* Ron Borges is a sports columnist and former long-time columnist for The Boston Globe.

In 1941, Jorge Luis Borges created The Garden of Forking Paths, a branching style short story that is often considered an inspiration for the concept of hypertext.

An example is Jorge Luis Borges, who won American fame with " The Garden of Forking Paths ", published in the August 1948 Ellery Queen's Mystery Magazine.

The Argentine writer Jorge Luis Borges is the most famous writer of short stories in the Spanish language.

* Averroes appears in a short story by Jorge Luis Borges, entitled " Averroes's Search ", in which he is portrayed trying to find the meanings of the words tragedy and comedy.

There is a short tale written by Jorge Luis Borges (" The House of Asterion ") telling the story of Theseus and Ariadne from the point-of-view of Asterius.

Caution eventually destroys or incapacitates it by telling it a riddle that involves something Alpha 60 can not comprehend: poetry ( although many of its lines are actually quotations from the Argentine poet Jorge Luis Borges ; the opening line of the film, along with others, is an extract of Borges's essay " Forms of a Legend " and other references throughout the movie are made by Alpha 60 to Borges's " A New Refutation of Time ").

" The imposter magician Smerdis " is mentioned in the short story by Jorge Luis Borges, Tlon, Uqbar, Orbis Tertius.

Mention of the battle is made in dozens of sources, in Old English, Latin, Irish, Welsh, Icelandic, and Middle English, and there are many later accounts or responses to the battle, including those by Alfred, Lord Tennyson and Jorge Luis Borges.

Cox's account is reprinted in Jorge Luis Borges ' Book of Imaginary Beings ( 1969 ).

The concept also arises outside the framework of quantum mechanics, as is found in Jorge Luis Borges short story El jardín de senderos que se bifurcan (" The Garden of Forking Paths "), published in 1941 before the many-worlds interpretation had been invented.

The main team is now formed by: Rafael Cabral ; Danilo, Edu Dracena, Durval, Léo ; Arouca, Adriano, Elano, Ganso ; Neymar and Borges.

* Jorge Luis Borges is injured in an accident and develops blood poisoning in December.

He is mentioned in Jorge Luis Borges ' Labyrinths in the story " The Immortal ", " Like Cornelius Agrippa, I am god, I am hero, I am philosopher, I am demon and I am world, which is a tedious way of saying that I do not exist.

A modern version of the story is given by Jorge Luis Borges in Book of Imaginary Beings ( 1957 ).

This Borges story had already been translated and published by the three main Borges translators: Anthony Kerrigan, Anthony Bonner and James E. Irby and it is interesting to note the difference of styles amongst these four different translations.

Veinticinco de agosto, 1983 ( August the 25th, 1983 ) is a chamber opera by Juan María Solare, to a Spanish libretto by Javier Adúriz based on the story by Jorge Luis Borges.

It is said that Borges was ahead of his time in his description of memory processes in this story, as it was not until the 1950s and research on the patient HM that some of what the author describes began to be understood.

After the Perón ascended to the presidency in 1946, Borges spoke before the Argentine Society of Writers ( SADE ), saying " Dictatorships breed oppression, dictatorships breed servility, dictatorships breed cruelty ; more loathsome still is the fact that they breed idiocy.

It is speculation that Borges adapted the last name from Twain ; and as Twain did not have a first name for the bandit, Borges used Lazarus, many believe as an allusion to the Bible character of the same first name who was raised from the dead by Jesus, symbolizing a second life ( which, in a purely ironic way, Borges ' Lazarus Morrell provided for the slaves he freed ).

In Jorge Luis Borges ' Book of Imaginary Beings, Bahamut is " altered and magnified " from Behemoth, and described as so immense that a human cannot bear its sight ; " the seas of the world, placed in one of the fish's nostrils, would be like a mustard seed laid in the desert.

Borges may have found a reference to it in any number of places, one of the most likely being accounts of the excavations, of the Kharijites, or of the Ibadhis – considered by Sunnis, but not by themselves, to be Kharijite – who live in what is today called the M ’ zab, in the Pentapolis ( five cities ), some of the minarets of which look somewhat like obelisks with flattened tops.

Two English-language translations were published more or less simultaneously in 1962: one by James E. Irby in a diverse collection of Borges works entitled Labyrinths ; the other by Anthony Bonner as part of a collaborative translation of the entirety of Ficciones ( 1962 ).

