He wrote programs in the FORTRAN language that generated numeric data that he transcribed into scores to be played by traditional musical instruments.

In 1947, Styne wrote his first score for a Broadway musical, High Button Shoes with Cahn, and over the next several decades wrote the scores for many Broadway shows, most notably Gentlemen Prefer Blondes, Peter Pan ( additional music ), Bells Are Ringing, Gypsy, Do Re Mi, Funny Girl, Sugar ( with a story based on the movie Some Like It Hot, but all new music ), and the Tony-winning Hallelujah, Baby !.

Two notable Western composers for the kora are Brother Dominique Catta and Jacques Burtin ( France ), who wrote most of these scores, though composers like Carole Ouellet ( Canada ), Brother Grégoire Philippe ( Monastère de Keur Moussa ) and Sister Claire Marie Ledoux ( France ) contributed with original works.

While she wrote scores of books under her own and many other names, she is perhaps best known as one of 28 individuals who helped produce the Nancy Drew books.

Critic Dennis Schwartz appreciated the acting ensemble in the film and wrote, " The film was too stagebound to be effective cinema, but it scores points in its unsentimental portrait of the loser life of the lonely and desperate merchant seamen.

About Mussorgsky's scores Rimsky-Korsakov wrote, " They were very defective, teeming with clumsy, disconnected harmonies, shocking part-writing, amazingly illogical modulations or intolerably long stretches without ever a modulation, and bad scoring.

" In her book My Life as a 10-Year-Old Boy, Nancy Cartwright ( who performs the voice of Bart Simpson ) wrote that " Kelsey Grammer scores big-time by injecting caustic, bitter, contemptuous and deliciously vile energy into his rendition of Sideshow Bob.

Mindful of Bradman's big scores for Bowral, the association wrote to him, requesting his attendance at a practice session in Sydney.

He wrote more than 150 scores for Italian and international productions from the 1930s until his death in 1979 — an average of three scores each year over a 46 year period, and in his most productive period from the late 1940s to the mid-1950s he wrote as many as ten scores every year, and sometimes more, with a remarkable thirteen film scores to his credit in 1954.

In all, Rota wrote scores to more than 150 films.

Tailleferre wrote many of her most important works during the 1920s, including her 1st Piano Concerto, the Harp Concertino, the ballets Le marchand d ' oiseaux ( the most frequently performed ballet in the repertoire of the Ballets suédois during the 1920s ) and La nouvelle Cythère which was commissioned by Sergei Diaghilev for the ill-fated 1929 season of the famous Ballets Russes, and Sous les ramparts d ' Athènes in collaboration with Paul Claudel, as well as several pioneering film scores, including B ' anda, in which she used African themes.

Merton wrote more than 70 books, mostly on spirituality, social justice and a quiet pacifism, as well as scores of essays and reviews, including his best-selling autobiography, The Seven Storey Mountain ( 1948 ), which sent scores of World War II veterans, students, and even teen-agers flocking to monasteries across the US, and was also featured in National Reviews list of the 100 best non-fiction books of the century.

In the 1980s, Zimmer partnered with Stanley Myers, a prolific film composer who wrote the scores for over sixty films.

was transcribed by Eric Rogers who wrote and composed 21 scores for the Carry On films.

" Monteux's self-effacing approach to scores led to occasional adverse comment ; the music critic of The Nation, B. H. Haggin, while admitting that Monteux was generally regarded as one of the giants of conducting, wrote of his " repeatedly demonstrated musical mediocrity ".

While at CBS, Herrmann met Orson Welles, and wrote or arranged scores for Welles's Mercury Theatre on the Air and Campbell Playhouse series ( 1938 – 1940 ), which were radio adaptations of literature and film.

Later Helion wrote of this phase: `` For years I built for myself a subtle instrument of relationships -- colors and forms without a name.

And she wrote the libretto for an oratorio on the subject of Judas Maccabeus performed at the Hanukkah festival which came in December.

But both were high-spirited and vivacious, both had tempers to control, both loved languages, especially English and German, both were good teachers and wrote for publication.

She wrote gay plays about the girls for family entertainments, like `` Oh, What Fun!!

Lloyd Lewis wrote that when he first knew Carl in 1916, Sandburg was making $27.50 a week writing features for the Day Book and eating sparse luncheons in one-arm restaurants.

The day passed eventfully enough, with a constant stream of visitors, some stopping only to say hello, others getting into serious conversations, such as one Andre Fuchs, a free-lance journalist from Strasbourg who wrote an article for the Nouvelle Alsatian in highly sympathetic terms.

Consequently, on October 31, 1896, Mrs. King wrote to Thompson, quite against her daughter's wishes, asking him not to `` recommence a correspondence which I believe has been dropped for some weeks ''.

It is difficult to say what Thompson expected would come of their relationship, which had begun so soon after his emotions had been stirred by Maggie Brien, but when Katie wrote on April 11, 1900, to tell him that she was to be married to the Rev. Godfrey Burr, the vicar of Rushall in Staffordshire, the news evidently helped to deepen his discouragement over the failure of his hopes for a new volume of verse.

In `` My Song's Young Virgin Date '', for example, Thompson wrote: `` Yea, she that had my song's young virgin date Not now, alas, that noble singular she, I nobler hold, though marred from her once state, Than others in their best integrity.

He was especially popular with women, for, like the romantic poetry he wrote, he was personally gracious, gallant, and chivalrous.

