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Cover art for paperback edition of The Secret of Saturn's Rings ( 1966 ) Wollheim's first story, " The Man from Ariel ," was published in the January 1934 issue of Wonder Stories when he was nineteen.
Cover art from " The 8th Book of Tan ", by Sam Loyd, a spoof of the puzzle's history that began the Tangram Craze in the Western World
Cover art for the original incarnation of Life, 27 January 1910 issue, illustration by Coles Phillips.
Cover and by
Last week Chicago happily found its top scholar in Caltech's acting dean of the faculty: dynamic Geneticist George Wells Beadle, 57, who shared the 1958 Nobel Prize in medicine and physiology for discovering how genes affect heredity by controlling cell chemistry ( Time, Cover, July 14, 1958 ).
He continued to have hits through the rest of the 1950s and even the 1960s, including " Pretty Thing " ( 1956 ), " Say Man " ( 1959 ), and " You Can't Judge a Book by the Cover " ( 1962 ).
Cover page of The Book of Mormon from an original 1830 edition, by Joseph Smith, Jr. ( Image from the U. S. Library of Congress Rare Book and Special Collections Division.
Songs such as " Come Go with Me " by Exposé, " Show Me " by the Cover Girls, " Fascinated " by Company B, and " Silent Morning " by Noel brought freestyle into the mainstream.
The show featured Judy Torres, Cynthia and The Cover Girls and was attended by several celebrity guests.
Cover is available for mortality or economic slaughter as a result of accident, illness or disease but can extend to include destruction by government order.
Freestyle was primarily popular among Latinos in the New York City and Miami club scenes, but achieved mainstream pop success with hits by The Cover Girls and Exposé, among others.
Cover of the 1594 quarto of The True Tragedy of Richard III, which was " printed by Thomas Creede and ... to be sold by William Barley, at his shop in Newgate Market ".
Its cover, illustrated by Donato Giancola, was awarded the Association of Science Fiction Artists Award for Best Cover Illustration in 2002.
* Cover Story, Forbes Magazine: " David Boies Takes on Eliot Spitzer in the Fight over AIG ", by Daniel Fisher, Carrie Coolidge and Neil Weinberg, May 9, 2005
* Cover Story, New York Times Sunday Magazine, " David Boies: The Wall Street Lawyer Everyone Wants " by Cary Reich, June 1, 1986
art and by
The presence of genuine mimesis in art is marked by the persistence with which the work demands attention and compels valuation even though it is but vaguely understood.
Helion also hoped that America's mastery of technology and industrial efficiency would be accompanied by the production of new and beautiful art works.
Let us not confuse the issue by labeling the objective or the method `` psychoanalytic '', for this is a well established term of art for the specific ideas and procedures initiated by Sigmund Freud and his followers for the study and treatment of disordered personalities.
It is obvious that the historian who seeks to recapture the ideas that have motivated human behavior throughout a given period will find the art and literature of that age one of his central and major concerns, by no means a mere supplement or adjunct of significant historical research.
Aroused by what they considered an evil influence, some members of the clergy, joined by city authorities, merchants, and master craftsmen, began the attack on the plays and the actors for what they called `` the abuses of the art '', but by 1582 some of them began to denounce the whole idea of acting.
A third Thomas Bushell ( 1594-1674 ), `` much loved '' by Bacon, called himself `` The Superlative Prodigall '' in The First Part of Youths Errors ( 1628 ) and became an expert on silver mines and on the art of running into debt.
For a while his work was influenced deeply by the French impressionists, and by the patterned, mosaic-like paintings of Gustav Klimt, then the dean of Austrian art.
For it is such a distinguished place, with such fine works of art and such a big library, that there can be little doubt but that the owner has become depraved by all this culture.
Nevertheless, Prokofieff was much influenced by Paris during the Twenties: the Paris which was the artistic center of the Western World -- the social Paris to which Russian aristocracy migrated -- the chic Paris which attracted the tourist dollars of rich America -- the avant-garde Paris of Diaghileff, Stravinsky, Koussevitzky, Cocteau, Picasso -- the laissez-faire Paris of Dadaism and ultramodern art -- the Paris sympathique which took young composers to her bosom with such quick and easy enthusiasms.
Except for a rich friendship with the painter, Chauncey Ryder who gave him the only professional instruction he ever had -- and this was limited to a few lessons, though the two artists often went on painting trips together -- Roy developed his art by himself.
Only the independent art schools, that is, those not connected with any university or college, receive severe and separate investigation before accreditation by the various regional organizations.
There will be no mitigation of these offences until all art schools, whether independent or attached to universities have separate accreditation -- as do medical schools -- by an art accreditation group such as the `` National Association of Schools of Art ''.
Independent art schools granting degrees must, naturally, follow this with academic accreditation by the appropriate regional group.
Francesca and Herbert considered themselves violently nonconformist and showed the world they were by filling their Colonial house with contemporary furniture and paintings and other art objects ( expensive, but not necessarily valuable, contemporary things ).
Then, advised by the Architect of the Capitol, the Joint Committee for the Library, traditionally responsible for the works of art in the building, ordered the space cleared and painted in fresco, to show `` the Peace after the Civil War '', `` the Spanish-American War '', and `` the Birth of Aviation '', to match as nearly as feasible Brumidi's technique and composition.
Both of them were overcome by the horror of the world in which they found themselves, because at last they could no longer overcome that world with the weapon of a purely lyrical art.
A valuable pencil-and-sepia allegorical drawing of Benjamin Franklin by Jean-Honore Fragonard has been donated by the art dealer Georges Wildenstein and now hangs in the Blue Room.
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