Film historian Leonard Maltin has praised Jones ' work at Warner Bros., MGM and Chuck Jones Productions.

Film historian Michael Medved agrees with and understands Capra's impressions, noting that he walked away from the movie business because " he refused to adjust to the cynicism of the new order.

Film historian and author William S. Pechter described Capra's style as one " of almost classical purity.

Film historian Ian Freer notes that at the time of his death in 1991, his legacy still remained intact:

Film historian Richard Griffith speaks of Capra's “... reliance on sentimental conversation and the ultimate benevolence of ordinary America to resolve all deep conflicts .” “ Average America ” is visualized as "... a still tree lined street, undistinguished frame houses surrounded by modest areas of grass, a few automobiles.

Sound tech R. Lococo's choices worked well, as Film historian Sumiko Higashi believes that the music " signifies the nature of events that await ".

Film historian Sumiko Higashi concurs, arguing that Night of the Living Dead was a horror film about the horrors of the Vietnam era.

Film historian Barry Grant saw the new Barbra as a corrective on the part of Romero.

Film historian Jeanine Basinger argues that a sub-genre, the World War II combat film, emerged in 1943.

Film historian Virginia Wright Wexman describes Antonioni's perspective on the world as that of a " postreligious Marxist and existentialist intellectual.

Film historian David Bordwell writes that in his films, " Vacations, parties and artistic pursuits are vain efforts to conceal the characters ' lack of purpose and emotion.

Film historian Joanna E. Rapf notes that among the methods Kazan used in his work with actors, was his initial focus on " reality ", although his style was not defined as " naturalistic.

" Film historian Foster Hirsch explains that " he created virtually a new acting style, which was the style of the Method ... allowed for the actors to create great depth of psychological realism.

Film historian Robert Osborne notes that his makeup skills were so creative, that for most of his roles, " he transformed his appearance so completely, he was dubbed ' the New Lon Chaney.

In 2005, Wollongong-based historian and politician Michael Organ had examined a print of the film in the National Film Archive of New Zealand.

Film historian and reviewer James Berardinelli elaborated on the parallels between this film and the classic Dickens tale A Christmas Carol.

Film historian Ian Freer calls Wyler a " bona fide perfectionist ", whose penchant for retakes and an attempt to hone every last nuance, " became the stuff of legend.

" Film historian Mariann Lewinsky argues,

Film critic and historian Richard Schickel goes so far as to credit this gritty realism with inspiring “ the likes of Pabst, Stiller, von Sternberg, and others, then re-emerging in the United States in the sound era, in the genre identified as Film Noir ".

Film historian Alfred Charles Richard Jr. has commented that Saludo Amigos " did more to cement a community of interest between peoples of the Americas in a few months than the State Department had in fifty years ".

Film historian Kevin Brownlow doesn't even mention her name in his book on silent films, The Parade's Gone By ( 1968 ).

Film historian Jeffrey Vance views The Circus as an autobiographical metaphor:

Film historian Eric Reade claims the Taits themselves owned the stage rights to a Kelly play, while actors Sam Crewe and John Forde later also claimed to have thought of the idea of a making a film of the Kelly Gang's exploits, inspired by the success of stage plays.

* Multiple Voices in Feminist Film Criticism, edited by Diane Carson, Janice R. Welsch, Linda Dittmar, University of Minnesota Press 1994

University of California, Berkeley has three institutional structures within which media studies can take place: the department of Film and Media ( formerly Film Studies Program ), including famous theorists as Mary Ann Doane and Linda Williams, the Center for New Media, and a long established interdisciplinary program formerly titled Mass Communications, which recently changed its name to Media Studies, dropping any connotations which accompany the term “ Mass ” in the former title.

Film scholar Linda Williams writes: " Marlon Brando the quintessential American male sex symbol of the late fifties and early sixties ".

Early columnists of the 1950s and 1960s included Jonas Mekas, who explored the underground film movement in his " Film Journal " column ; Linda Solomon, who reviewed the Village club scene in the " Riffs " column ; and Sam Julty, who wrote a popular column on car ownership and maintenance.

* Kansas City Film Critics Circle Award for Best Supporting Actress ( Mia Farrow, winner ; tied with Linda Hunt for The Year of Living Dangerously )

Sinclair and McGlashan made several short films: The Lounge Bar ( which was featured in the First Annual International Festival of Short Films in the U. S. as one of the " world's best live-action shorts "), Walk Short and Linda ’ s Body ( which won Best Short Film at the New Zealand Film Awards ).

The role earned her a Best Actress award at the 1988 Cannes Film Festival, shared with her co-stars Barbara Hershey and Linda Mvusi ..

* " Film Scores of Henry Vars in the United States: An Overview " by Linda Schubert in Polish Music Journal, Vol.