The Commissioners at Boston wrote the victims to see their misdeeds and repent or they should `` look upon them as men prepared for slaughter ''.

When Quiney and William Parsons wrote to Greville in 1593 asking his consent in the election for bailiff, they sent the letter to Mr. William Sawnders, attendant on the worshipful Mr. Thomas Bushell at Marston.

Sturley wrote to Quiney that Sir Edward `` gave his allowance and liking thereof, and affied unto us his best endeavour, so that his rights be preserved '', and that `` Sir Edward saith we shall not be at any fault for money for prosecuting the cause, for himself will procure it and lay it down for us for the time ''.

`` If you can firmly make the good knight sure to pleasure our Corporation '', Sturley wrote, `` besides that ordinary allowance for your diet you shall have 20 for recompence ''.

He had been in London for several weeks when he wrote to Shakespeare on October 25.

Richard Quiney the younger, a schoolboy of eleven, wrote a letter in Latin asking his father to buy copybooks ( `` chartaceos libellos ) '' ) for him and his brother.

Baker wrote: `` I tooke order with Sr. E. Grevile for the payment of Ceartaine monei beefore his going towardes London.

The chancellor of the Exchequer wrote on the petition: `` in myn opinion it is very resonable and conscionable for hir maiestie to graunt in relief of this towne twise afflicted and almost wasted by fire ''.

No one, he wrote, took any corn of Greville's, for his bailiff of husbandry `` swore a greate oathe thatt who soe came to put hys hande into hys sackes for anye corne shuld leave hys hande behynde hym ''.

Trumbo was publicly given credit for two blockbuster films: Otto Preminger made public that Trumbo wrote the screenplay for the smash hit, Exodus, and Kirk Douglas publicly announced that Trumbo was the screenwriter of Spartacus.

The scholar Kenneth Billingsley found that Trumbo wrote The Daily Worker about films which he said communist influence in Hollywood had prevented from being made: among them were proposed adaptations of Arthur Koestler's anti-totalitarian works Darkness at Noon and The Yogi and the Commissar, which described the rise of communism in Russia.

Thomas hoped to find employment in the film industry and wrote to the director of the films division of the Ministry of Information ( MOI ).

Describing Morris as a teenager, Mark Singer wrote that he " read with a passion the forty-odd Oz books, watched a lot of television, and on a regular basis went with a doting but not quite right maiden aunt (" I guess you'd have to say that Aunt Roz was somewhat demented ") to Saturday matinées, where he saw such films as This Island Earth and Creature from the Black Lagoon — horror movies that, viewed again 30 years later, still seem scary to him.

The Israeli historian Omer Bartov wrote that German films of the 1950s showed the average German soldier as a heroic victim: noble, tough, brave, honourable, and patriotic while fighting hard in a senseless war for a regime that he did not care for.

While recovering from his injuries and shell shock in 1916, he wrote some scenarios and ideas for films.

Hawks's first film The Road to Glory was based on a thirty-five page treatment that Hawks wrote and is one of only two Hawks films that are lost films.

Together, they wrote the music for more than twelve shows and four films.

Cocteau's films, most of which he both wrote and directed, were particularly important in introducing the avant-garde into French cinema and influenced to a certain degree the upcoming French New Wave genre.

During the rest of her life she wrote the scripts of many of her husband's films.

Instead, Riefenstahl met Luis Trenker who had starred in Fanck's films, who wrote to the director about her.

Marlene Dietrich sang songs successfully in her films, and Rodgers and Hart wrote a few well-received films, but even their popularity waned by 1932.

Howard Ashman, Alan Menken and Stephen Schwartz had previous musical theatre experience and wrote songs for animated films during this time, supplanting Disney workhorses the Sherman Brothers.

She wrote music for films, acted, and created conceptual record albums — encompassing poetry, jazz, chamber pop, and art songs.

Two documentary films by Bert Haanstra for which his father wrote the scenarios were nominated for an Academy Award for Documentary Feature, one won a Golden Bear for Short Film.

After he left The Band, Robbie Robertson became a music producer and wrote film soundtracks ( including acting as music supervisor for several of Scorsese's films ) before a highly praised comeback with a Daniel Lanois produced, eponymous solo album in 1987.

AllMovie wrote, " David Lynch offers an uncharacteristically straightforward and warmly sentimental approach to his material in this film ", calling it " one of his best films ".

In some cases, the X ratings were applied by reviewers or film scholars, e. g. William Rotsler, who wrote " The XXX-rating means hard-core, the XX-rating is for simulation, and an X-rating is for comparatively cool films.

In 1915 Mascagni wrote music for Nino Oxilia's movie Rapsodia Satanica ; the custom was for silent films to be accompanied live in a theater by organ, piano, or an orchestra, often using a prepared score ( sometimes with original music ) with cues for the conductor or musician.

Richard Brooks wrote his novel whilst he was a Sergeant in the U. S. Marine Corps making training films at Quantico, Virginia and Camp Pendleton, California.

Being a proficient writer, he wrote screenplays, lyrics and directed music for several Marathi films.

Critic Roger Ebert wrote of Keaton's " extraordinary period from 1920 to 1929, he worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies.

He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon ( 1941 ), The Treasure of the Sierra Madre ( 1948 ), Key Largo ( 1948 ), The Asphalt Jungle ( 1950 ), The African Queen ( 1951 ), Moulin Rouge ( 1952 ), The Misfits ( 1961 ), and The Man Who Would Be King ( 1975 ).