Her eyes were glazed as if she didn't hear or even see him.

Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.

Her legs were the full, sexy kind, full bodied like a rare wine and just as tantalizing to the appetite ; ;

Her glance swung past the trailer where the two drivers were standing.

Her long thin arms moved in a slow rhythmical gesture over the family possessions which were placed in front of her.

Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.

Her thoughts were not discrete.

Her eyebrows were definite and heavy and formed two lines moving upward toward a high forehead and a great head of brown hair that fell to her shoulders.

Her services to the School for many years were of a very high character, and I have often thought that one of the buildings should be named for her ''.

Her eyes were bright with anticipation.

Her `` Rockabye Your Baby '' was as good as it can be done, and her really personal songs, like `` The Man That Got Away '' were deeply moving.

Her hesitation was only momentary and she hoped he didn't notice it, as she settled herself, asked quickly how Miss Jenny and the babies were getting on.

Her nose was higher of bridge, her complexion so pale as to be quite susceptible to sunburn, and the fish and vegetable diet of her forebears had given her teeth that were white and regular and strong.

Her bright eyes were twinkling.

Her hair never seemed to be in place and her skirts were never quite the correct length.

Her eyes were wild.

Her dark cool caresses were sweeter than any woman's ; ;

Her eyes were smiling, too, but so sadly, and there was tiredness and infinite wisdom in them.

Her extendibles were diverted, connected or augmented and the final, delicate-beyond-description brain taps were completed while Helva remained anesthetically unaware of the proceedings.

Her book titles, changed by American publishers, for example Ten Little Niggers to Ten Little Indians, were kept the same across the Atlantic, after bushels of fan mail.

Her two children by Philip II, Philip, count of Clermont ( died 1234 ), and Mary, who married Philip I of Namur, were legitimized by the pope in 1201 at the request of the king.

Her remaining children were raised between her, Livia Drusilla and Germanicus ’ mother Antonia Minor.

Her reputed last words, uttered as the assassin was about to strike, were " Smite my womb ", the implication here being she wished to be destroyed first in that part of her body that had given birth to so " abominable a son.

Her final feature, the comedy film With Six You Get Eggroll, was released in 1968.

Her film credits also include a featured role in Marked For Death opposite Steven Seagal, Pass The Ammo with Tim Curry, and the CBS feature 83 Hours Till Dawn with Peter Strauss and Robert Urich.

Her chosen life has one feature her mother cannot appreciate: it allows her to remain in one place.

Her last feature film appearance was a cameo as herself in MGM's Main Street to Broadway in 1953.

She was preparing to work again with The Mask co-star Jim Carrey for the film Fun with Dick and Jane, but resigned to feature in In Her Shoes.

Her debut feature film, Salaam Bombay!

Her breakthrough performance was as Stef Steinbrenner in the 1985 feature film The Goonies.

During this time he completed the screenplay for If I Catch Her, I'll Kill Her, a live-action feature he had been developing since the late 1960s.

Her next feature film in 2002 was Sweet Home Alabama, a movie directed by Andy Tennant.

Her first professional role was voicing Gloria in the animated series Richie Rich, which she followed with a starring role in the television movie Marian Rose White ( 1982 ) and her first feature film, Twilight Zone: The Movie ( 1983 ).

Her first MGM feature was The Callahans and the Murphys ( 1927 ), a rowdy silent comedy co-starring Dressler ( as Ma Callahan ) with another former Mack Sennett comedienne, Polly Moran, written by Marion.

Her first feature film role was Godspell ( 1973 ) co-starring opposite Victor Garber and David Haskell.

He said of Crabtree's work on Brisco, " Her horses sounded so natural and real – their hooves, the sound of their hooves on the texture of the ground, the sound of saddle movement, bridle jingles – it was as good as anything I would want for a feature film, and this was episodic television.

Fields wore a scruffy-looking, clip-on mustache in virtually all of his silent films, discarding it only after his first sound feature film, Her Majesty Love, his only Warner Brothers production.

They feature in Tim Powers ' The Stress of Her Regard as opponents of the vampire-backed Austrian Empire.

Her feature film debut was Goha ( 1957 ), a French-Tunisian co-production.

Dudley won the " Best Original Musical or Comedy Score " Oscar for her music ; The Gathering ( 2002 ) a Anthony Horowitz thriller directed by Brian Gilbert and starring Christina Ricci ; The Grotesque ( 1997 ) released in the US as Gentlemen Don't Eat Poets a British film starring Alan Bates, Theresa Russell and Sting ; Hollow Reed ( 1996 ) a drama directed by Angela Pope and set in Bath ; Knight Moves ( 1992 ) American thriller directed by Carl Schenkel and starring Christopher Lambert ; Lucky Break ( 2001 ) a British feelgood comedy starring James Nesbitt and based around a prison escape ; The Miracle Maker ( 2000 ) an animated feature film made for TV by BBC Wales with Russian model makers ; Monkeybone ( 2001 ) an American film combining live-action and stop-motion animation starring Brendan Fraser and Bridget Fonda ; Perfect Creature ( 2007 ) a New Zealand made horror / thriller film starring Leo Gregory ; Pushing Tin ( 1999 ) a comedy-drama film directed by Mike Newell based around air traffic controllers in New York ; The Pope Must Die ( 1991 ) a comedy film starring Robbie Coltrane the score was co-written with Jeff Beck ; Silence Like Glass ( Zwei Frauen ) ( 1989 ) German made but set in a cancer ward at a hospital in America ; Tristan & Isolde ( 2006 ) a Ridley Scott romantic drama based on the medieval romantic legend of Tristan and Iseult and starring James Franco and Sophia Myles ; The Walker ( 2007 ) a drama written and directed by Paul Schrader set in Washington, D. C .; Her TV music includes scores for all episodes of Jeeves and Wooster with Stephen Fry and Hugh Laurie ; Lynda La Plante's Above Suspicion ; Kavanagh QC with John Thaw and The Tenth Kingdom an American epic fantasy TV miniseries written by Simon Moore.

Her books also feature both a linear and a non-linear structure.

Her story was the topic of the 1998 feature film At the End of the Day: The Sue Rodriguez Story.

Her idea would feature Beatty and a costar as a mediocre singer-songwriter duo who would go to Morocco and get caught in the crossfire between the Central Intelligence Agency and a local left-wing guerrilla group.

She states that Snow's La Région Centrale introduced her to the relationship between film, time and energy. ¹ Her 1972 feature Hotel Monterey and shorts La Chambre 1 and La Chambre 2 reveal structural filmmaking's influence through their usage of extended-duration takes.

Her most notable feature is a pair of large brown eyes.

Her first feature film was The Honkers ( 1972 ).