Our meeting took place in May, 1961, during one of the Maestro's stop-overs in New York, before he left for Europe.

After he had spent the first three years in New York as associate conductor, at Toscanini's invitation, of the NBC Orchestra, he made numerous guest appearances throughout the United States and Latin America.

Principal author of `` The Federalist '', he swung New York over from opposition to the Constitution to ratification almost single-handedly.

He ended his public career as a two-term governor of New York.

Talleyrand passed his New York law office one night on the way to a party.

No Southern novelist has done for Atlanta or Birmingham what Herrick, Dreiser, and Farrell did for Chicago or Dos Passos did for New York.

But hear Harrison E. Salisbury, former Moscow correspondent of The New York Times, and author of `` To Moscow -- And Beyond ''.

Exhibited in shows in London in 1935, and in New York the following year, the new, more elaborated abstracts were much favored in the circles of the modernists as three-dimentional dramas of great intellectual coherence.

In New York he was well received by what was then only a small brave band of non-figurative artists, including Alexander Calder, George K. L. Morris, De Kooning, Holty and a few others.

At the time of his capture Helion had on his person a sketchbook he had bought at Woolworth's in New York.

While convalescing in his Virginia home he wrote a book recording his prison experiences and escape, entitled: They Shall Not Have Me Published originally in ( Helion's ) English by Dutton & Co. of New York, in 1943, the book was received by the press as a work of astonishing literary power and one of the most realistic accounts of World War 2, from the French side.

Between 1944 and 1947 Helion had a series of one-man shows -- at the Paul Rosenberg Gallery in New York and in Paris -- of his new realistic pictures.

The New York Herald Tribune's photographer, Ira Rosenberg, tells an anecdote about the time he wanted to take a picture of Carl playing a guitar.

In answer to a New York Times query on what is fame ( `` Thoughts On Fame '', October 23, 1960 ), Carl said: `` Fame is a figment of a pigment.

`` Well, as a matter of fact, I've looked through back-issue files of New York papers for December, 1957, and haven't found a great deal '' --

`` It wasn't necessarily all here in New York.

When the troupe traveled to New York to participate in a one-act-play competition -- and won -- Mercer, instead of returning with the rest of the company in triumph, remained in New York.

the Honorable Robert Wagner, Sr., at that time a justice of the New York Supreme Court, was on the reception committee.

City editor Victor Watson of the New York American was a man of brooding suspicions and mysterious shifts of mood.

The blue-eyed Watson decided that he would dislike living in New York, and the deal fell through.

Hearst took a brief respite to hurry home to New York to become a father.

Attorney Shearn had worked on this for two years and had succeeded in getting a report supporting his stand from the United States Attorney for the Southern District of New York.

Many other films are associated with punk, such as 24 Hour Party People, which presents the evolution of punk rock into New Wave and Madchester, and Threat, which focuses on militant Straight edge punks in the New York hardcore scene.

" An article in Drowned in Sound argues that 1980s-era " hardcore is the true spirit of punk ", because " after all the poseurs and fashionistas fucked off to the next trend of skinny pink ties with New Romantic haircuts, singing wimpy lyrics ", the punk scene consisted only of people " completely dedicated to the DIY ethics ".

The New Wave of British Heavy Metal influenced the UK 82 style of bands like Discharge, and hardcore punk was a primary influence on thrash metal bands such as Metallica and Slayer.

By the time the film was released, new hardcore bands had formed in Los Angeles and neighboring Orange County, including The Adolescents, Agent Orange, Angry Samoans, Bad Religion, Descendents, Dr. Know, Ill Repute, Minutemen, New Regime, Social Distortion, Suicidal Tendencies, T. S. O. L., Wasted Youth, and Youth Brigade.

The New York City hardcore scene emerged in 1981 when Bad Brains moved to the city from Washington, D. C.

A number of bands associated with New York hardcore scene came from New Jersey, including Misfits, Adrenalin OD and Hogan's Heroes.

In the early 1980s, the New York hardcore scene was headquartered in a small after-hours bar, A7, on the lower east side of Manhattan.

Later, New York's hardcore scene was centered around the bar CBGB, whose owner, Hilly Kristal, embraced hardcore punk.

Early radio support in New York's surrounding Tri state area came from Pat Duncan, who had hosted live punk and hardcore bands weekly on WFMU since 1979.

While hardcore punk was declining in many American cities, New York City was becoming an even bigger epicenter for hardcore, particularly the youth crew movement.

He was replaced by Dave Linsk from the New Jersey hardcore / thrash metal band Anger On Anger.

Examples might include the irreverent Bus Station Loonies, hardcore punk artists Propagandhi, New Wave performers such as Honey Bane and folk punk bands such as Blackbird Raum.

* Schism Records, a hardcore record label and fanzine operated out of New York in the 1980s

Ludichrist was an American hardcore punk / speed metal band formed in the 1980s in New York.

Their musical style broke from traditional New York hardcore roots by adding aspects of rock, heavy metal and jazz, like extended guitar solos and musical interludes.

Early in the decade, several bands from the Southern United States ( particularly New Orleans with its metal scene ) such as Eyehategod, Acid Bath, Soilent Green, Corrosion of Conformity and Down, influenced by the Melvins, mixed Black Sabbath style metal, hardcore punk and Southern rock to give shape to what would be known as sludge metal.

The New Jersey hardcore band Rorschach samples some of the lines from the ending narration on the song " Lightning Strikes Twice " from their album Remain Sedate.

Unlike many other hardcore bands of the era, they also acknowledged proto-punk bands like the New York Dolls and MC5.

Sick of It All is an American hardcore punk band from Queens, New York.