Film historian Leonard Maltin has praised Jones ' work at Warner Bros., MGM and Chuck Jones Productions.

Film historian Michael Medved agrees with and understands Capra's impressions, noting that he walked away from the movie business because " he refused to adjust to the cynicism of the new order.

Film historian and author William S. Pechter described Capra's style as one " of almost classical purity.

Film historian Ian Freer notes that at the time of his death in 1991, his legacy still remained intact:

Film historian Richard Griffith speaks of Capra's “... reliance on sentimental conversation and the ultimate benevolence of ordinary America to resolve all deep conflicts .” “ Average America ” is visualized as "... a still tree lined street, undistinguished frame houses surrounded by modest areas of grass, a few automobiles.

Sound tech R. Lococo's choices worked well, as Film historian Sumiko Higashi believes that the music " signifies the nature of events that await ".

Film historian Sumiko Higashi concurs, arguing that Night of the Living Dead was a horror film about the horrors of the Vietnam era.

Film historian Linda Badley explains that the film was so horrifying because the monsters were not creatures from Outer Space or some exotic environment, " They're us ".

Film historian Barry Grant saw the new Barbra as a corrective on the part of Romero.

Film historian Jeanine Basinger argues that a sub-genre, the World War II combat film, emerged in 1943.

Film historian Virginia Wright Wexman describes Antonioni's perspective on the world as that of a " postreligious Marxist and existentialist intellectual.

Film historian Joanna E. Rapf notes that among the methods Kazan used in his work with actors, was his initial focus on " reality ", although his style was not defined as " naturalistic.

" Film historian Foster Hirsch explains that " he created virtually a new acting style, which was the style of the Method ... allowed for the actors to create great depth of psychological realism.

Film historian Robert Osborne notes that his makeup skills were so creative, that for most of his roles, " he transformed his appearance so completely, he was dubbed ' the New Lon Chaney.

In 2005, Wollongong-based historian and politician Michael Organ had examined a print of the film in the National Film Archive of New Zealand.

Film historian and reviewer James Berardinelli elaborated on the parallels between this film and the classic Dickens tale A Christmas Carol.

Film historian Ian Freer calls Wyler a " bona fide perfectionist ", whose penchant for retakes and an attempt to hone every last nuance, " became the stuff of legend.

" Film historian Mariann Lewinsky argues,

Film critic and historian Richard Schickel goes so far as to credit this gritty realism with inspiring “ the likes of Pabst, Stiller, von Sternberg, and others, then re-emerging in the United States in the sound era, in the genre identified as Film Noir ".

Film historian Alfred Charles Richard Jr. has commented that Saludo Amigos " did more to cement a community of interest between peoples of the Americas in a few months than the State Department had in fifty years ".

Film historian Kevin Brownlow doesn't even mention her name in his book on silent films, The Parade's Gone By ( 1968 ).

Film historian Jeffrey Vance views The Circus as an autobiographical metaphor:

Film historian Eric Reade claims the Taits themselves owned the stage rights to a Kelly play, while actors Sam Crewe and John Forde later also claimed to have thought of the idea of a making a film of the Kelly Gang's exploits, inspired by the success of stage plays.

Today, the film is seen by the British Film Institute as one of Chaplin's " great features ", while David Robinson says it shows the star at " his unrivalled peak as a creator of visual comedy.

Film critic David Thomson has stated: " Marker told me himself that Mongolia is correct.

* Bordwell, David, " Film Art: An Introduction "; McGraw-Hill ; 7th edition ( June, 2003 ).

Editorial Supervision by David Elliot, Production Supervision by Jim Marsh, Film Editor was Bert Rule.

Film critic David Thomson wrote of Hawks in The New Biographical Dictionary of Film " Far from the the meek purveyor of Hollywood forms, he always chose to turn them upside down, To Have and Have Not and The Big Sleep, ostensibly an adventure and a thriller, are really love stories.

In his book Dark Romance: Sexuality in the Horror Film, David Hogan called it " the most affecting gore thriller of all and, in a broader view, among the most effective horror films ever made ... the driving force of The Texas Chainsaw Massacre is something far more horrible than aberrant sexuality: total insanity.

In 1969, a plaque to Leigh was placed in the Actors Church, St Paul's, Covent Garden ; in 1985, a portrait of her was included in a series of postage stamps, along with Alfred Hitchcock, Charles Chaplin, Peter Sellers and David Niven to commemorate " British Film Year ".

" Film critic David Richard Jones adds that Kazan, during the 1940s and 1950s, was one of America's foremost Stanislavskians, and " influenced thousands of contemporaries " in the theatre, film, and the Actors Studio that he helped found.

* Robinson, David, Buster Keaton ( 1969 ) Indiana University Press, in association with British Film Institute

* Robinson, David, The Great Funnies: A History of Film Comedy ( 1969 ) E. P.

Film critic David Shipman called Muni " an actor of great integrity " and he prepared for his roles meticulously.

He has also won Golden Globe, Cannes, Berlinale, BAFTA, Cesar, David di Donatello, European Film Academy, and Czech Lion awards.

Film critic David Thomson calls the film " a superb, languid fantasia on the theme of the gangster film that repays endless viewing.

* David di Donatello for Best Foreign Film ( winner )

* 1994 ( 67th ) Bob's Birthday-Snowden Fine Animation, National Film Board of Canada, Channel 4-Alison Snowden and David Fine

Candy was in the audience for the American Film Institute's tribute to David Lean, director of Bridge on the River Kwai.

Rossellini with David Lynch at the Cannes Film Festival

" David Lean was given honorary membership of the Guild of British Film Editors in 1968.

was also honored abroad: the film won the Best Foreign Language Film award at the Blue Ribbon Awards in Japan, Cinema Writers Circle Awards in Spain, César Awards in France, and David di Donatello in Italy.

* Beckett's Catastrophe – dedicated to then-imprisoned Czech dissident playwright Václav Havel, who became president of Czechoslovakia after the 1989 Velvet Revolution – was first performed at the Avignon Festival on July 21, 1982 ; the film version ( in Beckett on Film ) was directed by David Mamet and performed by Harold Pinter, Sir John Gielgud, and Rebecca Pidgeon.

In 1995, the film was nominated for three Academy Awards for Best Film Editing, Best Sound ( Gregg Landaker, Steve Maslow, Bob Beemer, David MacMillan ) and Best Sound Effects Editing, winning the latter two.

In 1943, Zack Schwartz, David Hilberman, and Stephen Bosustow formed a studio called first Industrial Film & Poster Service and later United Productions of America, where they were free to apply their concepts.

The latter cast also won a Silver Bear for Outstanding Artistic Contribution, at the 2002 Berlin Film Festival ( Halle Berry won Best Actress at Berlin in 2002 ).. She won the Best Actress award at the Montréal World Film Festival ( in 2002 for Merci pour le chocolat ), at the Moscow International Film Festival ( in 1991 for Madame Bovary ), at the Deutscher Filmpreis ( in 1991 for Malina ) and twice at the David di Donatello ( in 1978 for La Dentellière and in 2001 for The Piano Teacher ).