Critic W. H. Helm calls one " the French Dickens " and the other " the English Balzac ".

* Wayne McKenna W. J. Turner: Poet and Music Critic, N. S. W.

The song is parodied in the show The Critic referring to Duke Phillips and sung by parodies of U. S. Presidents Ronald Reagan, George H. W.

As Critic Walter Kerr points out: `` Adaptations, so long as they are good, still qualify as creative ''.

The point is already made by Hume, but see Mary Mothersill, " Beauty and the Critic ’ s Judgment ", in The Blackwell Guide to Aesthetics, 2004.

Critic Rex Reed noted that " The score of ' Night Music ' ... contains patter songs, contrapuntal duets and trios, a quartet, and even a dramatic double quintet to puzzle through.

Critic William Kuhn argued that much of his fiction can be read as " the memoirs he never wrote ", revealing the inner life of a politician for whom the norms of Victorian public life appeared to represent a social straitjacket – particularly with regard to his allegedly " ambiguous sexuality.

DirkJan was first published in Critic, the magazine for the local union of psychology students.

Critic Roger Ebert was and remains today a champion of the film, including it on his all-time top ten best films list.

The Athenaeum reviewer praised Ellis Bell's work for its music and power, and the Critic reviewer recognized " the presence of more genius than it was supposed this utilitarian age had devoted to the loftier exercises of the intellect.

In 1988 the British artist and friend of Weizenbaum Brian Reffin Smith created and showed at the exhibition ' Salamandre ', in the Musée du Berry, Bourges, France, two art-oriented ELIZA-style programs written in BASIC, one called ' Critic ' and the other ' Artist ', running on two separate Amiga 1000 computers.

The visitor was supposed to help them converse by typing in to ' Artist ' what ' Critic ' said, and vice versa.

Critic Alistair Cooke observed that Capra was " starting to make movies about themes instead of people.

*" Dining Out: The Food Critic at Table " A review of food writing and writers by Adam Gopnick that examines the genre.

* How to Become a Musical Critic.

Critic Leonard Maltin labeled Hawks " the greatest American director who is not a household name ," noting that, while his work may not be as well known as Ford, Welles, or DeMille, he is no less a talented filmmaker.

Critic Roger Ebert, in a review dated January 1, 1972, did not care for the film.

Critic Alexander Woollcott wrote of Bogart's early work that he " is what is usually and mercifully described as inadequate.

Critic Georg Lukács points to middling main characters like Ivanhoe in Sir Walter Scott's other novels as one of the primary reasons Scott's historical novels depart from previous historical works and better explore social and cultural history.

Critic and humorist Louis Leroy wrote a scathing review in the newspaper Le Charivari in which, making wordplay with the title of Claude Monet's Impression, Sunrise ( Impression, soleil levant ), he gave the artists the name by which they became known.

Critic Janet Maslin of The New York Times wrote that the film was the greatest adaptation of the novel and remarked on Dunst's performance, " The perfect contrast to take-charge Jo comes from Kirsten Dunst's scene-stealing Amy, whose vanity and twinkling mischief make so much more sense coming from an 11-year-old vixen than they did from grown-up Joan Bennett in 1933.

Critic Billy Altman, whose work has appeared in many publications including Entertainment Weekly and The New York Times, wrote the following for Amazon. com: " One of rock's most overlooked masterpieces, this third album by the L. A. folk-rock outfit led by inscrutable singer-songwriter Arthur Lee sounds as fresh and innovative today as it did upon its original release in 1968.

The Nostalgia Critic, in his review of The Room, performed a more over-the-top parody of the sketch near the end of the video.

Critic Stephen Thomas Erlewine declared that PE " brought in elements of free jazz, hard funk, even musique concrète, via producing team the Bomb Squad, creating a dense, ferocious sound unlike anything that came before.

* Propaganda Critic: A website devoted to propaganda analysis.

Critic Joe S. Harrington suggested that the latter two " paraded as Hardcore until it was deemed permissible to do otherwise.

Critic S. T.

Critic Joe Balthai wrote she was " the darling of the 1998 Sundance Film Festival " and Internet movie writer Harry Knowles said she was the " discovery of the fest ", but the film was not commercially released in the U. S. and went direct-to-video.

Liberal Foreign Affairs Critic joined U. S. Iraq War resister Jeremy Hinzman to

* Duncan Hines ( 1880 – 1959 ), U. S. Food Critic

Critic Roger Ebert named I. O. U. S. A.

On the Board of NeWest Press ( Edmonton ) since 1981, she is the founder and editor of The Writer as Critic series, which includes, among others, Douglas Barbour's Lyric / Anti-lyric: Essays on Contemporary Poetry, Frank Davey's Canadian Literary Power, Daphne Marlatt's Readings from the Labyrinth, Fred Wah's Faking It: Poetics and Hybridity, Phyllis Webb's Nothing But Brush Strokes, and, most recently, Di Brandt's So This Is the World & Here I Am in It.

Critic James Agee noted that " the Hays office must have been raped in its sleep " to allow the film to be released.

Critic Robert Trussell noted, " Little effort was made to hide the ( California ) mountains in the background.

Critic Bosley Crowther noted that its " striking and authentic documentary quality has been imported to the whole film in every detail, attitude and word.

Critic Andy Sawyer has noted that such fragments seem to arise naturally from the " barbarically sophisticated " worlds Eddison has created.

Critic Steve Blance, in his Top Ten Worst Movies Review, called the film " the worst I have ever witnessed " and also noted that he would " rather be tortured for twenty-years with searing iron than have to sit through even a minute of this again.

" Critic Paul Tatara noted that " It isn't really fair to suggest that the movie's main subject is dance, though.

Critic Anne Midgette of the New York Times has noted that Argento's operas tend to be very well received upon their premieres, but they lack an " easy popular hook " and are rarely revived.

Critic Vladimir Stasov noted that a " sorrowful note sensibly resounds in the general physological array of the work ".

Critic Roger Ebert said, on At the Movies, that Pauly Shore was the " cinematic equivalent of long fingernails, drawn very slowly and quite loudly over a gigantic blackboard " and noted that although his co-host, Gene Siskel, extremely disliked Chris Farley, he would " rather attend a dusk-to-dawn Chris Farley film festival than sit through any 5 minutes of Jury Duty.