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Page "Djuna Barnes" ¶ 17
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Her and autobiographical
Her early and later allegorical and didactic treatises reflect both autobiographical information about her life and views and also her own individualized and humanist approach to the scholastic learned tradition of mythology, legend, and history she inherited from clerical scholars and to the genres and courtly or scholastic subjects of contemporary French and Italian poets she admired.
Her book, Life Among the Paiutes: Their Wrongs and Claims, is an autobiographical account of her people during their first forty years of contact with explorers and settlers.
Her intention to publish her autobiographical book Twenty Letters to a Friend on the fiftieth anniversary of the October Revolution caused an uproar in the Soviet Union and the government threatened to release an unauthorized version.
Her novel in verse Forsaking All Others ( 1933 ) about a tragic love affair, which many consider her greatest work, reflects this, though it is certainly not autobiographical.
Her earliest published work is " Hideaway Island " a loosely autobiographical novel about a woman on the far end of Long Island.
Her work was wholly autobiographical, inspired by her childhood trauma of discovering that her English governess was also her father ’ s mistress.
Her autobiographical zine Pagan's Head detailed her life.
Her nickname as a child was Totto-chan, according to her 1981 autobiographical memoir.
Her ordeal attracted a great amount of attention from the media, and Nielsen later wrote an autobiographical book recounting her story.
Her books Dead Man Walking and The Death of Innocents: An Eyewitness Account to Wrongful Executions are autobiographical accounts of the time she spent ministering to death row inmates.
Her novels are loosely autobiographical, though Kincaid has warned against interpreting their autobiographical elements too literally: " Everything I say is true, and everything I say is not true.
Her Collected Poems appeared in 1930 ; she also wrote five autobiographical volumes.
Her son John edited her fragmentary autobiographical texts, and published it in 1950 under the title Lying Awake: An Unfinished Autobiography.
Her publications as a poet include Homecoming ( 1984 ) and The Woman I Kept to Myself ( 2004 ), and as an essayist the autobiographical compilation Something to Declare ( 1998 ).
In a review for Death Has Become Her, Morley Seaver wrote ; “ The material is a mélange of autobiographical material courtesy of Tairrie B, and pieces of fiction inspired by several sources ; the poet Virginia Woolf ’ s suicide along with the Black Dahlia murder of 1947.
Her novel Remake ( 1996 ) is an autobiographical novel:
Her autobiographical works include Jungle Portraits and All True !.
Her use of fiction-writing techniques such as dialogue, characterization, and thematic development often lead reviewers to categorize her books as autobiographical fiction.
Her autobiographical books Summer of Aviya and Under the Domim Tree were both made into films, with Almagor playing her own mother.
Among his better novels are Her Two Millions ( 1897 ) because of its autobiographical element and accurate descriptions of how a Swiss newspaper is run ( Westall worked as an editor of Swiss Times ); and Birch Dene ( 1889 ) which contains striking portraits of London and is evocative of the Industrial Revolution.
Her last production has been Moly, the autobiographical short of disabled one-legged Senegalese young filmmaker Moly Kane.
" Her recent writings have become increasingly autobiographical, such as Memories of My Childhood and Victoire, a biography of her grandmother.
Her first book, Superstar, was an insider's look at the Factory scene, a partly fictional autobiographical account of her time there.

Her and first
Her temper sparked like charcoal when it first lights up.
Her first day at work she was puzzled by an entry in the doctor's notes on an emergency case.
Her first class wasn't until ten, but she always got up to have breakfast with me.
Her first actual flight, for she and her kind had made mock flights on dummy panels since she was eight, showed her complete mastery of the techniques of her profession.
Her first appearance was in a short story published in The Sketch magazine in 1926, " The Tuesday Night Club ", which later became the first chapter of The Thirteen Problems ( 1932 ).
Her first appearance in a full-length novel was in The Murder at the Vicarage in 1930.
Her mother ’ s marriage to Agrippa was her second marriage, as Julia the Elder was widowed from her first marriage, to her paternal cousin Marcus Claudius Marcellus and they had no children.
Her reputed last words, uttered as the assassin was about to strike, were " Smite my womb ", the implication here being she wished to be destroyed first in that part of her body that had given birth to so " abominable a son.
Her second and last novel, The Tenant of Wildfell Hall, which is considered to be one of the first sustained feminist novels, appeared in 1848.
Her first marriage, at the age of fifteen, was to the son of her father's rival in Italy, Lothair II, the nominal King of Italy ; the union was part of a political settlement designed to conclude a peace between her father and Hugh of Provence, the father of Lothair.
Her goal was to become the first Christian singer-songwriter who was also successful as a contemporary pop singer.
Her father's grandfather had fled France during the Revolution, going first to Saint-Domingue, then New Orleans, and finally to Cuba where he helped build that country's first railway.
Her first published work was a critical evaluation of D. H. Lawrence called D. H. Lawrence: An Unprofessional Study, which she wrote in sixteen days.
Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the " rejected " Impressionists in the first of their own exhibitions, which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley.
Her first school was located in a 17th-century house.
Her first act surprises Odrade greatly.
Her mother, Kay Calista, reversed her own first and middle names in naming her Calista Kay.
Her report, Work Accidents and the Law ( 1910 ), became a classic and resulted in the first workers ' compensation law, which she drafted while serving on a New York state commission.
Her first stories appeared in pulp magazines in the 1930s, including two significant series in Weird Tales.
Her first name, Drew, was the maiden name of her paternal great-grandmother, Georgie Drew Barrymore ; her middle name, Blyth, was the original surname of the dynasty founded by her great-grandfather, Maurice Barrymore.
Her recording of " Sentimental Journey " was the first song placed in the Grammy Hall of Fame.
Her first country single, " Dumb Blonde " ( one of the few songs during this era, that she recorded but did not write ), reached number twenty-four on the country music charts in 1967, followed the same year with Something Fishy, which went to number seventeen.
Her first entirely self-produced effort, 1977's New Harvest ... First Gathering, highlighted Parton's pop sensibilities, both in terms of choice of songs-the album contained covers of the pop and R & B classics " My Girl " and " Higher and Higher " – and the album's production.

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