Critic Andrew Sarris, of The New York Observer, who did not enjoy the film's style in general, wrote " I wonder if even children will respond to the peculiarly humorless and charmless stylistic eccentricities of Mr. Burton and his star, Johnny Depp.

Critic Steve Huey of Allmusic writes that the album's influence " was felt more in spirit than in direct copycatting, as a catalyst rather than a literal musical starting point.

Critic Emerson Dameron writes that the song is " one of the most terrifying, riveting, absurd things I ’ ve ever heard.

Critic Mark Demming writes " Quine's eclectic style embraced influences from jazz, rock, and blues players of all stripes, and his thoughtful technique and uncompromising approach led to rewarding collaborations with a number of visionary musicians.

Critic Jack Sullivan has kinder words for Tiomkin's score for Strangers than does biographer Spoto: " o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards ", he writes It is a score that " goes largely uncelebrated.

Critic Peter Craven writes that " Two Friends is arguably the most accomplished piece of screenwriting the country has seen and it is characterised by a total lack of condescension towards the teenage girls at its centre ".

" Critic Adam Strohm writes that she " founded a new world for the instrument, taking it far beyond backing rhythms and robotic fills.

Critic Barbara Russano Hanning writes that Striggio's verses are less subtle than those of Rinuccini, although the structure of Striggio's libretto is more interesting.

) Critic and author John Clute writes that "… his early stories and novels display considerable intellectual complexity, and do not shirk the downbeat implications of their anthropological treatment of aliens and alienating milieux …" In his major essay on these early novels, author Ian Watson writes " Michael Bishop is both an exoticist and a moralist.

" Critic Richard Delap writes " There is an abundance of exploitable elements in Bishop's story, so it is astonishing to see how the author keeps them under strict rein, always with a highly keyed visual sense but also with a literary flair that says more by implication than by direct description.

Critic John Eyles writes, " Just as such labels as Blue Note, ECM, and Incus have captured and defined the zeitgeist at various points in the past, Erstwhile is now doing so.

Critic Steve Huey writes, " rampant eclecticism encompasses everything from heavy metal and punk to funk, R & B and avant-garde jazz, and his anarchic, lightning-fast solos have become something of a hallmark as well.

Critic / novelist Jonathan Barnes writes of encountering the story as a child and finding it " one of the richest and most singular investigations of Holmes ’ s long career – an opinion which I have had no reason to change ... Revisited in adulthood, the story reveals itself as a sour parable about the endurance of lust, a lurid treatment of the question that is put to Falstaff as Doll Tearsheet fidgets on his knee: ' is it not strange that desire should so many years outlive performance ?'.

Critic Joslyn Layne writes that " Despite his lack of success as a song lyricist, McGregor's narration of his vivid dreamlife provided a more unique artistic contribution than any usually recorded.

Sublett has also documented the Austin music scene in his music-themed crime novels, " Rock Critic Murders ," " Tough Baby ," and " Boiled in Concrete.

Lester Bangs, often cited as " America's Greatest Rock Critic ," became editor in 1971.

Critic Greil Marcus, listing it at # 10 of his Real-Life Rock Top Ten 1979, said, " Singer Tom Gray told his story in a strangled voice, as if he were trying to explain, but instead he laid a curse.

* Bill Flanagan ( Rock Music Critic )

Critic Luis Leal attests that Carpentier was an originating pillar of the magical realist style by implicitly referring to the latter's critical works, writing that " The existence of the marvelous real is what started magical realist literature, which some critics claim is the truly American literature.

Kardec's own introductory book on Spiritism, What is Spiritism ?, published only two years after The Spirits Book, includes a long dialogue between his persona and three idealized critics, " The Critic ", " The Skeptic ", and " The Priest ", which as a whole summed up most of the criticism Spiritism has received since then: of being charlatanism, pseudoscience, heresy, anti-Catholic, witchcraft, and / or a form of Satanism.

Critic Gill Gregory suggests that Procter may have been a lesbian and in love with Matilda Hays, a fellow member of the Society for the Promotion of the Employment of Women ; other critics have called Procter's relationship with Hays " emotionally intense.

Theatre review aggregator Curtain Critic gave the production a score of 63 out of 100 based on the opinions of 18 critics.

The Museum of Contemporary Art ( MCA ) Chicago was created as the result of a 1964 meeting of 30 critics, collectors and dealers at the home of Critic Doris Lane Butler to bring the long-discussed idea of a museum of contemporary art to complement the city's Art Institute of Chicago, according to a grand opening story in Time.

They are Natasha and Crispin Critic, two high brow art critics from London.

Theatre review aggregator Curtain Critic gave the production a score of 73 out of 100 based on the opinions of 15 critics.

Critic Dennis Schwartz wrote of the film, " The film takes a populist stand by promoting ' art for the masses ' and takes a negative view of the art elitists ( art critics and collectors ) who favor such art styles as surrealism.

Critic Kyle Smith has argued that White " simply has a different aesthetic from that of the herd ", while critic David Chen suggested that he "( perhaps too ) vehemently believes in the integrity of his art and longs for the golden era when the mainstream still cared what film critics thought ".

Critic Alexander Woollcott wrote of Bogart's early work that he " is what is usually and mercifully described as inadequate.

Critic Alex Henderson describes the band's music as a " mildly avant-garde blend of jazz, rock and funk draws on a wide variety of influences ... Often quirky, eccentric and abstract, JFJO favors an inside / outside approach but is usually more inside than outside.

