Critic Steve Huey calls it " perhaps Tom Waits's most cohesive album ... a morbid, sinister nightmare, one that applied the quirks of his experimental ' 80s classics to stunningly evocative — and often harrowing — effect ... Waits ' most affecting and powerful recording, even if it isn't his most accessible.

Critic Steve Huey of Allmusic writes that the album's influence " was felt more in spirit than in direct copycatting, as a catalyst rather than a literal musical starting point.

Critic Steve Turner suggests that Plant's early and continued experiences in Wales served as the foundation for his broader interest in the mythologies he revisits in his lyrics ( including those myth systems of Tolkien and the Norse ).

Critic Steve Huey of Allmusic later rated the album with four and a half stars out of five, stating that the " record sounds like a bridge between Mother Love Bone's theatrical ' 70s-rock updates and Pearl Jam's hard-rocking seriousness.

Critic Steve Huey called their album Morbid Florist " barely listenable ".

Critic Steve Huey writes, " rampant eclecticism encompasses everything from heavy metal and punk to funk, R & B and avant-garde jazz, and his anarchic, lightning-fast solos have become something of a hallmark as well.

Critic Steve Blance, in his Top Ten Worst Movies Review, called the film " the worst I have ever witnessed " and also noted that he would " rather be tortured for twenty-years with searing iron than have to sit through even a minute of this again.

Critic Steve Huey wrote that " it was Che's manic explosions and stop-on-a-dime shifts in time signature that

* There is also some programming seen on all Newfoundland systems, such as One Chef One Critic ( produced in St. John's ), hosted by Central Dairies chef Steve Watson and The Telegram food critic ( and former CBNT weather personality ) Karl Wells.

It was written by Steve Young, directed by Bob Anderson and features a cameo by Jon Lovitz as Jay Sherman from The Critic.

Critic Tony Stewart praised the episodes in which Steve discovered that Lloyd and Liz were having a fling, calling it " pure comedy gold, full of wicked laugh-out-loud one-liners ..." Ian Wylie has been very impressed with Simon Gregson's performance as Steve saying, " his on screen performance remains as fresh as the day he started ".

* Critic of the Year: Steve Dinneen ( 2004 )

Critic Steve Anderson said, “ The CRTC ’ s stubbornness in the face of a mass public outcry demonstrates the strength of the Big Telecom lobby ’ s influence.

Critic Steve Press wrote, " The flashback structure of this suspenseful film noir effectively creates a foreboding tension that mounts to a powerful final scene.

Critic Stephen Thomas Erlewine describes Talking Heads as being " one of the most critically acclaimed bands of the ' 80s, while managing to earn several pop hits.

Critic Eduardo Rivadavia describes them as " perhaps the ultimate stoner rock band "

Critic Ray Keenoy describes La liberté ou l ' amour!

Critic Ned Raggett describes Over the Edge as " the longest-running block of free-form radio in the history of radio ... essentially live performance art.

Critic Ron Wynn describes Parker as " mong Europe's most innovative and intriguing saxophonists ... his solo sax work isn't for the squeamish.

Critic Brian Olewnick describes the album as " A staggering achievement, one is tempted to call The Hands of Caravaggio the first great piano concerto of the 21st century.

Critic Brian Olewnick describes him as " one of the most fascinating collaborators in contemporary improvised music [...] tending to create subtly modulated sounds of an almost palliative nature ; often with an elastically liquid rhythmic sense.

Critic Michael Azerrad describes Cain's drumming as " a brutal but brainy style that was positively electrifying.

Critic Jason Ankeny describes A. R.

Critic Jens F. Laurson describes Moravec's Pulitzer Prize-winning Tempest Fantasy as " remarkably accessible music.

Critic Mark Deming describes Santiago as an ideal guitar foil for Albini ; " his muscular guitar sound was the ideal match of Albini's jagged, metallic tone.

Critic Tony Rayns describes The Spirit of the Beehive as " a haunting mood piece that dispenses with plot and works its spells through intricate patterns of sound and image " and of El Sur it has been said that " Erice creates his film as a canvas, conjuring painterly images of slow dissolves and shafts of light that match Caravaggio in their power to animate a scene of stillness, or freeze one of mad movement.

Critic Alex Henderson describes the band's music as a " mildly avant-garde blend of jazz, rock and funk draws on a wide variety of influences ... Often quirky, eccentric and abstract, JFJO favors an inside / outside approach but is usually more inside than outside.

Critic Greg Prato describes their unusual instrumentation as " a haunting yet intriguing and original sound.

