Her temper sparked like charcoal when it first lights up.

Her first day at work she was puzzled by an entry in the doctor's notes on an emergency case.

Her first class wasn't until ten, but she always got up to have breakfast with me.

Her first actual flight, for she and her kind had made mock flights on dummy panels since she was eight, showed her complete mastery of the techniques of her profession.

Her first appearance was in a short story published in The Sketch magazine in 1926, " The Tuesday Night Club ", which later became the first chapter of The Thirteen Problems ( 1932 ).

Her first appearance in a full-length novel was in The Murder at the Vicarage in 1930.

Her mother ’ s marriage to Agrippa was her second marriage, as Julia the Elder was widowed from her first marriage, to her paternal cousin Marcus Claudius Marcellus and they had no children.

Her reputed last words, uttered as the assassin was about to strike, were " Smite my womb ", the implication here being she wished to be destroyed first in that part of her body that had given birth to so " abominable a son.

Her second and last novel, The Tenant of Wildfell Hall, which is considered to be one of the first sustained feminist novels, appeared in 1848.

Her first marriage, at the age of fifteen, was to the son of her father's rival in Italy, Lothair II, the nominal King of Italy ; the union was part of a political settlement designed to conclude a peace between her father and Hugh of Provence, the father of Lothair.

Her goal was to become the first Christian singer-songwriter who was also successful as a contemporary pop singer.

Her father's grandfather had fled France during the Revolution, going first to Saint-Domingue, then New Orleans, and finally to Cuba where he helped build that country's first railway.

Her first published work was a critical evaluation of D. H. Lawrence called D. H. Lawrence: An Unprofessional Study, which she wrote in sixteen days.

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the " rejected " Impressionists in the first of their own exhibitions, which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley.

Her first school was located in a 17th-century house.

Her first act surprises Odrade greatly.

Her mother, Kay Calista, reversed her own first and middle names in naming her Calista Kay.

Her report, Work Accidents and the Law ( 1910 ), became a classic and resulted in the first workers ' compensation law, which she drafted while serving on a New York state commission.

Her first stories appeared in pulp magazines in the 1930s, including two significant series in Weird Tales.

Her first name, Drew, was the maiden name of her paternal great-grandmother, Georgie Drew Barrymore ; her middle name, Blyth, was the original surname of the dynasty founded by her great-grandfather, Maurice Barrymore.

Her recording of " Sentimental Journey " was the first song placed in the Grammy Hall of Fame.

Her first country single, " Dumb Blonde " ( one of the few songs during this era, that she recorded but did not write ), reached number twenty-four on the country music charts in 1967, followed the same year with Something Fishy, which went to number seventeen.

Her first entirely self-produced effort, 1977's New Harvest ... First Gathering, highlighted Parton's pop sensibilities, both in terms of choice of songs-the album contained covers of the pop and R & B classics " My Girl " and " Higher and Higher " – and the album's production.

Her final feature, the comedy film With Six You Get Eggroll, was released in 1968.

Her film credits also include a featured role in Marked For Death opposite Steven Seagal, Pass The Ammo with Tim Curry, and the CBS feature 83 Hours Till Dawn with Peter Strauss and Robert Urich.

Her chosen life has one feature her mother cannot appreciate: it allows her to remain in one place.

Her last feature film appearance was a cameo as herself in MGM's Main Street to Broadway in 1953.

She was preparing to work again with The Mask co-star Jim Carrey for the film Fun with Dick and Jane, but resigned to feature in In Her Shoes.

Her bossiness were examplified in a feature length entitles Queen Toots, were she found that she was somehow connected to royalty.

Her debut feature film, Salaam Bombay!

Her breakthrough performance was as Stef Steinbrenner in the 1985 feature film The Goonies.

During this time he completed the screenplay for If I Catch Her, I'll Kill Her, a live-action feature he had been developing since the late 1960s.

Her next feature film in 2002 was Sweet Home Alabama, a movie directed by Andy Tennant.

Her first professional role was voicing Gloria in the animated series Richie Rich, which she followed with a starring role in the television movie Marian Rose White ( 1982 ) and her first feature film, Twilight Zone: The Movie ( 1983 ).

Her first MGM feature was The Callahans and the Murphys ( 1927 ), a rowdy silent comedy co-starring Dressler ( as Ma Callahan ) with another former Mack Sennett comedienne, Polly Moran, written by Marion.

Her first feature film role was Godspell ( 1973 ) co-starring opposite Victor Garber and David Haskell.

He said of Crabtree's work on Brisco, " Her horses sounded so natural and real – their hooves, the sound of their hooves on the texture of the ground, the sound of saddle movement, bridle jingles – it was as good as anything I would want for a feature film, and this was episodic television.

Fields wore a scruffy-looking, clip-on mustache in virtually all of his silent films, discarding it only after his first sound feature film, Her Majesty Love, his only Warner Brothers production.

They feature in Tim Powers ' The Stress of Her Regard as opponents of the vampire-backed Austrian Empire.

Her feature film debut was Goha ( 1957 ), a French-Tunisian co-production.

Dudley won the " Best Original Musical or Comedy Score " Oscar for her music ; The Gathering ( 2002 ) a Anthony Horowitz thriller directed by Brian Gilbert and starring Christina Ricci ; The Grotesque ( 1997 ) released in the US as Gentlemen Don't Eat Poets a British film starring Alan Bates, Theresa Russell and Sting ; Hollow Reed ( 1996 ) a drama directed by Angela Pope and set in Bath ; Knight Moves ( 1992 ) American thriller directed by Carl Schenkel and starring Christopher Lambert ; Lucky Break ( 2001 ) a British feelgood comedy starring James Nesbitt and based around a prison escape ; The Miracle Maker ( 2000 ) an animated feature film made for TV by BBC Wales with Russian model makers ; Monkeybone ( 2001 ) an American film combining live-action and stop-motion animation starring Brendan Fraser and Bridget Fonda ; Perfect Creature ( 2007 ) a New Zealand made horror / thriller film starring Leo Gregory ; Pushing Tin ( 1999 ) a comedy-drama film directed by Mike Newell based around air traffic controllers in New York ; The Pope Must Die ( 1991 ) a comedy film starring Robbie Coltrane the score was co-written with Jeff Beck ; Silence Like Glass ( Zwei Frauen ) ( 1989 ) German made but set in a cancer ward at a hospital in America ; Tristan & Isolde ( 2006 ) a Ridley Scott romantic drama based on the medieval romantic legend of Tristan and Iseult and starring James Franco and Sophia Myles ; The Walker ( 2007 ) a drama written and directed by Paul Schrader set in Washington, D. C .; Her TV music includes scores for all episodes of Jeeves and Wooster with Stephen Fry and Hugh Laurie ; Lynda La Plante's Above Suspicion ; Kavanagh QC with John Thaw and The Tenth Kingdom an American epic fantasy TV miniseries written by Simon Moore.

Her books also feature both a linear and a non-linear structure.

Her story was the topic of the 1998 feature film At the End of the Day: The Sue Rodriguez Story.

Her idea would feature Beatty and a costar as a mediocre singer-songwriter duo who would go to Morocco and get caught in the crossfire between the Central Intelligence Agency and a local left-wing guerrilla group.

She states that Snow's La Région Centrale introduced her to the relationship between film, time and energy. ¹ Her 1972 feature Hotel Monterey and shorts La Chambre 1 and La Chambre 2 reveal structural filmmaking's influence through their usage of extended-duration takes.

Her most notable feature is a pair of large brown eyes.