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Her appearance was also a concern, as by the age of fifteen she was described by her biographer as chunky, dowdy and double-chinned.
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Her and appearance
Her first appearance was in a short story published in The Sketch magazine in 1926, " The Tuesday Night Club ", which later became the first chapter of The Thirteen Problems ( 1932 ).
Her first screen appearance was at the age of 10, when she appeared briefly in Frank Capra ’ s It Happened One Night.
Her final public appearance was at an after-party at the Sardi's restaurant in New York City, following the premiere of the documentary film Broadway: The Golden Age, by the Legends Who Were There.
Her first appearance on the stage was at Haymarket in 1755 as Miranda in Mrs Centlivre's play, Busybody.
Her Season 2 appearance was a solo appearance and in Season 3 she shared the chat show with Sonakshi Sinha.
" Her combination of attractive appearance – centered around her large eyes – and somewhat distant and understated manner made her hard at first for MGM to cast and publicize.
Her first appearance with Ronald Reagan came in one of the latter, Ford Theatre, during a 1953 episode titled " First Born ".
Her last Broadway appearance was as Mrs. Warren in George Bernard Shaw's Mrs. Warren's Profession, produced by Joseph Papp at the Vivian Beaumont Theatre in 1976.
Her first public appearance was on June 12, when she performed at the Murat Theater in Indianapolis, Indiana.
Her son, Wyatt, makes an appearance on the song " Lullaby for Wyatt ," which is featured in the movie Grace Is Gone.
Her final screen appearance was in the 1991 film The Shepherd and the Women, directed by her ex-husband Ali Badrakhan.
Her first publicly known romance was with actor Lorenzo Lamas, with whom she made an appearance in the television series The Love Boat in which two friends ( Lorenzo and Melissa ) resist the matchmaking efforts of their parents.
Her first official appearance in Paris on 8 June 1773 at the Tuileries was considered by many royal watchers a resounding success, with a reported 50, 000 people crying out to see her.
Her last public appearance was September 23, 1974, at a party honoring her old friend Rosalind Russell at New York's Rainbow Room.
Her true professional career began at that 1959 Newport Folk Festival ; following that appearance, she recorded her first album for Vanguard, Joan Baez ( 1960 ), produced by Fred Hellerman of The Weavers, who produced many albums by folk artists.
Her benefactors gone, and her own health in decline, she made her last appearance on the stage in Edinburgh in 1785.
Her first appearance on film is as the baby in the very last shot of her mother's film, In the Good Old Summertime ( 1949 ).
Her appearance opposite Robert De Niro in the 1977 musical drama film, New York, New York however, gave Minnelli her best known signature song.
Her physical appearance was such that romantic heroines were out of the question, and she soon established her name in comedy, appearing in many of the most successful British plays and films.
Her and was
Her face was very thin, and burned by the sun until much of the skin was dead and peeling, the new skin under it red and angry.
Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.
Her form was silhouetted and with the strong light I could see the outlines of her body, a body that an artist or anyone else would have admired.
Her heart, her maternal feeling, in fact her being was too busy expressing itself, as quietly thrilled by this sight of her Nicolas curled asleep under a blanket, in a park like a scene from Poussin.
Her stern was down and a sharp list helped us to cut loose the lifeboat which dropped heavily into the water.
( Her account was later confirmed by the Scobee-Frazier Expedition from the University of Manitoba in 1951.
Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.
Her mother, now dead, was my good friend and when she came to tell us about her plans and to show off her ring I had a sobering wish to say something meaningful to her, something her mother would wish said.
Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.
Her hair was dyed, and her bloom was fading, and she must have been crowding forty, but she seemed to be one of those women who cling to the manners and graces of a pretty child of eight.
Her voice was ripe and full and her teeth flashed again in Sicilian brilliance before the warm curved lips met and her mouth settled in repose.
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