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Film historian John DiLeo has written that Magnani's acting in the film " displays why she is inarguably one of the half dozen greatest screen actresses of all time ", and added :" Whenever Magnani laughs or cries ( which is often ), it's as if you've never seen anyone laugh or cry before: has laughter ever been so burstingly joyful or tears so shatteringly sad?
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Film and historian
Film historian Leonard Maltin has praised Jones ' work at Warner Bros., MGM and Chuck Jones Productions.
Film historian Michael Medved agrees with and understands Capra's impressions, noting that he walked away from the movie business because " he refused to adjust to the cynicism of the new order.
Film historian and author William S. Pechter described Capra's style as one " of almost classical purity.
Film historian Ian Freer notes that at the time of his death in 1991, his legacy still remained intact:
Film historian Richard Griffith speaks of Capra's “... reliance on sentimental conversation and the ultimate benevolence of ordinary America to resolve all deep conflicts .” “ Average America ” is visualized as "... a still tree lined street, undistinguished frame houses surrounded by modest areas of grass, a few automobiles.
Sound tech R. Lococo's choices worked well, as Film historian Sumiko Higashi believes that the music " signifies the nature of events that await ".
Film historian Sumiko Higashi concurs, arguing that Night of the Living Dead was a horror film about the horrors of the Vietnam era.
Film historian Linda Badley explains that the film was so horrifying because the monsters were not creatures from Outer Space or some exotic environment, " They're us ".
Film historian Barry Grant saw the new Barbra as a corrective on the part of Romero.
Film historian Jeanine Basinger argues that a sub-genre, the World War II combat film, emerged in 1943.
Film historian Virginia Wright Wexman describes Antonioni's perspective on the world as that of a " postreligious Marxist and existentialist intellectual.
Film historian David Bordwell writes that in his films, " Vacations, parties and artistic pursuits are vain efforts to conceal the characters ' lack of purpose and emotion.
Film historian Joanna E. Rapf notes that among the methods Kazan used in his work with actors, was his initial focus on " reality ", although his style was not defined as " naturalistic.
" Film historian Foster Hirsch explains that " he created virtually a new acting style, which was the style of the Method ... allowed for the actors to create great depth of psychological realism.
Film historian Robert Osborne notes that his makeup skills were so creative, that for most of his roles, " he transformed his appearance so completely, he was dubbed ' the New Lon Chaney.
In 2005, Wollongong-based historian and politician Michael Organ had examined a print of the film in the National Film Archive of New Zealand.
Film historian and reviewer James Berardinelli elaborated on the parallels between this film and the classic Dickens tale A Christmas Carol.
Film historian Ian Freer calls Wyler a " bona fide perfectionist ", whose penchant for retakes and an attempt to hone every last nuance, " became the stuff of legend.
" Film historian Mariann Lewinsky argues,
Film critic and historian Richard Schickel goes so far as to credit this gritty realism with inspiring “ the likes of Pabst, Stiller, von Sternberg, and others, then re-emerging in the United States in the sound era, in the genre identified as Film Noir ".
Film historian Alfred Charles Richard Jr. has commented that Saludo Amigos " did more to cement a community of interest between peoples of the Americas in a few months than the State Department had in fifty years ".
Film historian Kevin Brownlow doesn't even mention her name in his book on silent films, The Parade's Gone By ( 1968 ).
Film historian Jeffrey Vance views The Circus as an autobiographical metaphor:
Film historian Eric Reade claims the Taits themselves owned the stage rights to a Kelly play, while actors Sam Crewe and John Forde later also claimed to have thought of the idea of a making a film of the Kelly Gang's exploits, inspired by the success of stage plays.
Film and John
In Canada the Film Board, set up by John Grierson, was created for the same propaganda reasons.
Starting with John Grierson's Drifters, the 1930s saw the emergence of a new school of realist documentary films: the Documentary Film Movement.
Film critic John Raeburn discusses an early Capra film, American Madness ( 1932 ), as an example of how he had mastered the movie medium and expressed a unique style:
Film critic John Belton called the film Hawks's " most organic comedy.
In 2004, Film Australia and SBS screened the documentary ' Troubled Minds – The Lithium Revolution ', a 60 minute documentary portraying John Cade's discovery of the use of Lithium in mental illness.
Fonda was one of more than 50 celebrities who signed an online petition letter by John Greyson in which Greyson said he would pull his film Covered from the Toronto International Film Festival in protest over the Festival's " inaugural City-to-City Spotlight on Tel Aviv ".
De Niro won the National Society of Film Critics award for Best Supporting Actor for his role as John " Johnny Boy " Civello.
Notable figures in the development of the Victorian secondary school curriculum were the media artist and director Peter Greenaway, Trevor Barr ( who authored one of the first media text books Reflections of Reality ) and later John Murray ( who authored The Box in the Corner, In Focus, and 10 Lessons in Film Appreciation ).
After Tabu, Flaherty was considered finished in Hollywood, and Frances Flaherty contacted John Grierson of the Empire Marketing Board Film Unit in London, who assigned Flaherty to the documentary Industrial Britain ( 1933 ).
John Lennon – RS 1 ( November 9, 1967 ) How I Won the War Film Still
In a 2010 Total Film poll, it was again selected as the greatest horror film ; the judging panel included veteran horror directors such as John Carpenter, Wes Craven, and George A. Romero.
* Robertson, William Preston, Tricia Cooke, John Todd Anderson and Rafael Sanudo, The Big Lebowski: The Making of a Coen Brothers Film, ( 1998, W. W. Norton & Company ), ISBN 0-393-31750-1.
Actor John Malkovich first saw the film at the 1998 Cairo International Film Festival and subsequently adopted the film as a kind of post-facto executive producer ( the reissued film's titles read " John Malkovich Presents ").
She received critical acclaim for her performance in Being John Malkovich ( 1999 ), which earned her Best Supporting Actress nominations at the Golden Globe Award, the British Academy of Film and Television Arts Awards, and the Screen Actors Guild Awards ( SAG Awards ).
Directed by John Ford, How Green Was My Valley is one of the films selected for preservation in the United States National Film Registry.
Local residents and common visitors, some of which have shown up for The Telluride Film Festival, have included John Denver, Bob Dylan, Daryl Hannah, Diablo Cody, Jerry Seinfeld, Greg Kinnear, Ed Helms, Nicolas Cage, P! nk, Jason Schwartzman, Sean Penn, Oprah Winfrey and Tom Cruise.
In 1970, Bogdanovich was commissioned by the American Film Institute to direct a documentary about John Ford for their tribute, Directed by John Ford ( 1971 ).
In 1959, Richardson co-founded Woodfall Film Productions with John Osborne and producer Harry Saltzman, and, as Woodfall's debut, directed the film version of Look Back in Anger, his first feature film.
The following year he collaborated with producer John Longenecker as co-writer, film editor and music composer for The Resurrection of Broncho Billy ( 1970 ), which won an Academy Award for Best Live Action Short Film.
* John Gorton at the National Film and Sound Archive
* John McEwen at the National Film and Sound Archive
* 1978 ( 51st ) Special Delivery-National Film Board of Canada-Eunice Macauley and John Weldon
* John Ford won the 1939 New York Film Critics Award as Best Director.
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