* Gott, man lobet dich, Cantata for the Peace of Paris, 1763, for 5-part chorus, flute, 2 oboes, bassoon, 3 trumpets, 2 horns, strings & continuo, TWV 14: 12

He looked to older music for inspiration in the art of counterpoint ; the themes of some of his works are modelled on Baroque sources such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1 or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.

* Cantata ( 1929 ) for 6-part a cappella choir on texts by Johannes R. Becher and Karl Marx

At the same time Prokofiev also composed music for children ( Three Songs for Children and Peter and the Wolf, among others ) as well as the gigantic Cantata for the 20th Anniversary of the October Revolution, which was banned from performance and had to wait until May 1966 for a partial premiere.

In 1882, he composed his Cantata alla gioia from a text by Schiller, La stella di Garibaldi for voice and piano and La tua stella.

* R 2. 14 – Birthday Cantata for Prince Felice of Lucca

14 ( 1922 ), and a Cantata for Wartime, op.

to Stalin ( 1939 ), along with two festival cantatas, the Cantata for the Twentieth Anniversary of the October Revolution, op.

Igor Stravinsky composed a work titled simply Cantata in 1951 – 52, which used stanzas from the 15th-century " Lyke-wake Dirge " as a narrative frame for other anonymous English lyrics, and later designated A Sermon, a Narrative, and a Prayer ( 1961 ) as " a cantata for alto and tenor soli, speaker, chorus, and orchestra ".

* Cantata Der erste Ton for chorus and orchestra, Op.

* Cantata Kampf und Sieg for soloists, chorus and orchestra, Op.

* Northern lights chord, from Ernst Krenek's Cantata for Wartime ( 1943 )

At a Solemn Mass or Missa Cantata, a choir sings the servers ' responses, except for the Prayers at the Foot of the Altar.

* Missa Cantata ( Latin for " sung mass "): celebrated by a priest without deacon and subdeacon, and thus a form of Low Mass, but with some parts ( the three variable prayers, the Scripture readings, Preface, Pater Noster, and Ite Missa Est ) sung by the priest, and other parts ( Introit, Kyrie, Gloria, Gradual, Tract or Alleluia, Credo, Offertory Antiphon, Sanctus and Benedictus, Agnus Dei, and Communion Antiphon ) sung by the choir.

" Other works of Bliss classed by Palmer as among the finest are the Introduction and Allegro, the Music for Strings, the Oboe Quintet, A Knot of Riddles and the Golden Cantata.

The two most significant pieces of music in the film — the song, " Que Sera, Sera ( Whatever Will Be, Will Be )", and the Storm Clouds Cantata played in the Royal Albert Hall — are not by Herrmann ( although he did re-orchestrate the cantata by Australian-born composer Arthur Benjamin written for the earlier Hitchcock film of the same name ).

* The Divine Compassion, Sacred Cantata for Tenor, Baritone, Chorus and Organ

* Songs of Spring, Cantata for Female Chorus and Piano

** Robert Shaw ( conductor ) & the Atlanta Symphony Orchestra & Chorus for Barber: Prayers of Kierkegaard / Vaughan Williams: Dona Nobis Pacem / Bartók: Cantata Profana

* Yigdal Cantata, low voice / mixed chorus and ensemble

* Varde, Cantata for male chorus and orchestra, Op.

* Inauguration Cantata for baritone, reciter, chorus and orchestra ( 1958 )

* Ioann Damaskin ( Иоанн Дамаскин ), Cantata for soloists, chorus and orchestra ( 1890 ); words by Aleksey Konstantinovich Tolstoy

* La voix de Jeanne d ' Arc, Cantata for soprano, chorus and orchestra

* Columbus, Cantata for soprano, baritone, male chorus, and orchestra, Op.

* Wer einsam ist, der hat es gut, Cantata for soloists, mixed chorus and orchestra ( 1960, revised 1963 ); after poems of Wilhelm Busch, Christian Morgenstern and Joachim Ringelnatz

* Tria Carmina Pasachalia ( 1970 ), an Easter Cantata for women's chorus

A Sacred Cantata for four solo voices and chorus, interspersed with Hymns to be sung by the congregation.

* Karácsonyi kantáta ( Christmas Cantata ) for female chorus ( 1934 )

* Erdélyi kantáta ( Una Cantata transilvana ), 4 Folk Song Arrangements for mixed chorus a cappella ( 1935 )

* A Prayer-A Symphonic Cantata for mezzo-soprano, male chorus and orchestra ( T: James Joyce ) op. 68 ( 1965 )

* Laboratoire Central-Short Cantata for speaker, female chorus and instruments ( T: Max Jacob ) op. 88 ( 1970 )

* Ecclesiastes, Cantata for soprano, baritone, mixed chorus, organ and bells ( 1946 )

* 1970 Captain Noah and his Floating Zoo: Cantata ( text by Michael Flanders ) for mixed chorus with piano, double bass and percussion

* Cantata para América mágica, for dramatic soprano and percussion orchestra, Op.

* Cantata Bomarzo, for soloists, narrator, and chamber orchestra, Op.

Cantata for male voices-with soli-and orchestra, libretto by R. H. W. Bloor ( 1894 )

* Canto di speranza Cantata for cello and small orchestra ( 1957 )

On 22 November the same year his Cantata to Saint Cecilia for soloists, choir, children's choir, and chamber orchestra was given its first performance at the Ny Carlsberg Glyptotek in Copenhagen, and the following year it was recorded and released on the album Cæciliemusik ( Music for Saint Cecilia ) by the Danish Cæciliekoret ( The Cecilia Choir ) conducted by Gunnar Svensson with the soloists Birgitte Ewerlöf ( soprano ), Tuva Semmingsen ( alto ), and Jørgen Ditlevsen ( bass ).

* Cantata to Saint Cecilia for soloists, choir, children's choir, and chamber orchestra ( 1998 )

* Signs of the Zodiac ( Знаки Зодиака ), Cantata for soprano, harpsichord and string orchestra ( 1974 )

* 1948 Cantata about the Motherland for soloist, choir and symphony orchestra in 5 movements ( words by Ashot Grashi and Sarmen );

Cantata for soprano and orchestra after Klabund ( 1975 )

* Due to the lack of musical instruments, the orchestra for the premiere of the Yellow River Cantata consisted of only two or three violins and twenty-odd Chinese ethnic musical instruments.

Although he composed in all the major musical forms ( two symphonies, a violin concerto, four large scale choral works, nearly 300 songs and an opera ), he is best known for his Yellow River Cantata upon which the Yellow River Concerto for piano and orchestra is based.

In 1936 the German composer Karl Amadeus Hartmann used parts of " Lilacs " in an intended Cantata for soprano and orchestra.