[permalink] [id link]
Dante Alighieri | Dante and Virgil encounter Sordello in Purgatorio, part of the: it: Monumento a Dante a Trento | Monumento a Dante a Trento by Cesare Zocchi ( 1896 ).
from
Wikipedia
Some Related Sentences
Dante and Alighieri
Dante Alighieri, in the Divine Comedy, recounts that he saw Alfonso's spirit seated outside the gates of Purgatory with the other monarchs whom Dante blamed for the chaotic political state of Europe during the 13th century.
* Alighieri, Dante, Purgatorio, Canto VII, l. 115ff.
Lewis, Madeleine L ' Engle, J. R. Tolkien, George MacDonald, G. K. Chesterton, Charles Williams, Dante Alighieri, John Bunyan, Walter Wangerin, Robert Siegel, and Hannah Hurnard.
Nonetheless, epics have been written down at least since the works of Virgil, Dante Alighieri, and John Milton.
** Divina Commedia ( The Divine Comedy ) by Dante Alighieri ( Italian )
* Dante Alighieri in Dante Park at Lincoln Center, New York City and in Meridian Hill Park, Washington D. C .-castings of the same work, 1921
* Dante Alighieri statue in Washington, D. C.
Dante Alighieri | Dante and Beatrice Portinari | Beatrice gaze upon the highest heavens ; from Gustave Doré's illustrations to the Divine Comedy.
The most usual stress schemes for the Italian hendecasyllable are stresses on sixth and tenth syllables ( for example, " Nel mezzo del cammin di nostra vita ," Dante Alighieri, first line of The Divine Comedy ), and on the fourth, seventh and tenth syllables (" Un incalzar di cavalli accorrenti ," Ugo Foscolo, Dei sepolcri ).
What would come to be thought of as Italian was first formalized in the early fourteenth century through the works of Tuscan writer Dante Alighieri, written in his native Florentine.
* Racconto dall ' inferno ( 2004 ) ( text by Dante Alighieri ) for female jazz voice, small orchestra ( 8 winds, 6 brass, guitar, cimbalom, 2 pianos, 2 percussion, minimum 8 strings, bass guitar ).
The poet Dante Alighieri in his Divina Commedia places the Maremma between Cecina and Corneto, the former name of Tarquinia.
* Dante Alighieri has Odysseus append a new ending to the Odyssey in canto XXVI of the Inferno.
Dante Alighieri | Dante and Beatrice Portinari | Beatrice see God as a point of light surrounded by angels.
In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri.
Dante Alighieri, detail from a Luca Signorelli fresco in the chapel of Orvieto Cathedral # Chapel of the Madonna di San Brizio | San Brizio, Duomo, Orvieto.
These views, and his chronic intervention in " temporal " affairs, led to many bitter quarrels with the Emperor Albert I of Habsburg, the powerful Colonna family of Rome, King Philip IV of France, and Dante Alighieri, who wrote his essay De Monarchia to dispute Boniface's claims of papal supremacy.
Category: Dante Alighieri
A persistent tradition identifies Celestine V as the nameless figure Dante Alighieri sees among those in the antechamber of Hell, in the enigmatic verses:
Other Italian poets of the time, including Dante Alighieri ( 1265 – 1321 ) and Guido Cavalcanti ( c. 1250 – 1300 ) wrote sonnets, but the most famous early sonneteer was Petrarca ( known in English as Petrarch ).
* In The Divine Comedy the spirit of Solomon appears to Dante Alighieri in the Heaven of the Sun with other exemplars of inspired wisdom.
Dante and |
Image: Dante ( Malcolm X Park ). jpg | Dante, Washington, D. C .' s Meridian Hill Park
Minos, illustration by Gustave Doré for Dante Alighieri's Inferno ( Dante ) | Inferno.
Satan as depicted in Cocytus | the Ninth Circle of Hell in Dante Alighieri's Divine Comedy | Inferno, illustrated by Gustave Doré.
Dante speaks to Pope Nicholas III, committed to the Hell | Inferno for his simony, in Gustave Doré's wood engraving, 1861.
