* Trouser Press commentary on Crowded House, Neil Finn and Tim Finn discography

* Trouser Press entry

Trouser Press critic Ian McCaleb later described the record as the " archetype for the musical explosion that was about to occur ".

" Exploited ", in The Trouser Press Record Guide, 4th ed., ed.

" Radio Birdman ", in The Trouser Press Record Guide, 4th ed., ed.

" Television ", in The Trouser Press Record Guide, 4th ed., ed.

* Comateens bio from Trouser Press

* April – New York rock and roll magazine Trouser Press folds after a decade, publishing its 96th and final issue.

* Magma at Trouser Press

A month later, their debut album Crossing The Red Sea was released, and has become one of the most highly regarded albums of the punk era, with Dave Thompson calling it " a devastating debut, one of the finest albums not only of the punk era, but of the 1970s as a whole ", Trouser Press calling it " the equal of the first Sex Pistols or Clash LP, a hasty statement that captures an exciting time ", and several other writers including it in lists of all-time greatest albums.

* Trouser Press entry

Ira Robbins of the Trouser Press called the album a " primary classic of hip-hop's original commercial surge " and went on to write:

In an " Autodiscography " feature article in the Trouser Press magazine, the band members recalled that while five different studios were credited on the album's liner notes, all of the recording took place at Gold Star Studios, the same facility Spector had used for his classic " Wall of Sound " productions of the 1960s.

Dee Dee's account contradicts much of the band's collective account from the 1982 Trouser Press interview, where the band stated that the only track that Johnny, Dee Dee and Marky did not play on was the cover version of " Baby, I Love You ", as the band, save for Joey, had gone home after cutting basic tracks for the rest of the album.

His only consistent recollection in both accounts is his dissatisfaction with his songwriting contributions to the album ; he specifically cited the anti-war songs " High Risk Insurance " and " Let's Go " in the Trouser Press interview.

* Au Pairs Trouser Press Guide.

* David Thomas solo overview at Trouser Press

* Thirlwell Biography / Discography at Trouser Press

Trouser Press was one of the few major media outlets that did not give the album a good review, stating that " more time spent in the songwriting lab might have yielded material more suitable to the evident studio effort invested and brought Wilco closer to making a truly great album.

* on the Trouser Press site

* Trouser Press entry

* Trouser Press entry

* Half Japanese entry at the Trouser Press website

Trouser Press Guide.

* The dB's at Trouser Press

The Trouser Press Record Guide described the League of Gentlemen's music as typically taking " a simple medium-to-fast backbeat over which Fripp and Andrews locked horns, with melodic development emerging slowly, surely, subtly.

Their first album, 1977's Pezband, received a great deal of critical acclaim, with Record World declaring them the " Most Promising New Act of the Year ," with more positive reviews from Billboard and Trouser.

Reviews were mixed, and the Trouser Press Record Guide has described it as " merely a display of his technical abilities.

Trouser Roles in Opera, Study Guide: The Siege of Corinth, Baltimore Opera.

Trouser Press describes it as " dark and cacophonous, an angry, intense slab of post-punk gloom that is best left to its own ( de ) vices "; the AllMusic Guide to Electronica describes some tracks as " so morose and vehement as to verge on self-parody.

* Trouser Press entry

* Trouser Press entry

* Trouser Press entry

* Trouser Press entry

* Trouser Press entry ( not comprehensive )

* Trouser Press entry

* Trouser Press entry

* Trouser Press entry

* Trouser Press entry

* Trouser Press entry

* Trouser Press entry

* Trouser Press entry

* Trouser Press entry

* Trouser Press entry

* Kember's Trouser Press entry

* Trouser Press entry