Something Leather concludes with a section entitled Critic Fuel-An Epilogue, in which Gray describes the circumstances surrounding the book's development and offers an extended ending.

Critic Jon Savage would later say that their singer Ian Curtis wrote " the definitive Northern Gothic statement ".

Critic and musicologist Robert Palmer said their endurance and relevance stems from being " rooted in traditional verities, in rhythm-and-blues and soul music " while " more ephemeral pop fashions have come and gone ".

Critic Stewart Mason wrote, " Over their brilliant first three albums, Wire expanded the sonic boundaries of not just punk, but rock music in general.

Critic Johnny Loftus writes, " Rock critics usually reserve a special place for Deftones above or at least away from the rest of the turn-of-the-century metal movement Deftones have always seemed more curious, more willing to incorporate traditionally revered sounds like D. C. hardcore and dream pop into their Northern California alt-metal.

Critic Jim Harrington commented that Hansen's absence is noticeable on live performances of Stereolab's older tracks, and that their newer songs could have benefited from her backing vocals.

Critic Michael Billington recalled: " In Redgrave's Vanya you saw both a tremulous victim of a lifetime's emotional repression and the wasted potential of a Chekhovian might-have-been: as Redgrave and Olivier took their joint curtain call, linked hands held triumphantly aloft, we were not to know that this was to symbolise the end of their artistic amity.

Critic Jason Ankeny wrote, " With their politically charged raps, taut rhythms, and dedication to raising African-American consciousness, the Last Poets almost single-handedly laid the groundwork for the emergence of hip-hop.

Critic, Stephen Erlewine of AllMusic wrote that Dion's vocals " are back at top of their game " and that she was " getting back to pop basics and performing at a level unheard in a while.

Critic Carmen Birkle wrote: " Her multicultural self is thus reflected in a multicultural text, in multi-genres, in which the individual cultures are no longer separate and autonomous entities but melt into a larger whole without losing their individual importance ".

Critic Dale Krueger said that the system is difficult to implement, and that companies often wind up overemphasizing control, as opposed to fostering creativity, to meet their goals.

Critic Leonard Maltin observed that Disney Studios made several attempts to recreate the appeal and success of Mary Poppins ( 1964 ), and that this was one of their least successful endeavors.

Critic Zack Handlen remarked, " This is still early Dick, which means that while interesting concepts are introduced, and there ’ s some play with identity -- Jennings develops an overwhelming faith in the prescience of his past self, a faith which most people can ’ t ever have in their present versions, and by the end he ’ s even referring to that past guy as a separate person -- the primary focus is nabbing you and keeping you entertained.

Several Members of Parliament from different parties expressed their opposition to the orchestra's demise at a May 2, 2008 meeting of the House Standing Committee on Canadian Heritage ; Bill Siksay ( NDP-Burnaby — Douglas ), Denis Coderre ( Liberal Canadian Heritage Critic ) and Ed Fast ( Conservative-Abbotsford ).

Sputnik Music and NME gave it 4. 5 stars to the album with Sputnik Music's Critic Tyler Fisher saying: " This is their most cohesive album, it expands on newer sounds and improves on others.

) Critic and author John Clute writes that "… his early stories and novels display considerable intellectual complexity, and do not shirk the downbeat implications of their anthropological treatment of aliens and alienating milieux …" In his major essay on these early novels, author Ian Watson writes " Michael Bishop is both an exoticist and a moralist.

Critic Ed Gonzalez wrote, " Not unlike Albert Camus ' The Stranger, Nicholas Ray's remarkable In a Lonely Place represents the purest of existentialist primers ... Laurel and Dixon may love each other but it's evident that they're both entirely too victimized by their own selves to sustain this kind of happiness.

In 2011, as the Liberals lost their designation as Official Opposition, Fry was named Liberal Critic for Health.

" Critic Anders Sandvall, also of Metal Rules, stated that " the band has done a masterpiece in their genre.

The Liberals increased their parliamentary strength from one to twenty in this election, and Kozak served as his party's Finance Critic and Deputy House Leader for the next two years.

British Art Critic Adrian Searle wrote that “ Downtown 81 captures that New York moment when punk, emerging rap, art school cool and the East Village art and music scenes were at their creative best .”

Critic Jason Ankeny wrote, " With their politically charged raps, taut rhythms, and dedication to raising African-American consciousness, the Last Poets almost single-handedly laid the groundwork for the emergence of hip-hop.

* Maneker, Marion, " The King James Version: Critic James Wolcott, the reigning monarch of the literary put-down, is about to publish his first novel, and legions of his victims are already sharpening their knives ", New York magazine, June 11, 2001