Borges has far less sympathy with those who go beyond Lugones, such as Ricardo Rojas who wants to see in Martín Fierro literal or metaphorical analogues for almost every aspect of Argentine history and moral character, praising the work mostly for aspects that Borges finds " conspicuous by their absence.

In the trend of Russian and Italian futurism, Dadaism and French surrealism, the Ultraist movement, which ended in 1922 with the cessation of the journal Ultra ( though some authors, such as Borges, continued writing in the Ultraist style for nearly a decade afterwards ), proposed an aesthetic change, less ambitious than that of surrealism, trying to extend to all arts and to daily life itself.

The movement contributes an intellectual doctrine in which a number of current trends come together: the trend represented by the Florida group, adscript to ultraísmo, with Oliverio Girondo, Jorge Luis Borges, Leopoldo Marechal and Macedonio Fernández ; and the trend of Boedo, impressed by Russian realism, with Raúl González Tuñón, César Tiempo y Elías Catelnuovo.

This scene so impressed Jorge Luis Borges that he devoted one of his most famous essays to it: ' Partial Enchantments in the Quixote.

Borges ' analysis of metafiction in the essay When Fiction Lives in Fiction deals extensively with the teleological nature of false documents.

Jorge Luis Borges stated that his first encounter with Keats was the most significant literary experience of his life.

The Argentine writer Jorge Luis Borges was entranced with the idea of the labyrinth, and used it extensively in his short stories ( such as " The House of Asterion " in The Aleph ).

* The Argentinian writer Jorge Luis Borges discusses Zeno ’ s paradoxes many times in his work, showing their relationship with infinity.

Nelson Goodman took the contrary position, illustrating his point along with Catherine Elgin by the example of Borges ' " Pierre Menard, Author of the Quixote ",

In 1965 he released El Tango, an album for which he collaborated with the Argentine poet Jorge Luis Borges.

Emir Rodríguez Monegal alleged that many of Derrida's ideas were recycled from the work of Borges ( from essays and tales such as " La fruición literaria " ( 1928 ), " Elementos de preceptiva " ( 1933 ), " Pierre Menard " ( 1939 ), " Tlön " ( 1940 ), " Kafka y sus precursores " ( 1951 )), opening his article with:

" Jorge Luis Borges inspired and encouraged other Latin American writers in the development of magical realism-particularly with his first magical realist publication, Historia universal de la infamia in 1935 .< ref > Flores, Angel.

* Interview with Jorge Luis Borges, 25 April 1980, discussing Browne

Peñarol made its debut in this tournament on April 19, against Club Jorge Wilstermann of Bolivia in a 7 – 1 thrashing, with the first goal of the match ( and the tournament ) coming courtesy of Luis Borges.

Also Jorge Luis Borges lived in the town with his parents and his sister Norah, after the First World War let them free from their refuge in Geneva.

Borges passionate friendship with the young artist Jacobo Sureda Montaner, son of the painter Pilar Montaner, was decisive for Borges writing mainly in Spanish.

The obolus, along with the mirror, was a symbol of new schismatic heretics in the short story " The Theologians " by Argentine author Jorge Luis Borges ( Labyrinths, p. 122 ).

In 1999 the University of Geneva exhibited one of the vast tomes of Oedipus Aegyptiacus in an exhibition to celebrate the centenary of Jorge Luis Borges as representative of books associated with the Argentinian author.

The worldly Borges ultimately proves no more able to live with the terrifying book than was the salesman.

Ricardo Rojas went way beyond Lugones, claiming the poem to deal, at least metaphorically, with almost every issue of Argentine history, even though, as Borges remarks, most of these aspects are notable in the poem mostly for their absence.

Eleuterio Tiscornia brought to the work a critical approach akin to European philology which seems, on the surface, incommensurate with the work in question ( see Borges and Ezequiel Martínez Estrada's short-sighted attack on Tiscornia ).

Because Martín Fierro has been widely considered ( beginning with Leopoldo Lugones's El Payador, 1916 ) the fountainhead or pinnacle of Argentine literature, Argentina's Don Quixote or Divine Comedy, and because Borges was certainly Argentina's greatest twentieth-century writer, Borges's 1953 book of essays about the poem and its critical and popular reception-El " Martín Fierro " ( written with Margarita Guerrero )-gives insight into Borges's identity as an Argentine.

Borges emphasizes that " gauchesque " poetry was not poetry written by gauchos, but generally by educated urban writers who adopted the eight-syllable line of the rural payadas ( ballads ), but often filled them with folksy expressions and with accounts of daily life that had no place in the " serious and even solemn " payadas.