Art historian Richard Poss took a more flexible approach, maintaining that the astronomical rock art of the North American Southwest should be read employing " the hermeneutic traditions of western art history and art criticism " Astronomers, however, raise different questions, seeking to provide their students with identifiable precursors of their discipline, and are especially concerned with the important question of how to confirm that specific sites are, indeed, intentionally astronomical.

This has been identified by the historian Ronald Hutton, cited in an article by Roger Dearnsley " The Influence of Aleister Crowley on Ye Bok of Ye Art Magical, as a piece of medieval ecclesiastical Latin used to mean " lifting the veil.

Art historian John Rewald called Pissarro the “ dean of the Impressionist painters ", not only because he was the oldest of the group, but also " by virtue of his wisdom and his balanced, kind, and warmhearted personality ”.

Art historian and the artist's great-grandson Joachim Pissarro notes that they “ professed a passionate disdain for the Salons and refused to exhibit at them .” Together they shared an “ almost militant resolution ” against the Salon, and through their later correspondences it is clear that their mutual admiration “ was based on a kinship of ethical as well as aesthetic concerns ”.

Art historian Diane Kelder notes that it was Pissarro who introduced Gauguin, who was then a young stockbroker studying to become an artist, to Degas and Cézanne.

Art historian Bernard Berenson wrote in 1896: " Leonardo is the one artist of whom it may be said with perfect literalness: Nothing that he touched but turned into a thing of eternal beauty.

* Calculations by him of eclipses for eighteen hundred years were inserted in L ' Art de vérifier les dates by Benedictine historian Charles Clémencet ( 1750 )

Art historian Giorgio Vasari wrote about Anguissola that she " has shown greater application and better grace than any other woman of our age in her endeavors at drawing ; she has thus succeeded not only in drawing, coloring and painting from nature, and copying excellently from others, but by herself has created rare and very beautiful paintings.

US economic historian Charles P. Kindleberger explained this position in his 1990 book Historical Economics: Art or Science ?.

Art historian John Rowlands sees this work as " one of the most moving portraits in art, from an artist, too, who always characterized his sitters with a guarded restraint ".

* Martin Kemp, Art historian

Art historian Raymond Cogniat writes that after living and studying art on his own for four years, " Chagall entered into the mainstream of contemporary art.

Art historian and curator James Sweeney notes that when Chagall first arrived in Paris, Cubism was the dominant art form, and French art was still dominated by the " materialistic outlook of the 19th century ".

Art historian Jean Leymarie observes that Chagall began thinking of art as " emerging from the internal being outward, from the seen object to the psychic outpouring ", which was the reverse of the Cubist way of creating.

Art historian Charles Stuckey has compared the viewpoint to that of a distracted spectator at a ballet, and says that " it is Degas ' fascination with the depiction of movement, including the movement of a spectator's eyes as during a random glance, that is properly speaking ' Impressionist '.

His Writings, 1973 – 1983, on Works 1969-1979, co-authored by the art historian Benjamin H. D. Buchloh, was published by The Press of the Nova Scotia College of Art and Design.

Of Posidonius's work on tactics, The Art of War, the Greek historian Arrian complained that it was written ' for experts ', which suggests that Posidonius may have had first hand experience of military leadership or, perhaps, utilized knowledge he gained from his acquaintance with Pompey.

Art historian Sivaramamurti calls it " a unique connection of the closely knit ideal of man and woman rising above the craving of the flesh and serving as a symbol of hospitality and parenthood ".

Art historian Robert Hillenbrand ( 1999 ) likens the movement to the foundation of an " Islamic Rome ", because the meeting of Eastern influences from Iranian, Eurasian steppe, Chinese, and Indian sources created a new paradigm for Islamic art.

She started making plans for a Museum of Modern Art in London together with the English art historian

* Geoffrey Howse ( 1955 – present ) actor, local historian and author, was a student at Barnsley School of Art 1973 – 75.

Art historian Ralph Nicholson Wornum estimated that Stothard's designs number five thousand and, of these, about three thousand were engraved.

The art historian Giovanni Lista has classified Futurism by decades: “ Plastic Dynamism ” for the first decade, “ Mechanical Art ” for the 1920s, “ Aeroaesthetics ” for the 1930s.

Art historian, Philip Mould says, " it is about noticing things which have specific characteristics of the artists involved, as opposed to general characteristics of the era ".

