[permalink] [id link]
Chaplin began preparing the film in 1934 as his first " talkie ", and went as far as writing a dialogue script and experimenting with some sound scenes.
from
Wikipedia
Some Related Sentences
Chaplin and began
Chaplin quickly began work in another role, touring with his brother — who was also pursuing an acting career — in a comedy sketch called Repairs.
Chaplin recalled: " I had a disquieting feeling of sinking back into a depressing commonplaceness ", and was therefore " elated " when a new tour began in October.
There, Chaplin began to form a stock company of regular players, including Leo White, Bud Jamison, Paddy McGuire and Billy Armstrong.
With The Tramp, issued April 1915, Chaplin began to inject greater emotion into his pictures.
With the new year, however, Chaplin began to demand more time.
It was around this time that Chaplin began to conceive the Tramp as " a sort of Pierrot ", or sad clown.
Chaplin paid yet more concern to story construction, and began treating the Tramp as " a sort of Pierrot.
With Georgia Hale his new leading lady, Chaplin began filming the picture in February 1924.
When filming began at the end of 1928, Chaplin had been working on the story for almost a year.
Chaplin spent two years developing the script, and began filming in September 1939.
Shortly after the publication of his memoirs, Chaplin began work on what would be his final completed film, A Countess from Hong Kong ( 1967 ), based on a script he had written for Paulette Goddard in the 1930s.
Chaplin prepared the story throughout 1938 and 1939, and began filming in September 1939, one week after the beginning of World War II.
In early 1928 Chaplin began writing the script with Harry Carr.
Chaplin officially began pre-production of the film in May 1928 and hired Austrian art director Henry Clive to design the sets that summer.
Filming for City Lights officially began on December 27, 1928, after Chaplin and Carr had worked on the script for almost an entire year.
The scene tooks weeks to shoot and Chaplin first began to have second thoughts about casting Cherrill.
In November Chaplin began working with Cherrill again in some of the Flower Girls less dramatic scenes.
This plot was abandoned almost immediately, before Chaplin's character was introduced, the documentary states, and Chaplin began again, with a story, still set in a cafe, about a man who has never been in a restaurant before displaying terrible table manners before meeting a lovely girl ( Purviance ) and shaping up.
Chaplin first began discussing his ideas for a film about a circus as early as 1920.
In late 1925, he returned from New York to California and began working on developing the film at Charlie Chaplin Studios.
Eddie Cline began working for Mack Sennett's Keystone Studios in 1914 and supported Charlie Chaplin in some of the shorts he made at the studio.
From the beginning, Clampett was intrigued with and influenced by Douglas Fairbanks, Lon Chaney, Charlie Chaplin, Buster Keaton and Harold Lloyd, and he began making film short-subjects in his garage beginning when he was twelve.
He met the likes of Louis Armstrong and began a long-lasting friendship with Charlie Chaplin.
The Tramp was closely identified with the silent era, and was considered an international character ; when the sound era began in the late 1920s, Chaplin refused to make a talkie featuring the character.
Chaplin and preparing
The Criterion division is preparing the Chaplin library for re-issue on DVD and Blu-ray, in addition to theatrical release.
Chaplin and film
The film featured an all-star cast that included Elizabeth Taylor, Rock Hudson, Geraldine Chaplin, Tony Curtis, and Kim Novak.
Sir Charles Spencer " Charlie " Chaplin, KBE ( 16 April 188925 December 1977 ) was an English comic actor, film director and composer best known for his work during the silent film era.
He became the most famous film star in the world before the end of World War I. Chaplin used mime, slapstick and other visual comedy routines, and continued well into the era of the talkies, though his films decreased in frequency from the end of the 1920s.
With an insurance of $ 1, 500 promised in case of failure, Sennett also allowed Chaplin to direct his own film.
Chaplin proceeded to direct every short film in which he appeared for Keystone, approximately one per week, which he remembered as the most exciting time of his career.
In November 1914, Chaplin appeared in the first feature length comedy film, Tillie's Punctured Romance, directed by Sennett.
Chaplin and Edna Purviance, his frequent leading lady, in Work ( 1915 film ) | Work ( 1915 )
Chaplin was unimpressed with the conditions there, and after making one film ( His New Job, released 1 February 1915 ), moved to the company's small studio in Niles, California.
Chaplin asserted a high level of control over his pictures, and started to put more time and care into each film.
The Mutual contract stipulated that Chaplin release a two-reel film every four weeks, which he had managed to meet.
Chaplin felt that marriage stunted his creativity, and he struggled over the production of his next film, Sunnyside.
Chaplin became fearful that Harris would claim The Kid as part of the divorce proceedings, so packed the 400, 000 feet negative into crates and travelled to Salt Lake City to cut the film in a hotel room.
Chaplin spent five months on his next film, the two-reeler The Idle Class.
The public, however, seemed to have little interest in a Chaplin film without Chaplin, and it was a box-office disappointment.
During production of the film Chaplin had been involved with the actress Pola Negri, a romantic pairing that received vast media interest.
For his next film Chaplin returned to comedy.
At a cost of almost $ 1, 000, 000, Chaplin felt it was the best film he had made to that point.
David Robinson notes that the film provided " a welcome distraction " from the " wretchedness " of his home life ; Grey was pregnant for a second time, frustrating Chaplin and exacerbating difficulties between the pair.
Unwilling to allow his film to be drawn into the divorce proceedings, Chaplin announced that production on The Circus had been temporarily suspended.
One advantage Chaplin found in sound technology was the ability to record a musical score for the film ; he also took the opportunity to mock the talkies, opening City Lights with a squeaky, unintelligible speech that " burlesqued the metallic tones of early talky voices ".
It was these concerns that stimulated Chaplin to develop his new film.
The film received considerable press coverage for this reason, although Chaplin tried to downplay the issue.
Chaplin concluded the film with a six-minute speech in which he looked straight at the camera and professed his personal beliefs.
0.679 seconds.