Her mother wrote Kate of her grief at the death of Kate's baby and at Jonathan's decision to go with the South `` And, dear Kate '', she wrote, `` poor Dr. Breckenridge's son Robert is now organizing a militia company to go South, to his good father's sorrow.

Her lover precedes her in death, at the wheel, and presumably he too has chosen.

Her death appeased Artemis, and the Greek army set out for Troy.

Her great-uncle Tiberius had already become emperor and the head of the family after the death of Augustus in 14.

Her friend, Acerronia Polla, was attacked by oarsmen while still in the water, and was either bludgeoned to death or drowned, since she was exclaiming that she was Agrippina, with the intention of being saved, unfortunately she did not know that this was an attempt of Agrippina's life, not a mere accident.

Her son's death in 534 made little change in the posture of affairs.

Her father had no private income and the parsonage would revert to the church on his death.

Her husband Casimir is known for his romantic affairs: after Aldona's death he married three more times.

Her work in choreographing the landmark 1986 production of Lully's 1676 tragedie-lyrique Atys was part of the national celebration of the 300th anniversary of Lully's death.

Her death certificate gives the cause of death as phthisis ( tuberculosis ), but many biographers suggest she may have died from dehydration and malnourishment, caused by excessive vomiting from severe morning sickness or hyperemesis gravidarum.

Her death is recorded in 913.

Her death was eventually ruled a suicide.

Her early death may have inspired some of his writing.

Her older half-sister Pulcheria predeceased her parents as mentioned in the writings of Gregory of Nyssa, placing the death of Pulcheria prior to the death of Aelia Flaccilla, first wife of Theodosius I, in 385.

" Her view of life is so joyful that, true to the film's motif, it crosses a blurred, shifting line into a carefree attitude toward death as well.

Her death in November 1558 was greeted with huge celebrations in the streets of London.

Her brother, Laertes, returns from France, horrified by his father's death and his sister's madness.

Her actions promoted the reign of her husband: Upon the death of the Polish High Duke Władysław III Spindleshanks in 1231, Henry also became Duke of Greater Poland and the next year prevailed as High Duke at Kraków.

Her tragic early death from measles at the age of 32 came as a terrible blow to Severn and adversely affected his own health.

Her mother's death provided her the excuse to retire from public life.

Her role often involves premonitions of a particular warrior's violent death, suggesting a link with the Banshee of later folklore.

Her role was to not only be a symbol of imminent death, but to also influence the outcome of war.

Her re-establishment of Roman Catholicism was reversed after her death in 1558 by her younger half-sister and successor, Elizabeth I.

Her Journal reveals her growing sophistication as a critic as well as the influence of her father ’ s friend the artist Sir John Everett Millais who recognised Beatrix ’ s talent of observation.

Her father then reveals that his wedding with her mother, which Mary had always seen as the perfect marriage, was actually arranged and only became a loving relationship months later, leaving Mary feeling very confused.

Her sons realise that it reveals that he has a plan to run a tramline along a street that he and his cronies intend to buy up cheaply.

Her suspicions grow during a family dinner in which Uncle Charlie reveals his hatred of rich widows, comparing them to fat animals deserving to be slaughtered.

The Guardian's Betty Clarke wrote a negative review, saying that " Her cover of Roy Orbison's I Drove All Night is full of reverberating notes and sultry asides, but reveals a fundamental lack of sincerity that renders her threatening when she is trying for tender.

Her association with the marketplace, and more specifically with the gates of cemeteries ( as opposed to the entire underworld ), reveals her in her aspect as facilitator of transition.

Her habit of deceiving her male pursuers by hiding in crags in the soil reveals her association not only with vegetation but also with rocks, caverns, and underpassages.

Her take on life reveals a sharp and critical eye which neatly dissects the idiosyncrasies of genteel England with humor, compassion and irony, detailing in particular sexual and emotional values.

Her hopes of going away disappointed — her fantasy destroyed — a short coda reveals how her personality has changed.

Her death is initially believed to be an accident until Roger Ackroyd, a widower who had been expected to marry Mrs. Ferrars, reveals that she admitted to killing her husband and then committed suicide.

Her work reveals the clear influence of Jean-Baptiste-Siméon Chardin, as well as 17th-century Dutch masters, whose work has been far more highly valued, but what made Vallayer-Coster ’ s style stand out against the other still life painters was her unique way of coalescing representational illusionism with decorative compositional structures.

Her meta-analysis reveals that sex-differences are almost exclusively found in forced-choice studies.

Her life reveals a tenacity to push ahead despite every obstacle-to promote an idea and use every possible resource at ones disposal.

Her will reveals her to have been a decisive and strong woman who was generous and thoughtful.

Her father subsequently reveals he did call the X-Men to his dying wife.

Her mother reveals that they are marrying Evie off to save themselves trouble, and also discloses that Evie used to be a man.

Her wedding ceremony reveals her middle name as Jane.

Her discussion of the myth of Poros, Penia, and Eros in Plato ’ s Symposium especially reveals the concept ’ s untranslatability.

Her cameraman, who has also survived, reveals that he was recording a few moments earlier and they ask him to rewind and play back the recording.

Her biographer and stalker, " Millon de Floss ", reveals more about her life at the beginnings of chapters in The Eyre Affair, Lost in a Good Book, The Well of Lost Plots and Something Rotten.

Her bust, tightly encased in the bodice, her stiff farthingale and all her fashionable magnificence are rendered true to life by Velázquez, and at the same time he reveals them as a theatrical show concealing the girl's natural physical nature beneath the armour of courtly constraint.

Her deep sadness in the last months of her life reveals itself in the following excerpt from a letter to her friend, Madame Niaudet: " It means nothing to get old, if you are always surrounded by your loved ones.

Her first major appearance was in " Mother Simpson " where she reveals that she was forced to abandon her family after being caught up in the hippie movement and participated in various acts of political activism.

Her investigation reveals a trail of people who disappeared leaving only a pile of ash behind ... and the involvement of a man with strange violet eyes.