Dante, Homer and Virgil in Raphael Sanzio | Raphael's The Parnassus | Parnassus fresco ( 1511 ), in which the Western canon is visualised
Charon ( mythology ) | Charon coming to ferry souls to Inferno ( Dante ) | Hell, in Canto 10 of The Divine Comedy.
A Pre-Raphaelite Proserpine ( Rossetti painting ) | Proserpine ( 1873 – 77 ) by Dante Gabriel Rossetti ( Tate Gallery, London )
Arachne in Gustave Doré's illustration for Dante Alighieri | Dante's Divine Comedy | Purgatorio
File: Joan of Arc by Rossetti. jpg | Joan of Arc kissing the " Sword of Liberation ;" painting by Dante Gabriel Rossetti, 1863
Phlegias with Dante Alighieri | Dante and Virgil, stained glass in Museo Poldi Pezzoli in Milan.
Dante and Virgil
Dante followed Virgil in depicting the same three-charactered triptych of Erinyes ; in Canto IX of the Inferno they confront the poets at the gates of the city of Dis.
Rapidity or ease of movement, plainness of expression, and plainness of thought are not distinguishing qualities of the great epic poets Virgil, Dante, and Milton.
Like the French epics, such as the Chanson de Roland, Homeric poetry is indigenous and, by the ease of movement and its resultant simplicity, distinguishable from the works of Dante, Milton and Virgil.
In it, he is seen by Dante and his guide Virgil being punished in Hell's Eighth Circle ( Bolgia 1 ) by being driven to march through the circle for all eternity while being whipped by devils.
The Minotaur ( infamia di Creti, " infamy of Crete "), appears briefly in Dante's Inferno, in Canto 12 ( l. 12-13, 16-21 ), where Dante and Virgil find themselves picking their way among boulders dislodged on the slope, and preparing to enter into the Seventh Circle.
Dante and Virgil, his guide, encounter the beast first among those damned for their violent natures, the " men of blood ".
The Minotaur is also the first infernal guardian whom Virgil and Dante come across within the walls of Dis ( the fallen angels, Erinyes, and the unseen Medusa were located on the city's defensive ramparts in Canto IX ).
After the taunting, Virgil and Dante pass quickly by to the centaurs, ( Nessus, Chiron, Pholus, and Nessus ) who guard the Flegetonte, " river of blood ", to continue through the seventh Circle.
At Cumae, the Sibyl leads Aeneas on an archetypal descent to the underworld, where the shade of his dead father serves as a guide ; this book of the Aeneid directly influenced Dante, who has Virgil act as his narrator's guide.
The narrator is met by the writer George MacDonald, whom he hails as his mentor, just as Dante did when encountering Virgil in the Divine Comedy ; and MacDonald becomes the narrator's guide in his journey, just as Virgil became Dante's.
Virgil's work has had wide and deep influence on Western literature, most notably the Divine Comedy of Dante, in which Virgil appears as Dante's guide through hell and purgatory.
Italian poet Dante Alighieri was himself profoundly influenced by the Aeneid, so much so that his magnum opus The Divine Comedy, itself widely considered a part of the western canon, was written in a style similar to the Aeneid and featured the author Virgil as a major character-the guide of Dante through the realms of the Inferno and Purgatorio.
Ingres's choice of subjects reflected his literary tastes, which were severely limited: he read and reread Homer, Virgil, Plutarch, Dante, histories, and the lives of the artists.
His favorite poets were Virgil and Dante.
He appears not only in Dante, but also in Chaucer and to a large degree in Petrarch, who adopted his style in his own essays and who quotes him more than any other authority except Virgil.
His mastery of verse has been compared to that of Shakespeare, Vondel, Homer, Virgil and Dante.
He lowers Dante and Virgil into the Circle of Treachery.
In the Divine Comedy poem Inferno, Phlegyas ferries Virgil and Dante across the river Styx, which is portrayed as a marsh where the wrathful and sullen lie.
Dante and Virgil are placed there by the giant Antaeus, there are other Giants around the rim chained, however Antaeus is unchained as he died before the Gigantomachy.
0.227 seconds.