Her temper sparked like charcoal when it first lights up.

Her first day at work she was puzzled by an entry in the doctor's notes on an emergency case.

Her first class wasn't until ten, but she always got up to have breakfast with me.

Her first actual flight, for she and her kind had made mock flights on dummy panels since she was eight, showed her complete mastery of the techniques of her profession.

Her first appearance was in a short story published in The Sketch magazine in 1926, " The Tuesday Night Club ", which later became the first chapter of The Thirteen Problems ( 1932 ).

Her first appearance in a full-length novel was in The Murder at the Vicarage in 1930.

Her mother ’ s marriage to Agrippa was her second marriage, as Julia the Elder was widowed from her first marriage, to her paternal cousin Marcus Claudius Marcellus and they had no children.

Her reputed last words, uttered as the assassin was about to strike, were " Smite my womb ", the implication here being she wished to be destroyed first in that part of her body that had given birth to so " abominable a son.

Her second and last novel, The Tenant of Wildfell Hall, which is considered to be one of the first sustained feminist novels, appeared in 1848.

Her first marriage, at the age of fifteen, was to the son of her father's rival in Italy, Lothair II, the nominal King of Italy ; the union was part of a political settlement designed to conclude a peace between her father and Hugh of Provence, the father of Lothair.

Her goal was to become the first Christian singer-songwriter who was also successful as a contemporary pop singer.

Her father's grandfather had fled France during the Revolution, going first to Saint-Domingue, then New Orleans, and finally to Cuba where he helped build that country's first railway.

Her first published work was a critical evaluation of D. H. Lawrence called D. H. Lawrence: An Unprofessional Study, which she wrote in sixteen days.

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the " rejected " Impressionists in the first of their own exhibitions, which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley.

Her first school was located in a 17th-century house.

Her first act surprises Odrade greatly.

Her mother, Kay Calista, reversed her own first and middle names in naming her Calista Kay.

Her report, Work Accidents and the Law ( 1910 ), became a classic and resulted in the first workers ' compensation law, which she drafted while serving on a New York state commission.

Her first stories appeared in pulp magazines in the 1930s, including two significant series in Weird Tales.

Her first name, Drew, was the maiden name of her paternal great-grandmother, Georgie Drew Barrymore ; her middle name, Blyth, was the original surname of the dynasty founded by her great-grandfather, Maurice Barrymore.

Her recording of " Sentimental Journey " was the first song placed in the Grammy Hall of Fame.

Her first country single, " Dumb Blonde " ( one of the few songs during this era, that she recorded but did not write ), reached number twenty-four on the country music charts in 1967, followed the same year with Something Fishy, which went to number seventeen.

Her first entirely self-produced effort, 1977's New Harvest ... First Gathering, highlighted Parton's pop sensibilities, both in terms of choice of songs-the album contained covers of the pop and R & B classics " My Girl " and " Higher and Higher " – and the album's production.

Her days as an art student at the University of Budapest came to a sudden end during the Hungarian uprisings in 1957 and she and her husband Stephen fled to Vienna.

Her Journal was an important laboratory for her creativity serving as both sketchbook and literary experiment where in tiny handwriting she reported on society, recorded her impressions of art and artists, recounted stories, and observed life around her.

Her father continued to resist her chosen vocation, and paid for her basic needs, but not her art supplies.

Her character design shows influences from shoujo and art nouveau.

Her work was allied to the worldly tradition of Cremona, influenced greatly by the art of Parma and Mantua, in which even religious works were imbued with extreme delicacy and charm.

Her experimental art was not popularly understood.

" Her circle of friends in the New York art world has included Kate Millett, Nam June Paik, Dan Richter, Jonas Mekas, Merce Cunningham, Judith Malina, Erica Abeel, Fred DeAsis, Peggy Guggenheim, Betty Rollin, Shusaku Arakawa, Adrian Morris, Stefan Wolpe, Keith Haring, and Andy Warhol, as well as Maciunas and Young.

Her most important pieces of art were transferred to the Royal Collection by Elizabeth II.

Her legacy survives in numerous works of art and the many dramatizations of her story in literature and other media, including William Shakespeare's tragedy Antony and Cleopatra, Jules Massenet's opera Cléopâtre and the film Cleopatra ( 1963 ).

Her numerous expressive oil sketches and en plein air canvases of adobe dwellings and rugged landscapes caught the attention of art dealers.

Her judgments of literature and art were influential.

Her art collection was worth millions when she died in 1990.

The art critic for the Croydon Advertiser remarked, " Her drawings show a remarkable freedom of spirit.

Her writing and teaching are focused at the moment primarily on phenomenology, psychoanalysis, photography, and time-based visual art, but she continues to write about and teach courses on cinema, and she has a developing interest in painting.

Her symbol, the omega Ω, has been depicted in art from around 3000 BC, though more generally from the early second millennium.

Her work with Anarcho-punk band Crass was seminal to the ' protest art ' of the 1980s.

Her talent for art was beginning to be noticed from there.

Her visions of the Nativity of Jesus had a great influence on depictions of the Nativity of Jesus in art.

Her studio and art school are located in the Palazzo da Schio on Corso Palladio.

Her journal indicates her high regard for her husband's art, and his works are still recognisably Pre-Raphaelite in style several years after his marriage.

Her early style is less individual and more realistic ( also known as primitive art ), despite her lack of knowledge of ( or perhaps rejection of ) basic perspective.

Her first solo exhibition, " What a Farm Wife Painted ", opened October 1940 at Otto Kallir's New York City gallery Galerie St. Etienne, followed by a meet-and-greet with the artist and an exhibition of 50 paintings at Gimbel's Department Store November 15, followed by a third solo show in as many months, at the Whyte Gallery, Washington, D. C. " Gimbels had supplemented Moses ' art display with a table beneath the paintings spread samples of Grandma's culinary talents — homebaked bread, rolls and cake, plus some of the preserves which won her prizes at the county fair.

Her myth gave rise to the popular motif in Renaissance and later art of Leda and the Swan.

Her father, an ardent gambler, taught her the art of gaming from a very young age.

Her work exemplifies Modernism, and with such contemporaries as Ivon Hitchens, Henry Moore, Ben Nicholson, Naum Gabo she helped to develop modern art ( sculpture in particular ) in Britain.