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Her and book
Her book titles, changed by American publishers, for example Ten Little Niggers to Ten Little Indians, were kept the same across the Atlantic, after bushels of fan mail.
Her award-winning 1974 novel The Dispossessed, a book in the Hainish Cycle, tells of the invention of the ansible.
Her book brought about a whole new interpretation on pesticides by exposing their harmful effects in nature.
Her first book, Child Whispers, a collection of poems, was published in 1922.
Her book Manic-Depressive Illness ( co-authored with Frederick K. Goodwin ) is the classic textbook on bipolar disorder.
In 1999 Freeman published another book, The Fateful Hoaxing of Margaret Mead: A Historical Analysis of Her Samoan Research, including previously unavailable material.
" Her next film was Blow, adapted from Bruce Porter's 1993 book Blow: How a Small Town Boy Made $ 100 million with the Medellin Cocaine Cartel and Lost It All.
Her seminal book The Psycho-Analysis of Children, based on lectures given to the British Psychoanalytic Society in the 1920s, was published in 1932.
Her " incredible controversy " is characterized by David Hartwell in the opening sentence of a book chapter entitled " New Wave: The Great War of the 1960s ": " Conflict and argument are an enduring presence in the SF world, but literary politics has yielded to open warfare on the largest scale only once.
Her wartime activities in German Occupied France were dramatised in the film Carve Her Name with Pride, starring Virginia McKenna and based on the 1956 book of the same name by R. J. Minney.
Her second book " Das Urteil " (" The Verdict ") from 1975 was a moderate success.
Her book, My Chicago ( ISBN 0-8101-2087-9 ), was published in 1992, and covers her life through her political career.
Her 1970 book, Origin of Eukaryotic Cells, discusses her early work pertaining to this organelle genesis theory in detail.
Her book Prayers or Meditations became the first book published by an English queen under her own name.
Her work was to have a dramatic effect on the British Society, polarising its members into rival factions as it became clear that her approach to child analysis was seriously at odds with that of Anna Freud as set out in her 1927 book An Introduction to the Technique of Child Analysis.
Her first foray outside children's literature was Bildhuggarens dotter ( Sculptor's Daughter ), a semi-autobiographical book written in 1968.
Her second book, A Way of Looking, won the Somerset Maugham award and marked a turning point, as the prize money allowed her to spend nearly three months in Rome, which was a revelation.
Her book, Patterns of Culture, did much to popularize the term in the United States.
Her latest book, Child No More, is the heartfelt story of losing her mother.
Her first book, The Ghetto and Other Poems was published in 1918.
Her third book, Red Flag 1927 collected much of her political poetry.
Her earliest professional work included greeting cards and juvenile magazine illustrations, and her first book, Flower Fairies of the Spring, was published in 1923.
Her first book, Seven Gothic Tales, was published in the U. S. in 1934 under the pseudonym Isak Dinesen.

Her and makes
Her rage at losing makes her join the Greeks in the battle against Paris's Trojans, a key event in the turning point of the war.
Her son, Wyatt, makes an appearance on the song " Lullaby for Wyatt ," which is featured in the movie Grace Is Gone.
Her performance was praised by a number of critics, including Rob Blackwelder for SPLICEDwire, who wrote about the " dazzling performance by Sarah Michelle Gellar who plunges headlong into the lascivious malevolence that makes Kathryn so delightfully wicked.
Her lover slays her, and makes off with the first: the third sister and her lover are charged with the murder, are arrested and confess the crime.
Her writing often makes use of alien cultures to examine structural characteristics of human culture and society and their impact on the individual.
Her porcelain-skinned beauty, in this regard, is a great asset, and the way it's used makes it seem an aspect of her spirituality.
Her actress – vain, scared, a woman who goes too far in her reactions and emotions – makes the whole thing come alive.
In a famous passage, he delineates Cleopatra's charms in paradoxical terms ( rhetorical antithesis ): " Age cannot wither her, nor custom stale / Her infinite variety: other women cloy / The appetites they feed, but she makes hungry / Where most she satisfies.
Her husband turns out to be a bully, an angry and violent man without any sense of humour who makes her and their children work very hard on the farm.
Her malevolent, libertine nature, however, is kept well hidden from most people, as she created a façade of moral righteousness which makes her look as a virtuous and puritan woman to almost everyone on her entourage.
Her tragic story makes one of the Love Romances of Parthenius of Nicaea.
Her second matchmaking scheme backfires when Elton rejects Tai and makes a play for Cher.
Her life of wild freedom makes him realise that an existence is possible other than the rigid formalities and ritual of the castle.
Her maturity is considerably more developed than her friends and this at times makes her behave in an arrogant manner ; especially when it comes to her past and current experiences with boys.
" Her unrequited love and ostracism from the family lead her to harness her extraordinary powers of imbuing her emotions to the food she makes.
Her special attack, the Melo-Melo Punch, makes bad guys woozy with affection or awakens others from deep sleep.
Her performance was well received by critics ; Seattle Post-Intelligencer stated, " Zeta-Jones makes a wonderfully statuesque and bitchy saloon goddess.
Her fear of being left alone makes her hysterical, culminating in her first direct experience of the Fourth World, perceiving it as a land where all is beautiful and she is safe.
Zuckerman also makes an appearance in Salman Rushdie's 1999 novel The Ground Beneath Her Feet, where in an alternate universe it is the literary alter-egos ( and their novels ) that are real.
Her stuff, that she makes, I think, is silly and very soon her career will wither away and disappear.
Her thrusting personality, allied to her husband's impeccable social standing, riches and political influence makes her a formidable woman.
Her take on Mikako makes her look a lot taller and at least a couple of years older, while Noboru looks more or less the same but with sharper lines.
Her computer-like mind makes it easy for her to learn new skills.
Her self-centered attitude often makes her the butt of jokes.
" Her mother's response makes it clear that she was aware that a legal marriage had not taken place.

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