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Page "Ursula K. Le Guin" ¶ 17
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Her and writing
Her acquaintance with him parallels her writing a number of poems, which may suggest she fell in love with him.
Her success stems from a wide range of innovative writing and rhetorical techniques that critically challenged renowned male writers, such as Jean de Meun who incorporated misogynist beliefs within their literary works.
Her early death may have inspired some of his writing.
Her responsibilities included writing the plan and supervising field work for the recruitment of minority students to the UC Berkeley campus and visiting high schools throughout the State of California.
For example: " Her daughter was a writing tutor.
Her academic education was limited to arithmetic, her family genealogy, grammar, history, reading, spelling, and writing.
Her work is considered important because her writing reflects the creation and development of Japanese writing during a period when Japanese shifted from an unwritten vernacular to a written language.
Her writing was required reading for court poets as early as the 12th century as her work began to be studied by scholars who generated authoritative versions and criticism.
" Circuit judges are referred to as " His / Her Honour Judge N ." In writing, this title may be abbreviated as " HHJ " or " HH Judge ," e. g. " HH Judge Smith.
In New Zealand, judges of the High Court and above are referred to as " His / Her Honour Justice Surname " in speech, and " Surname J " in writing.
Judges of the District Court and the other statutory courts are referred to as " His / Her Honour Judge Surname " in speech, and " Surname DCJ " or " Judge Surname " in writing.
Her writing during most of the 1940s and 1950s consisted of tales in the storytelling tradition.
Her writing prowess suggests that she did not suffer from the mental degeneration of late stages of syphilis, nor from cerebral poisoning due to mercury treatments.
Her writing can be said to fall into two periods – the early work ( 1912 – 25 ) and her later work ( from around 1936 until her death ), divided by a decade of reduced literary output.
Her perennial themes include meditations on time and memory, and the difficulties of living and writing in the shadow of Stalinism.
Her talent in composition and translation is evidenced in her fine translations of the works of poets writing in French, English, Italian, Armenian, and Korean.
Her writing and teaching are focused at the moment primarily on phenomenology, psychoanalysis, photography, and time-based visual art, but she continues to write about and teach courses on cinema, and she has a developing interest in painting.
Her approach to writing fiction has been compared to that of Anthony Trollope and Charles Dickens.
Her death deeply affected him, and after an attempt at suicide in December 1887, he travelled on foot across the Russian Empire for five years, changing jobs and accumulating impressions used later in his writing.
Her writing contributed to the amatory fiction genre of British literature.
Her writing addressed a number of topics, including gender, power, manners, scientific method, and animal protection.
Her Appalachian children's books, set in the region around Spruce Pine, are famous for the quality of their writing and the subjects that they cover.
Her writing partnership with Adolph Green lasted for six decades, during which time they collaborated with other leading entertainment figures such as the famed " Freed Unit " at MGM, Jule Styne and Leonard Bernstein.

Her and often
Her services to the School for many years were of a very high character, and I have often thought that one of the buildings should be named for her ''.
Her mother Cassiopeia boasted that her daughter was more beautiful than the Nereids, the nymph-daughters of the sea god Nereus and often seen accompanying Poseidon.
Her films of the early and mid 1950s were generally lightweight romantic dramas, some historical, in which she was cast as ingénue or siren, often in varying states of undress.
Her attire often consisted of " thrift shop " babydoll dresses, and her face adorned with smeared makeup ; MTV reporter Kurt Loder described her as looking like " a debauched rag doll ".
Her role in his conversion is not considered now to be as important as it is often represented in medieval chronicles.
Her husband ran the business end of the company and she managed the artistic side, often starring in the productions.
Her personal letters to leaders of the Revolution influenced policy ; in addition, she often hosted political gatherings of the Brissotins, a political group which allowed women to join.
Her paintings are often of flower designs above shops and stores in her local urban area of Cambridge, Massachusetts.
Her classical education left its mark ; Christopher Stray has observed that " George Eliot's novels draw heavily on Greek literature ( only one of her books can be printed correctly without the use of a Greek typeface ), and her themes are often influenced by Greek tragedy ".
Her frequent visits to the estate also allowed her to contrast the wealth in which the local landowner lived with the lives of the often much poorer people on the estate, and different lives lived in parallel would reappear in many of her works.
Her brother, Marx's uncle Benjamin Philips ( 1830-1900 ), was a wealthy banker and industrialist, upon whom Karl and Jenny Marx would later often come to rely for loans while they were exiled in London.
Her role often involves premonitions of a particular warrior's violent death, suggesting a link with the Banshee of later folklore.
Her wardrobe included red so often that the fire-engine shade became known as " Reagan red ".
Her parents earned little and there was often a shortage of food in the household.
Her dominant role has often been confused or associated to that of a high priestess which she is not.
Her irreverent and often bawdy sense of humour allowed her to establish a rapport with her co-star Marlon Brando ; but she had difficulty with director Elia Kazan, who did not hold her in high regard as an actress.
Her work often utilizes classical music, jazz and contemporary pop music.
Her vocals and singing style has often been compared to the contemporary English singer Kate Bush.
Her habits were often parodied ( with relative affection ) by the satirical 1980s television programme Spitting Image – which portrayed her with a Birmingham accent ( modelled on actress Beryl Reid ) and an ever-present copy of the Racing Post.
Her daughter Charlotte was placed in the care of a governess, in a mansion near Montagu House in the summers, and Caroline visited her often.
Her practical importance in the group, however, was often overstated by the media, the most obvious example being the common name Baader-Meinhof gang for the RAF.
Her refusal to love him more than a husband is often interpreted as a resistance from incest, but Kahn also inserts the image of a rejecting mother.
Her children could be legitimized by their father's acknowledgment before witnesses and were often adopted.
Her methods are unconventional by kingdom standards, for example forgoing the use of leeches and instead using alcohol to " the ill humours which can infect a wound ," but are more often than not successful.

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