Digital Cinema Initiatives ( DCI ) was formed in March 2002 as a joint project of many motion picture studios ( Disney, Fox, MGM, Paramount, Sony Pictures Entertainment, Universal, and Warner Bros. Studios ) to develop a system specification for digital cinema.

The development of Digital Cinema was a broad-based industry project involving many companies and development teams.

* On February 2, 2000, Philippe Binant, technical manager of Digital Cinema Project at Gaumont in France, realized the first digital cinema projection in Europe with the Texas Instruments mark V prototype projector.

In 2000, Walt Disney, Texas Instruments and Technicolor with the cooperation of several U. S. and international exhibitors, began to deploy prototype Digital Cinema systems in commercial theatres.

On 2002, the first secure encrypted digital cinema feature was Star Wars Episode II: Attack of the Clones by Cinecomm Digital Cinema ( then led by Russell J. Wintner ).

The First Digital Cinema Network enabling digital delivery directly to the theaters was built by Digital Cinema Solutions in 2002.

Following MOTOWN, Digital Cinema Solutions electronically distributed over a virtual private network close to 100 films until it was sold in 2005.

Digital Cinema Initiatives ( DCI ), a joint venture of the six major studios, published a system specification for digital cinema.

In addition to DCI's work, the National Association of Theatre Owners ( NATO ) released its Digital Cinema System Requirements.

Cameras such as the Arri Alexa can capture 2K resolution images, the Red Digital Cinema Camera Company's Red One and Red Scarlet can record 4K, the Red Epic 5K, and Sony's F65 CineAlta camera can record 4K down-sampled from 8K.

When all of the sound, picture, and data elements of a production have been completed, they may be assembled into a Digital Cinema Distribution Master ( DCDM ) which contains all of the digital material needed for projection.

The images and sound are then compressed, encrypted, and packaged to form the Digital Cinema Package ( DCP ).

cs: Digital Cinema

: Digital Cinema, Media Convergence, and Participatory Culture " by Henry Jenkins

In 2002, Paramount, Buena Vista Distribution, 20th Century Fox, Sony Pictures, Universal Studios, and Warner Bros. formed the Digital Cinema Initiative.

* Red Epic, a camera by Red Digital Cinema Camera Company

As Dolby Digital ( and to a lesser degree, DTS ) began to emerge as the clear winner in the digital sound battle, Sony Cinema Products quit manufacturing SDDS encoders and decoders, although it will continue supporting equipment that is still deployed in the field.

Dolby Digital has similar technologies, included in Dolby Digital EX, Dolby Digital Live, Dolby Digital Plus, Dolby Digital Surround EX, Dolby Digital Recording, Dolby Digital Cinema, Dolby Digital Stereo Creator and Dolby Digital 5. 1 Creator.

* Italian Cinema Special, May 2010 issue of Sight & Sound magazine

* Just to the North of the square, Prince Charles Cinema is a cheap-ticket second-run and cult cinema famed for its regular showing of The Rocky Horror Picture Show and a sing-along version of The Sound of Music.

New Queer Cinema is a term first coined by the academic B. Ruby Rich in Sight & Sound magazine in 1992 to define and describe a movement in queer-themed independent filmmaking in the early 1990s.

* B. Ruby Rich “ New Queer Cinema ”: Sight & Sound, Volume 2, Issue 5 ( September 1992 )

Sound is now considered to be a very important element of Bengali Cinema.

* Lost In Space ( Sound Design ; New Line Cinema )

Created by Kodak and ORC ( Optical Radiation Corporation ), Cinema Digital Sound was the first attempt to bring multi-channel digital sound to first-run theaters.

By default, SDDS units use an onboard Sony Cinema Sound Processor, and when the system is set up in this manner, the theatre's entire sound system can be equalized in the digital domain.

“ Domitor Witnesses the First Complete Public Presentation of the Dickson Experimental Sound Film in the Twentieth Century ,” in The Sounds of Early Cinema, ed.

*" The Pre-History of Sound Cinema, Part 1: Thomas Edison and W. K. L.

* Cinema Digital Sound, a multi-channel surround sound format used for theatrical films in the early 1990s

* Jacqueline Louviot: Le regard de Sight and Sound sur le cinéma britannique des années 50 et 60 ( What Sight and Sound Saw: Sight and Sound on British Cinema during the Fifties and Sixties ), French doctoral thesis, University of Strasbourg II, 1997, 980 p.

The station launched as Southern Sound from the converted Rothbury Cinema in Franklin Road, Portslade.

Home Audio Series: JBL Cinema Sound, Array series, Control Series, HT Series, HTI Series, K2 Series, On-The-Go, Performance Series, SCS Series, Soundpoint Series, Studio L Series, Synthesis, JBL Duet, JBL ES series.

Rangghar Cinema is a semi-multiplex with Dolby Digital Sound System and UFO Projection.

In 1972, he moved to California, to teach film at the University of Southern California, in Los Angeles, serving as a Professor of Cinema from 1972 to 1978, while continuing to contribute to The Times, as its American Cultural Correspondent, Sight and Sound, The New York Times, and The Los Angeles Times.

* Cinesonic: Cinema and the Sound of Music, Ed.

* Lanterna Magicka: Bill Douglas & the Secret History of Cinema ( 2009 ) Documentary on Douglas's fascination with pre-cinema optical devices, and how he integrated them into Comrades.

MXF is also used as the packaging format for Dolby Digital Cinema and is used in the STANAG specification documents.

The H. 264 video format has a very broad application range that covers all forms of digital compressed video from low bit-rate Internet streaming applications to HDTV broadcast and Digital Cinema applications with nearly lossless coding.

Warner Brothers and New Line Cinema were the only major film studios to release DVDs in this format.

As digital cinema catches on, the physical reel is being replaced by a virtual format called Digital Cinema Package, which can be distributed using any storage media ( such as hard drives ) or data transfer medium ( such as the Internet or satellite links ) and projected using a digital projector instead of a conventional movie projector.

* Red Digital Cinema Camera Company, a manufacturer of digital cinema cameras ( commonly shortened to " RED " when referring to specific camera models or their output format )

By 1970, WIFI had been acquired by General Cinema Corporation and had dropped locally originated programming in favor of the syndicated automated format " Hit Parade ' 70 ".

After hearing the jingle, then ABS-CBN Broadcasting Corp. Vice President for Entertainment, Ms. Charo Santos – Concio, decided to produce a movie out of the station's format which featured Ariel Rivera, Gelli de Belen, Jolina Magdangal, Rico Yan and Claudine Barretto, under the direction of Jose Javier Reyes for Star Cinema.

Red Digital Cinema Camera Company, with its Mysterium sensor family of still and video cameras, uses its proprietary raw format called REDCODE ( extension ), which stores still as well as audio + video information in one lossy-compressed file.