In 1975, Day released her autobiography, Doris Day: Her Own Story, an " as-told-to " work with A. E. Hotchner.

Her spiritual autobiography, My Religion, was published in 1927 and then in 1994 extensively revised and re-issued under the title Light in My Darkness.

Her autobiography Thank Heaven, was published in 2010 in the UK and US, and in 2011 in a French version.

Her autobiography Der geschenkte Gaul-Bericht aus einem Leben ( The Gift Horse-Report of a Life ) from 1970 was a candid recount of her life in Germany during and after World War II.

Her autobiography details how the young actress had an instinctive ear for recreating musical sounds.

Her autobiography, The Good, the Bad, and the Very Ugly, includes a harrowing account of Eastwood's treatment of her during the events surrounding their separation.

Her books, which include her autobiography, The Life of Teresa of Jesus, and her seminal work, El Castillo Interior ( The Interior Castle ), are an integral part of the Spanish Renaissance literature as well as Christian mysticism and Christian meditation practices as she entails in her other important work Camino de Perfección ( The Way of Perfection ).

In 1980, after the international success the biography Sophia Loren: Living and Loving, Her Own Story by A. Hotchner, Loren portrayed herself and her mother in a made-for-television biopic adaptation of her autobiography entitled Sophia Loren: Her Own Story.

Her autobiography, titled La Détresse et l ' enchantement, was published posthumously in 1984 ; translated into English as Enchantment and Sorrow.

Her co-star in the film was Jane Fonda ( playing writer Lillian Hellman ), who, in her 2005 autobiography, noted that:

Her autobiography Kari was issued in 2006.

Her autobiography, The Living of Charlotte Perkins Gilman, which she began to write in 1925, appeared posthumously in 1935.

Her autobiography, Don't Look Back, We're Not Going That Way, which was published in 2004, recounts the early detection of her breast cancer, the loss of her husband Dennis to pancreatic cancer, her nervous breakdown, her single motherhood and other experiences.

Her neighbor for over 40 years, Eva Weinreis, wrote an autobiography entitled A Note On the Tea Kettle about her life and coming from Aberdeen, South Dakota in 1906 with her husband, Peter Weinreis, to homestead two miles ( 3 km ) west of Burkey, North Dakota and two miles ( 3 km ) south of modern-day Golva.

Her autobiography, Nehmt nur mein Leben ( Just Take My Life ), was published in 1979.

Her 1995 autobiography, Miss Rhythm, won the Gleason Award for music journalism.

Her autobiography, Myrna Loy: Being and Becoming, was published in 1987.

* Her autobiography, Dame of Sark, was published in 1961,

Her autobiography, My Garden of Memory, was published after her death.

Her autobiography, Brenda Lee: Little Miss Dynamite, was published by Hyperion in 2002 ( ISBN 0-7868-6644-6 ).

A Collection of Her Best Recordings was released in 1994 by Island Records to coincide with the release of the Faithfull autobiography ; the two products originally shared the same cover art.

Her autobiography, Goodness Had Nothing to Do with It, was also updated and republished.

Her best-selling 1976 autobiography was made into an Academy Award-winning film, Coal Miner's Daughter, starring Sissy Spacek and Tommy Lee Jones, in 1980.

Her daughter Svetlana later emigrated from the Soviet Union and defected to the United States, where she eventually published her autobiography, which included recollections of her parents and their relationship.

Her face was very thin, and burned by the sun until much of the skin was dead and peeling, the new skin under it red and angry.

Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.

Her form was silhouetted and with the strong light I could see the outlines of her body, a body that an artist or anyone else would have admired.

Her mouth, which had been so much in my thoughts, was warm and moist and tender.

Her heart, her maternal feeling, in fact her being was too busy expressing itself, as quietly thrilled by this sight of her Nicolas curled asleep under a blanket, in a park like a scene from Poussin.

Her white blond hair was clean and brushed long straight down to her shoulders.

Her thick hair was the color and texture of charcoal.

Her laugh was hard.

Her face was pale but set and her dark eyes smoldered with blame for Ben.

Her stern was down and a sharp list helped us to cut loose the lifeboat which dropped heavily into the water.

Her name was L'Turu and she told me many things.

( Her account was later confirmed by the Scobee-Frazier Expedition from the University of Manitoba in 1951.

Her mother was a good manager and established a millinery business in Milwaukee.

Her name was Esther Peter.

Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.

Her mother, now dead, was my good friend and when she came to tell us about her plans and to show off her ring I had a sobering wish to say something meaningful to her, something her mother would wish said.

Her action was involuntary.

Her name was Mollie.

Her speech was barren of southernisms ; ;

Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.

Her hair was dyed, and her bloom was fading, and she must have been crowding forty, but she seemed to be one of those women who cling to the manners and graces of a pretty child of eight.

Her voice was ripe and full and her teeth flashed again in Sicilian brilliance before the warm curved lips met and her mouth settled in repose.