Film historian Leonard Maltin has praised Jones ' work at Warner Bros., MGM and Chuck Jones Productions.

Film historian Michael Medved agrees with and understands Capra's impressions, noting that he walked away from the movie business because " he refused to adjust to the cynicism of the new order.

Film historian and author William S. Pechter described Capra's style as one " of almost classical purity.

Film historian Ian Freer notes that at the time of his death in 1991, his legacy still remained intact:

Film historian Richard Griffith speaks of Capra's “... reliance on sentimental conversation and the ultimate benevolence of ordinary America to resolve all deep conflicts .” “ Average America ” is visualized as "... a still tree lined street, undistinguished frame houses surrounded by modest areas of grass, a few automobiles.

Sound tech R. Lococo's choices worked well, as Film historian Sumiko Higashi believes that the music " signifies the nature of events that await ".

Film historian Sumiko Higashi concurs, arguing that Night of the Living Dead was a horror film about the horrors of the Vietnam era.

Film historian Linda Badley explains that the film was so horrifying because the monsters were not creatures from Outer Space or some exotic environment, " They're us ".

Film historian Barry Grant saw the new Barbra as a corrective on the part of Romero.

Film historian Jeanine Basinger argues that a sub-genre, the World War II combat film, emerged in 1943.

Film historian Virginia Wright Wexman describes Antonioni's perspective on the world as that of a " postreligious Marxist and existentialist intellectual.

Film historian David Bordwell writes that in his films, " Vacations, parties and artistic pursuits are vain efforts to conceal the characters ' lack of purpose and emotion.

Film historian Joanna E. Rapf notes that among the methods Kazan used in his work with actors, was his initial focus on " reality ", although his style was not defined as " naturalistic.

" Film historian Foster Hirsch explains that " he created virtually a new acting style, which was the style of the Method ... allowed for the actors to create great depth of psychological realism.

Film historian Robert Osborne notes that his makeup skills were so creative, that for most of his roles, " he transformed his appearance so completely, he was dubbed ' the New Lon Chaney.

In 2005, Wollongong-based historian and politician Michael Organ had examined a print of the film in the National Film Archive of New Zealand.

Film historian and reviewer James Berardinelli elaborated on the parallels between this film and the classic Dickens tale A Christmas Carol.

Film historian Ian Freer calls Wyler a " bona fide perfectionist ", whose penchant for retakes and an attempt to hone every last nuance, " became the stuff of legend.

" Film historian Mariann Lewinsky argues,

Film critic and historian Richard Schickel goes so far as to credit this gritty realism with inspiring “ the likes of Pabst, Stiller, von Sternberg, and others, then re-emerging in the United States in the sound era, in the genre identified as Film Noir ".

Film historian Alfred Charles Richard Jr. has commented that Saludo Amigos " did more to cement a community of interest between peoples of the Americas in a few months than the State Department had in fifty years ".

Film historian Kevin Brownlow doesn't even mention her name in his book on silent films, The Parade's Gone By ( 1968 ).

Film historian Jeffrey Vance views The Circus as an autobiographical metaphor:

Film historian Eric Reade claims the Taits themselves owned the stage rights to a Kelly play, while actors Sam Crewe and John Forde later also claimed to have thought of the idea of a making a film of the Kelly Gang's exploits, inspired by the success of stage plays.

Film critic Leonard Maltin gave the film two-and-a-half stars ( out of four ) in his 2009 movie guide ; he said that the film was " self-indulgent and largely negative ," and that " great show biz moments and wonderful dancing are eventually buried in pretensions "; he also called the ending " an interminable finale which leaves a bad taste for the whole film.

Film scholar Leonard Maltin had this to say in his book The Great Movie Comedians:

Film critic Leonard Maltin calls Cassavetes ' second version of Shadows " a watershed in the birth of American independent cinema ".

Film critic and historian Leonard Maltin in his book The Disney Films, states, " Darby O ' Gill and the Little People is not only one of Disney's best films, but is certainly one of the best fantasies ever put on film.

Film critic Leonard Maltin described it as " One of Walt Disney's most charming animated films ".

** Horror: A Connoisseur's Guide To Literature and Film by Leonard Wolf

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Film critic Leonard Maltin shared Ebert's view of the film:

Notable professors include Drew Casper, the Alma and Alfred Hitchcock Professor of American Film ; Tomlinson Holman, inventor of THX ; film critic and historian Leonard Maltin ; and David Bondelevitch, President of the Motion Picture Sound Editors.

Among Paul Schrader's films in the 1980s were American Gigolo ( 1980 ), his 1982 remake of Cat People, Mishima: A Life in Four Chapters ( 1985, again co-written with Leonard Schrader, with Francis Ford Coppola and George Lucas serving as executive producers ), for which he was nominated for the Palme d ' Or prize at that year's Cannes Film Festival, and Patty Hearst ( 1988 ), about the kidnapping and transformation of the Hearst Corporation heiress.

Film critic Leonard Maltin gave the film a good rating ( 3 stars out of a possible 4 ) and characterized the film this way in his Movie Guide annual: " About as subtle as The Three Stooges, but a classic compared to the sequels and countless rip-offs which followed.

Film critic / historian Leonard Maltin christened it Howard the Paperboy.

Film critic Leonard Maltin said that, without Kovacs and fellow cinematographer Zsigmond, " the American New Wave of the late 1960s and early ‘ 70s wouldn ’ t have flowered as it did.

* Leonard Nimoy, Actor, Writer, Film Director, Poet, Musician and Photographer was in the Special Services division and was Sergeant over Corporal Ken Berry.

* 1995 – Outstanding Film Sound Editing – John O. Robinson III, Michael Geisler, Marc S. Perlman, William Griggs, Melissa Ellis, Ray Leonard, Phyllis Ginter, Michael Gollom, Timothy Borquez, Tom Jaeger, Charles Rychwalski, Greg LaPlante, Kenneth Young, Jennifer Mertens, Robert Duran, Bill Koepnick, Jim Hodson and Alex Wilkinson ( won )

Gordon-Levitt's first film as director, the 24 minute-long Sparks, an adaptation of a short story by Elmore Leonard starring Carla Gugino and Eric Stoltz, was selected for the 2009 Sundance Film Festival as part of a new program for short films.

I salute especially the work of Leonard Maltin, James Robert Parish, Denis Gifford, Douglas Eames and the unsung anonymous heroes who compiled the reviews of the BFI's Monthly Film Bulletin during the fifties and sixties.

* Five Day Shelter Film ( 2009 ) Stephen Dir Ger Leonard

Film critic and historian Leonard Maltin seemed to agree, rating the film as a BOMB and stating: " Tanya definitely swings as Eisner & Iger's comic-book jungle-queen, but Mother Nature forgot to endow her with a script.

" Film critic Leonard Maltin gave the film a passing grade of two and a half stars, calling it a " rather erotic Hammer chiller.

Film critic Leonard Maltin cites this film as " perhaps horror maestro Bava's best film, moody, beautiful and deceptively simple.

* John Leonard ( Film, Book, and Drama Reviews ) 1988 – 2005

Film critic Leonard Maltin wrote that Coonskin " remains one of most exciting films, both visually and conceptually.