münchinger

The first page from the manuscript by Anna Magdalena Bach of Suite No. 1 in G major, BWV 1007

Bach: Cantatas No. 53, No. 54, No. 170, Hermann Scherchen, Hilde Rössel-Majdan, Orchestra of the Vienna State Opera, Westminster 1952

Bach: Cantatas No. 42, No. 35, Hermann Scherchen, Vienna Radio Orchestra, Maureen Forrester Westminster / Baroque Music Club 1964

* J. S. Bach: Partita for Violin No. 1 in B minor, BWV 1002: 7th movement, Tempo di Bourée, Pearl Catalog: 9851 ( also on Testament ( 749677132323 )).

In 1967 they made the chart for the last time with " Bo Diddley Bach " reaching No. 128 on Billboard.

** Rachmaninoff's Transcriptions and Paraphrases ( 7 / 1973, RCA Studios, New York ): Rimsky-Korsakov, The Flight of the Bumble-bee ; Kreisler, Liebesleid and Liebesfreud ; Mendelssohn, Scherzo from A Midsummer Night's Dream ; Bach, Prelude ( from Violin Partita No. 3 ); Mussorgsky, Hopak ; Behr, Polka de W. R .; Tchaikovsky, Lullaby Op.

Although the Guggenheim Foundation specifically required a cel animation film, Fischinger made his Bach film Motion Painting No. 1 ( 1947 ) as a documentation of the act of painting, taking a single frame each time he made a brush stroke — and the multi-layered style merely parallels the structure of the Bach music without any tight synchronization.

Examples are the Burlesca, in Partita No. 3 for keyboard ( BWV 827 ) by Bach, the " Rondo-Burleske " third movement of Symphony No. 9 by Mahler, and the " Burlesque " fourth movement of Shostakovich's Violin Concerto No. 1.

and it is not unlikely that, even as the great Bach lay dormant for so many years, so has the erudite, ingenious SalFininistas passed through his `` purgatory '' of neglect.

It is the difference between Bach and Mozart.

Works by J. C. Bach, Anton Craft, Joseph Haydn, Giuseppe Sammartini, Comenico Dragonetti and J. G. Janitsch were performed by seven instrumentalists including Anabel Brieff, flutist, Josef Marx, oboist, and Robert Conant, pianist and harpsichordist.

Something would come into her heart if nothing else the sounds of Bach would give her some healing.

Poirot, as mentioned in Curtain and The Clocks, is extremely fond of classical music, particularly Mozart and Bach.

* 1648 – Johann Michael Bach, German composer ( d. 1694 )

The exposition of these ideas, encouraged by Widor and Munch, became Schweitzer's next task, and appeared in the masterly study J. S. Bach: Le Musicien-Poète, written in French and published in 1905.

The result were two volumes ( J. S. Bach ), which was published in 1908 and translated in English by Ernest Newman in 1911.

In 1905 Widor and Schweitzer were among the six musicians who founded the Paris Bach Society, a choir dedicated to performing J. S.

He was also appointed organist for the Bach Concerts of the Orféo Català at Barcelona and often travelled there for that purpose.

At first he regarded his new life as a renunciation of his art, and fell out of practise: but after some time he resolved to study and learn by heart the works of Bach, Mendelssohn, Widor, César Franck, and Max Reger systematically.

The argument continues that the only justification humanity could give for its continued existence would be the past creation and continued creation of things like a Shakespeare play, a Rembrandt painting or a Bach concerto.

* 1613 – Christoph Bach, court musician, grandfather of Johann Sebastian Bach ( d. 1661 )

Bach.

His few remaining masses ( the story of his having composed two hundred is hardly credible ) and church music in general are comparatively unimportant, except the great St Cecilia Mass ( 1721 ), which is one of the first attempts at the style which reached its height in the great masses of Johann Sebastian Bach and Beethoven.

Like much of his mature work, it employs an idiosyncratic adaptation of Schoenberg's twelve-tone technique that enables the composer to produce passages openly evoking tonality, including quotations from historical tonal music, such as a Bach chorale and a Carinthian folk song.

Such is seen in the life of Palestrina becoming a major influence on Bach, most notably in the aforementioned Mass in B Minor.

Alice Bach notes that Abigail pronounces a " crucial prophecy ," and the Talmud regards her as one of the Tanakh's seven female prophets.

" In terms of her moral character, Abraham Kuyper argues that Abigail's conduct indicates " a most appealing character and unwavering faith ," but Alice Bach regards her as subversive.