At the August 2008 conference of the American Association of Wine Economists in Portland, Oregon, a hoax exposé submission of the fictitious restaurant Osteria L ’ Intrepido was revealed by the author and Fearless Critic founder Robin Goldstein: he had won an Award of Excellence for a restaurant that didn't exist and whose " reserve wine list " was full of the lowest-rated Italian wines in history.

Also that year, the Boston Critic dedicated a special issue to Lowell on his seventieth birthday to recollections and reminiscences by his friends, including former presidents Hayes and Benjamin Harrison and British Prime Minister William Ewart Gladstone as well as Alfred Tennyson and Francis Parkman.

Critic Tom Shales, reviewing the show for the Washington Post, opined that " kids may be impressed " by the heroics and special effects, but the show lacked " adult appeal " and that the plot lines would " soon wear thinner than water ".

Critic Tzvetan Todorov described Bénichou ’ s special interest as “ the thought of poets .” More generally, though, Paul Bénichou ’ s work contributed to the understanding of the creative writer's place in modernity, and illuminated the role of writers in legitimating the institutions and values of modern society.

Critic Stephen Burn, in his book on Infinite Jest, argues that YDAU corresponds to 2009: the MIT Language Riots took place in 1997 ( n. 24 ) and those riots occurred 12 years before YDAU ( n. 60 ).

Critic Subhash K Jha wrote " Provoked answers the complicated question of domestic disharmony with a deft and direct approach to the question of a woman's place in the man's scream of things.

Critic William Kuhn argued that much of his fiction can be read as " the memoirs he never wrote ", revealing the inner life of a politician for whom the norms of Victorian public life appeared to represent a social straitjacket – particularly with regard to his allegedly " ambiguous sexuality.

DirkJan was first published in Critic, the magazine for the local union of psychology students.

The Athenaeum reviewer praised Ellis Bell's work for its music and power, and the Critic reviewer recognized " the presence of more genius than it was supposed this utilitarian age had devoted to the loftier exercises of the intellect.

Critic Roger Ebert, in a review dated January 1, 1972, did not care for the film.

Critic Lynn Hirschberg declared Stranger than Paradise in a 2005 profile of the director for The New York Times to have " permanently upended the idea of independent film as an intrinsically inaccessible avant-garde form ".

Critic Billy Altman, whose work has appeared in many publications including Entertainment Weekly and The New York Times, wrote the following for Amazon. com: " One of rock's most overlooked masterpieces, this third album by the L. A. folk-rock outfit led by inscrutable singer-songwriter Arthur Lee sounds as fresh and innovative today as it did upon its original release in 1968.

* According to The TV IV, nine new scripts for the third season of The Critic were written for UPN.

Critic David Hurwitz offers an alternative explanation for the piece's structure: that " Jupiter " is the centrepoint of the suite and that the movements on either side are in mirror images.

* Doug Walker of " ThatGuywiththeGlasses. com " stated that he drew a lot of inspiration for the Nostalgia Critic from Daffy.

In the late 1940s and early 1950s, Stone's role as Chief Design Critic and Associate Professor of Architecture at the Yale University School of Architecture gave him the opportunity to recruit many skilled young staff members for his office.

Critic Bosley Crowther, film critic for The New York Times, liked the screenplay, the message of the film, and John Ford's direction, and wrote, " John Ford has truly fashioned a modern Odyssey — a stark and tough-fibered motion picture which tells with lean economy the never-ending story of man's wanderings over the waters of the world in search of peace for his soul ... it is harsh and relentless and only briefly compassionate in its revelation of man's pathetic shortcomings.

Critic Lawrence van Gelder, writing for The New York Times, did not like the film.

Critic John Krewson lauded the work of Ida Lupino, and wrote, " As a screenwriter and director, Lupino had an eye for the emotional truth hidden within the taboo or mundane, making a series of B-styled pictures which featured sympathetic, honest portrayals of such controversial subjects as unmarried mothers, bigamy, and rape ... in The Hitch-Hiker, arguably Lupino's best film and the only true noir directed by a woman, two utterly average middle-class American men are held at gunpoint and slowly psychologically broken by a serial killer.

Critic Steve Turner suggests that Plant's early and continued experiences in Wales served as the foundation for his broader interest in the mythologies he revisits in his lyrics ( including those myth systems of Tolkien and the Norse ).

Critic Joshua Klein said that " the emphasis this time sounds less on unfocused experimentation and more on melody ... a breezy and welcome return to form for the British band.

Short films such as The Critic, Bambi Meets Godzilla, Lupo the Butcher, and many others were almost unknown to mainstream audiences ; however, these independent animated films continued to keep the yearly category of the Academy Award for Animated Short Film alive, as well as introducing a number of new names into the field of animation — names that would begin to bring change to the industry in the 1980s.

Critic Dave Marsh suggests it is this moment that gives the recording greatness: " went for it so avidly you'd have thought he'd spotted the jugular of a lifelong enemy, so crudely that, at that instant, Ely sounds like Donald Duck on helium.

Critic Geoff Barton coins the term " New Wave of British Heavy Metal " in a review of the show for Sounds magazine.

Pattison was at this time a Puseyite, and greatly under the influence of John Henry Newman, for whom he worked, helping in the translation of Thomas Aquinas's Catena Aurea, and writing in the British Critic and Christian Remembrancer.

Critic Jason Ankeny wrote, " With their politically charged raps, taut rhythms, and dedication to raising African-American consciousness, the Last Poets almost single-handedly laid the groundwork for the emergence of hip-hop.

He has also written for The Independent, and was Restaurant Critic for Harpers & Queen magazine from 1995 to 1998.