A 19th-century depiction of Galileo before the Holy Office, by Joseph-Nicolas Robert-Fleury

A 19th-century depiction of the Acre's surrender to Philip Augustus in 1191

19th-century depiction of Richard leaving the Holy Land

19th-century depiction of a victorious Saladin, by Gustave Doré.

Although Lermontov's depiction of the Georgian queen as a destructive seductress had no apparent historical background, it has been influential enough to raise the issue of Tamar's sexuality, a question that was given some prominence by the 19th-century European authors.

In the 19th-century depiction by James William Edmund Doyle, Edward the Martyr is offered a cup of mead by Ælfthryth, widow of the late Edgar, unaware that her attendant is about to murder him.

19th-century depiction of a session of Alþingi

Le vanneur ( The Winnower ) by Jean-François Millet, a 19th-century depiction of winnowing by fan

The castle's 15th-century gatehouse, in a 19th-century depiction by an unknown artist, with new inmates arriving at the castle when it was used as a prison.

A 19th-century depiction of ball lightning

19th-century depiction of " doggy style ", by Édouard-Henri Avril | Paul Avril

English: ' Christmas Comes But Once A Year ' ( Victorian depiction of early 19th-century Christmas celebration, with servant carrying pudding to dining table ).

A late 19th-century depiction of fugitive slaves in the Great Dismal Swamp

Penrhyn Castle in Wales, an early 19th-century recreation of a Norman castle

Outside the castle is the early 19th-century Esplanade, used as a parade ground, and now as a car park and performance space.

The Queen Mother set about restoring the castle for use as a holiday home, removing some of the 19th-century additions, and reinstating the Castle's original name.

Miramare Castle (; ; ) is a 19th-century castle on the Gulf of Trieste near Trieste, northeastern Italy.

Castell Coch () is a 19th-century Gothic Revival castle built on the remains of a genuine 13th-century fortification.

Although a castle has stood here since the 15th century, the present building is of mainly 17th-century origin, with 19th-century extensions.

Where there was an existing castle on a site, another response across 19th-century Europe was to attempt to improve the buildings, bringing their often chaotic historic features into line with a more integrated architectural aesthetic, in a style often termed Gothic Revivalism.

A restoration programme was undertaken between 1926 and 1935, which entailed the removal of almost all the 19th-century works, and the rebuilding of medieval-style features, which may not fully reflect the original features of the castle.

The castle is still surrounded by the 19th-century Salvation Army farm, and beyond that by Hadleigh Country Park, owned and managed by Essex County Council and a Site of Special Scientific Interest with special regard for invertebrates.

* Neuschwanstein Castle – a 19th-century Romanesque Revival castle in Germany

Among his best were the 1958 Castle Dracula / Baskerville Hall for Horror of Dracula and The Hound of the Baskervilles, respectively, the gothic castle doubling for Dracula, Prince of Darkness and Rasputin, the Mad Monk in 1965, and perhaps supremely, the 19th-century Cornish village that provided the setting for The Plague of the Zombies and The Reptile in 1966.

Divonne hosts a small chamber music festival every summer which is centred on its tiny theatre and the Chateau de Divonne, a 19th-century hotel which overlooks the town, Lake Geneva and the French Alps beyond, from the high terrace which was the site of Divonne's medieval castle.

A late-16th-century depiction of the castle, from Braun & Hogenberg's Georg Braun | Civitates orbis terrarum, showing David's Tower at the centre

* A fictional depiction of Alamut castle in the middle of the 13th century and its fall in 1256 is featured in the The Children of the Grail books series by Peter Berling.

1819 depiction of the castle

Aerial depiction of the castle

There is also an elaborate depiction of the Portuguese castle of São Jorge da Mina ( Elmina Castle, on the Gold Coast of west Africa ), flanked by two African towns.

18th century depiction of the castle

* A depiction of the castle as it would have appeared in 1578

The earliest known depiction of the castle which was stolen, by Sebastian Münster ( detail ).

The book is notable for its depth of characterisation-the narrator, a young Puritan scholar who has refused to join Oliver Cromwell's army because of his objections to religious violence, is a compassionate man who sees the good in everyone, including the villains-and for its subtle depiction of the creature in the hole, which is never completely seen even as it overwhelms the castle.