Broadcasting: Linda Marigliano ( Triple J ); Nathan Sapsford ( Video Hits, Channel 10 ); Jaimie Leonarder / Jay Katz ( former SBS Film Critic ), Triple J and former SBS Film Critic Marc Fennell ; comedian / filmmaker Dan Ilic ( The Ronnie Johns Half Hour, Channel 10 ), Dom Alessio ( Triple J ); Dan Buhagiar ( Triple J )

" Women in Film " aired last, out of sequence, and the marathon concluded with a brief interview with writer / creator Linda Bloodworth-Thomason.

On April 24, 2009, which would have been Linda Stein's 64th birthday, Mandy Stein's film Burning Down the House: The Rise and Fall of CBGB-dedicated to her mother-premiered at the Tribeca Film Festival.

* 1988: Winner – 1988 Cannes Film Festival, Best Actress ( tie ): Jodhi May, Barbara Hershey, and Linda Mvusi

The Port Townsend Film Festival founders were called Jim Ewing, Rocky Friedman, Jim Westall, and Linda Marie Yakush, all of them veteran attendees at the Telluride Film Festival in Telluride, Colorado.

In an interview with Robert K. Elder, author of The Film That Changed My Life, Bogdanovich explains his appreciation of Orson Welles ' work:

On May 27, 2009, Revision3 launched Film Riot from Triune Films, a show that creates comedy sketches with high levels of visual effects and then explains how to accomplish them with an equal level of comedy.

Film critic Dennis Schwartz explains why the film is considered a film noir: " The poignancy of the story is in how an innocent, hard-working person like Mike, could have his whole life turned upside-down over an incident where he makes an error in judgment.

The American Film Institute was founded in 1967 as a national arts organization to preserve the legacy of American film heritage, educate the next generation of filmmakers and honor the artists and their work.

* 1967 – Film critic Roger Ebert published his very first film review in the Chicago Sun-Times.

The film also won the Critics ' Award at Fantasporto, and was nominated for the International Fantasy Film Award in the category of Best Film in 1993.

The film, which debuted Annabella Sciorra and Ron Eldard as the betrothed couple, won the Grand Jury Prize at that year's Sundance Film Festival.

* The Bay ( film ), a film that premiered at the 2012 Toronto Film Festival

In 2012, his film Passion was selected to compete for the Golden Lion at the 69th Venice International Film Festival.

The American Film Institute acknowledged the iconic status of the scene from that film in which he and Deborah Kerr make love on a Hawaiian beach amid the crashing waves.

* Balboa Film Distributors, a film distribution company

In 1986, the film was featured in the syndicated series, the Canned Film Festival and was later featured on the comedy series, Mystery Science Theater 3000, which also featured other Wood films.

" Film scholar Simon Louvish writes that the film showed the character becoming more fragile and melancholy.

Today, the film is seen by the British Film Institute as one of Chaplin's " great features ", while David Robinson says it shows the star at " his unrivalled peak as a creator of visual comedy.

In 1965 he received a joint Erasmus Prize with film director Ingmar Bergman and in 1971 he was made a Commander of the national order of the Legion of Honor by the French Minister of Culture Jacques Duhamel at the Cannes Film Festival.

The film won the Academy Award for Best Foreign Language Film ( Taiwan ) and three other Academy Awards, and was nominated for six other Academy Awards, including Best Picture.

The film also won four BAFTAs and two Golden Globe Awards, one for Best Foreign Film.

Although its Academy Award was presented to Taiwan, Crouching Tiger, Hidden Dragon was in fact an international co-production between companies in four regions: the Chinese company China Film Co-Production Corporation ; the American companies Columbia Pictures Film Production Asia, Sony Pictures Classics and Good Machine ; the Hong Kong company EDKO Film ; and the Taiwanese Zoom Hunt International Productions Company, Ltd ; as well as the unspecified United China Vision, and Asia Union Film & Entertainment Ltd., created solely for this film.

Love received critical acclaim, a Golden Globe nomination for Best Actress, and a New York Film Critics Circle Award for Best Supporting Actress, for what film critic Roger Ebert called " quite a performance ; Love proves she is not a rock star pretending to act, but a true actress ".

The film won the Golden Bear for Best Documentary at the 1961 Berlin Film Festival.

The film was screened in the Un Certain Regard section at the 1985 Cannes Film Festival, before Ran itself had been released.

** Note: Marker wrote and spoke all the commentary for this short film about fruit juice in Alexandrine verse ( Film Comment ).

** Note: This was edited by Marker essentially, this film is a 27-minute postscript to Le Joli Mai assembled from leftover footage and organized around a new commentary ( Film Comment ).