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Roger and Ebert
* 1967 – Film critic Roger Ebert published his very first film review in the Chicago Sun-Times.
Roger Ebert gave the film two out of four stars and wrote, " The movie isn't as funny or entertaining as Evil Dead II, however, maybe because the comic approach seems recycled ".
Critics that frequently admire De Palma's work include Pauline Kael, Roger Ebert and Armond White, among others.
Love received critical acclaim, a Golden Globe nomination for Best Actress, and a New York Film Critics Circle Award for Best Supporting Actress, for what film critic Roger Ebert called " quite a performance ; Love proves she is not a rock star pretending to act, but a true actress ".
In a review in the Chicago Sun-Times, Roger Ebert states: " Barrymore is the right actress for this role precisely because she approaches it with such grave calm.
Barrymore's role in the costume drama Ever After ( 1998 ) offered a modern take on the classic fairy tale of Cinderella and served as a reminder, according to Roger Ebert, of how well Drew Barrymore " can hold the screen and involve us in her characters ".
Summing up Barrymore's appeal, Roger Ebert, in his review of 50 First Dates, described Barrymore as having a " smiling, coy sincerity ," describing the film as " ingratiating and lovable.
Roger Ebert approves of the use of the label in unsuccessful films that had been tampered with by studio executives, such as Sergio Leone's original cut of Once Upon a Time in America, and the moderately successful theatrical version of Daredevil, which were altered by studio interference for their theatrical release.
Critic Roger Ebert was and remains today a champion of the film, including it on his all-time top ten best films list.
Roger Ebert of the Chicago Sun-Times gave the film a three star rating ( out of four ) describing it as " a fairly sophisticated satire.
Roger Ebert considers it to be the finest film on the Vietnam war and included it on his list for the 2002 Sight and Sound poll for the greatest movie of all time.
Roger Ebert gave The Rainmaker three stars out of four, remarking: " I have enjoyed several of the movies based on Grisham novels ... but I've usually seen the storyteller's craft rather than the novelist's art being reflected.
Roger Ebert of the Chicago Sun-Times gave the film 3 stars, praising the film for being " boldly operatic, involving family drama, secrets, generations at war, melodrama, romance and violence ".
* An article by critic Roger Ebert describing his involvement with science fiction fanzines in the 1950s.
Film critic Roger Ebert gave the film three-and-a-half stars out of four, calling it " delightful and sly ", and directed with " light-hearted enchantment " by Newell.
Roger Ebert, who gave the film a mere one star in the Chicago Sun-Times, wrote :" The filmmakers must have known that the original Godzilla ( 1956 ) had many loyal fans all over the world who treasured the absurd dialogue, the bad lip-synching, the unbelievable special effects, the phony profundity.
Roger Ebert praised the ability of the film to spoof the " illogic of the TV show ".
Critic Roger Ebert, in a review dated January 1, 1972, did not care for the film.
* 1942 – Roger Ebert, American journalist, critic, and screenwriter
Roger Ebert said of his performance: " For one thing, there's more of a human element in the movie, and it comes from Klaus Maria Brandauer, as Largo.
Roger Ebert commented that Dunst's creation of the child vampire Claudia was one of the " creepier " aspects of the film, and mentioned her ability to convey the impression of great age inside apparent youth.
One of Scorsese's most consistent supporters, Roger Ebert of the Chicago Sun-Times, wrote that " In countless ways, right down to the detail of modern TV crime shows, Mean Streets is one of the source points of modern movies.
Roger Ebert discussed it in a June 2000 article and praised Strange Company's machinima setting of Percy Bysshe Shelley's sonnet " Ozymandias ".
" Similarly, Roger Ebert, writing of his iconic performance in Last Tango in Paris, said: " This was the greatest movie actor of his time, the author of performances that do honor to the cinema.
* Ebert, Roger.

Roger and review
Although movie critic Roger Ebert was not impressed with most of the other actors, he writes in his review, " ... we discover once again what a warm and engaging actor Peter Falk is.
On May 12, Clemens broke a long silence to denounce an heavily-researched expose by four investigative reporters from the New York Daily News, called American Icon: The Fall of Roger Clemens and the Rise of Steroids in America's Pastime Clemens went on ESPN's Mike and Mike show to call the book " garbage ", but a review by Michiko Kakutani of The New York Times called the book " gripping " and compared it to the work of Bob Woodward.
In Roger Ebert's review of the 2004 movie Secret Window, he stated, " A lot of people were outraged that was honored at the National Book Awards, as if a popular writer could not be taken seriously.
* Roger Ebert review of The Wild Bunch
Film critic Roger Ebert speculates in his review that the sequence introducing the leader Kambei ( in which the samurai shaves off his topknot, a sign of honor among samurai, in order to pose as a monk to rescue a boy from a kidnapper ) could be the origin of the practice, now common in action movies, of introducing the main hero with an undertaking unrelated to the main plot.
* " Great Movies " review by Roger Ebert
In his review in the Chicago Sun-Times, a disappointed Roger Ebert wrote, " The characters in this movie may look like adults, but they think like teenagers.
Ebert is known for his film review column ( appearing in the Chicago Sun-Times since 1967, and later online ) and for the television programs Sneak Previews, At the Movies with Gene Siskel and Roger Ebert, and Siskel and Ebert and The Movies, all of which he co-hosted for a combined 23 years with Gene Siskel.
In 2004, a review article by Simpson and Roger noted that the Protista were " a grab-bag for all eukaryotes that are not animals, plants or fungi ".
" Film critic Roger Ebert gave Mulan three and a half stars out of four in his written review.
" Roger Ebert gave the theatrical version of the film a less than positive review, but later gave a positive review of the director's cut.
* Roger Ebert review
" In his review of the film, Roger Ebert says that " Chaplin was technically not playing the Tramp ", but Ebert also states that, " He put the Little Tramp and $ 1. 5 million of his own money on the line to ridicule Hitler ".
" In a 2000 review for All About Eve, ( 1950 ) Roger Ebert noted, " Davis was a character, an icon with a grand style, so even her excesses are realistic.
Roger Ebert of the Chicago Sun-Times gave the film a three-star rating in his review, while Peter Rainer of the The Los Angeles Times wrote that " the action upstaged the actors.
Roger Ebert gave Bonnie and Clyde a largely positive review, giving it four stars out of a possible four.
* Is featured on Roger Ebert's " Great Movies " list, though Ebert's original review of the film granted it only three out of four stars.
" In a later review, Roger Ebert solidified the status of the film, " If I were asked to name the single scene in all of romantic comedy that was sexiest and funniest at the same time, I would advise beginning at six seconds past the 20-minute mark in Preston Sturges's " The Lady Eve '.
In his review for the Chicago Sun-Times, Roger Ebert wrote, " Diane Keaton gives us a fresh and nicely edged New York intellectual.

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