The school was founded by Walter Gropius in Weimar in 1919 as a merger of the Grand Ducal School of Arts and Crafts and the Weimar Academy of Fine Art.

After graduating from Chouinard Art Institute, Jones held a number of low-ranking jobs in the animation industry, including washing cels at the Ub Iwerks studio and assistant animator at the Walter Lantz studio.

Dewey's most significant writings were " The Reflex Arc Concept in Psychology " ( 1896 ), a critique of a standard psychological concept and the basis of all his further work ; Democracy and Education ( 1916 ), his celebrated work on progressive education ; Human Nature and Conduct ( 1922 ), a study of the function of habit in human behavior ; The Public and its Problems ( 1927 ), a defense of democracy written in response to Walter Lippmann's The Phantom Public ( 1925 ); Experience and Nature ( 1925 ), Dewey's most " metaphysical " statement ; Art as Experience ( 1934 ), Dewey's major work on aesthetics ; A Common Faith ( 1934 ), a humanistic study of religion originally delivered as the Dwight H. Terry Lectureship at Yale ; Logic: The Theory of Inquiry ( 1938 ), a statement of Dewey's unusual conception of logic ; Freedom and Culture ( 1939 ), a political work examining the roots of fascism ; and Knowing and the Known ( 1949 ), a book written in conjunction with Arthur F. Bentley that systematically outlines the concept of trans-action, which is central to his other works.

See Walter J. Ong, Ramus, Method, and the Decay of Dialogue: From the Art of Discourse to the Art of Reason ( Harvard University Press, 1958 ; reissued by the University of Chicago Press, 2004, with a new foreword by Adrian Johns ).

See Walter J. Ong, Ramus and Talon Inventory ( Harvard University Press, 1958 ); Joseph S. Freedman, Philosophy and the Art Europe, 1500-1700: Teaching and Texts at Schools and Universities ( Ashgate, 1999 ).

* Walter J. Ong, S. J., " Ramus: Method and the Decay of Dialogue: From the Art of Discourse to the Art of Reason.

* Cook, John Douglas-Harwood, Philip-Pollock, Walter Herries-Harris, Frank-Hodge Harris, The Saturday Review of Politics, Literature, Science and Art, vol.

* The Museum of Art in the Old Town Hall which contains the Helmut and Constanze Meyer Art Foundation, the Georg Tappert collection and the archives and collection of Caspar Walter Rauh.

In 1919 he won a Government grant to study in London at the Westminster School of Art under Walter Bayes and Bernard Meninsky.

After the war, Jones entered the Westminster School of Art, where he developed an interest in Post-Impressionism and studied under the British artist Walter Sickert, among other influential teachers.

Lenox was founded in 1889 by Walter Scott Lenox as Lenox's Ceramic Art Company, Trenton, New Jersey.

Ox-Bow School of Art and Artists ' Residency was founded in 1910 by Frederick Fursman and Walter Marshall Clute, two faculty members from the School of the Art Institute of Chicago ( SAIC ).

* Academy Award for Best Sound ( Walter Murch, Art Rochester )

* Michael Ondaatje, The Conversations: Walter Murch and the Art of Editing Film, London: Bloomsbury Publishing ( 2002 )

A similar view was likewise argued by assorted members of the Frankfurt School, including Theodor Adorno and Max Horkheimer in their essay The Culture Industry: Enlightenment as Mass-Deception ( 1944 ), and also Walter Benjamin in his highly influential " The Work of Art in the Age of Mechanical Reproduction " ( 1936 ).

The film was nominated for Academy Awards for Best Actor in a Leading Role ( Walter Pidgeon ), Best Actress in a Leading Role ( Greer Garson ), Best Art Direction-Interior Decoration, Black-and-White ( Cedric Gibbons, Paul Groesse, Edwin B. Willis, Hugh Hunt ), Best Cinematography, Black-and-White, Best Music, Scoring of a Dramatic or Comedy Picture, Best Picture, and Best Sound, Recording ( Douglas Shearer ).

* Lyle Wheeler, George Davis, Walter M. Scott, Jack Stubbs-Best Art Direction-Set Decoration, Color

This first Pop Art museum exhibition in America was curated by Walter Hopps at the Pasadena Art Museum.

The Makers of British Art ( Walter Scott, London, 1908 ).