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* John Lahr ( ed.
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John Lahr wrote a biography of Orton entitled Prick Up Your Ears, a title * Orton himself had considered using, in 1978.
" The critic John Lahr wrote in a 1999 New Yorker profile that, " To a large extent, Schreiber's professional shape-shifting and his uncanny instinct for isolating the frightened, frail, goofy parts of his characters are a result of being forced to adapt to his mother's eccentricities.
* Dame Edna Everage and the Rise of Western Civilization: Backstage with Barry Humphries by John Lahr.
In his book Notes on a Cowardly Lion, John Lahr describes the problems as being caused partly by the choices of the director, including the decision to limit Bert's movement on stage, filling the stage with platforms, a misguided advertisement of the play as a light comedy, and other issues.
His son, New Yorker theater critic John Lahr, wrote a biography of his father's life titled Notes on a Cowardly Lion-The Biography of Bert Lahr ( 1969 ).
Coward himself pronounced the play " psychologically unstable ", and John Lahr in a 1982 study of Coward's plays writes, " Elyot and Amanda's outrageousness is used to propound the aesthetics of high camp – an essentially homosexual view of the world that justifies detachment.
The cast included John Davidson, Stanley Holloway, Bert Lahr, Ricardo Montalban and Susan Watson, who had appeared in the original Barnard College production.
During her editorship she let 79 go and engaged 50 new writers and editors including most of whom remain to this day: David Remnick ( whom she nominated as her successor ), Malcolm Gladwell, Anthony Lane, Jane Mayer, Jeffrey Toobin, Hendrik Hertzberg, Simon Schama, Lawrence Wright, Connie Bruck, John Lahr and editors Pamela McCarthy and Dorothy Wickenden.
John Lahr writes in his book Show and Tell: New Yorker Profiles that when Mamet married Crouse in 1978, he " married into show business aristocracy.
Newsweek noted: Now we see how At Liberty, the amazing one-woman show Stritch is moving to Broadway from the Public Theater this week, acquired the credit, " Constructed by John Lahr.
According to John Lahr, " The heroes of ' Golden Boy ' and ' The Big Knife ' are both torn between commercial success and artistic fulfillment, driven crazy by their decision to live against their natures ; both murder themselves out of nostalgia for their lost integrity.
John and ed
* Dilworth, John ( 1992 ) " The Violin and Bow-Origins and Development " in: The Cambridge Companion to the Violin ; ed.
* Rewald, John, ed., with the assistance of Lucien Pissarro: Camille Pissarro, Lettres à son fils Lucien, Editions Albin Michel, Paris 1950 ; previously published, translated to English: Camille Pissarro, Letters to his son Lucien, New York 1943 & London 1944 ; 3rd revised edition, Paul P Appel Publishers, 1972 ISBN 0-911858-22-9
* Mitchell, James K. & Soga, K. ( 2005 ), Fundamentals of Soil Behavior 3rd ed., John Wiley & Sons, Inc. ISBN 978-0-471-46302-3
* Rignall, John, ed., ' Oxford Reader's Companion to George Eliot ', Oxford University Press, 2000, ISBN 0-19-860099-2
* Day, John ( ed ), " In search of pre-exilic Israel: proceedings of the Oxford Old Testament Seminar " ( T & T Clark International, 2004 )
* Ian C. Levy ( ed ), A Companion to John Wyclif: Late Medieval Theologian ( Leiden, Brill, 2011 ) ( Brill's Companions to the Christian Tradition, 4 ).
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