Her temper sparked like charcoal when it first lights up.

Her first day at work she was puzzled by an entry in the doctor's notes on an emergency case.

Her first class wasn't until ten, but she always got up to have breakfast with me.

Her first actual flight, for she and her kind had made mock flights on dummy panels since she was eight, showed her complete mastery of the techniques of her profession.

Her first appearance was in a short story published in The Sketch magazine in 1926, " The Tuesday Night Club ", which later became the first chapter of The Thirteen Problems ( 1932 ).

Her first appearance in a full-length novel was in The Murder at the Vicarage in 1930.

Her mother ’ s marriage to Agrippa was her second marriage, as Julia the Elder was widowed from her first marriage, to her paternal cousin Marcus Claudius Marcellus and they had no children.

Her reputed last words, uttered as the assassin was about to strike, were " Smite my womb ", the implication here being she wished to be destroyed first in that part of her body that had given birth to so " abominable a son.

Her second and last novel, The Tenant of Wildfell Hall, which is considered to be one of the first sustained feminist novels, appeared in 1848.

Her first marriage, at the age of fifteen, was to the son of her father's rival in Italy, Lothair II, the nominal King of Italy ; the union was part of a political settlement designed to conclude a peace between her father and Hugh of Provence, the father of Lothair.

Her goal was to become the first Christian singer-songwriter who was also successful as a contemporary pop singer.

Her father's grandfather had fled France during the Revolution, going first to Saint-Domingue, then New Orleans, and finally to Cuba where he helped build that country's first railway.

Her first published work was a critical evaluation of D. H. Lawrence called D. H. Lawrence: An Unprofessional Study, which she wrote in sixteen days.

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the " rejected " Impressionists in the first of their own exhibitions, which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley.

Her first school was located in a 17th-century house.

Her first act surprises Odrade greatly.

Her mother, Kay Calista, reversed her own first and middle names in naming her Calista Kay.

Her report, Work Accidents and the Law ( 1910 ), became a classic and resulted in the first workers ' compensation law, which she drafted while serving on a New York state commission.

Her first stories appeared in pulp magazines in the 1930s, including two significant series in Weird Tales.

Her first name, Drew, was the maiden name of her paternal great-grandmother, Georgie Drew Barrymore ; her middle name, Blyth, was the original surname of the dynasty founded by her great-grandfather, Maurice Barrymore.

Her recording of " Sentimental Journey " was the first song placed in the Grammy Hall of Fame.

Her first country single, " Dumb Blonde " ( one of the few songs during this era, that she recorded but did not write ), reached number twenty-four on the country music charts in 1967, followed the same year with Something Fishy, which went to number seventeen.

Her first entirely self-produced effort, 1977's New Harvest ... First Gathering, highlighted Parton's pop sensibilities, both in terms of choice of songs-the album contained covers of the pop and R & B classics " My Girl " and " Higher and Higher " – and the album's production.

Her father writes joke books and a newspaper column in Seoul, South Korea.

Her image appears on the base of the column of Antoninus Pius.

Her head was struck against the column of the market cross, and her brains dashed out ".

Her column started in 1992 and was interrupted for a year during which she attended Harvard on a Nieman Fellowship for journalists.

Her column in the Ruralist, " As a Farm Woman Thinks ," introduced Mrs. A. J.

Her monthly column was titled " Tips from the Gaming Goddess ".

Her activities have been well-covered by the British tabloid press, and in the mid to late 1990s, she wrote a weekly column for the Sunday Times and subsequently contributed to The Spectator, The Mail on Sunday, GQ, Eve, Harpers and Queen, Tatler, Instyle and The Observer sporadically.

Her book Washington Rollercoaster recounted the Gotliebs ' years as glamorous hosts in Washington during the Reagan Era, when she wrote a much-read column for the Washington Post.

Her column, syndicated by Creators Syndicate, eventually appeared in nearly 400 newspapers nationwide.

Her gossip column called " Hedda Hopper's Hollywood " debuted in the Los Angeles Times on February 14, 1938.

Her third column, " The darkness that all actors fear ", was a more personal column and dealt with her stardom, fans, insecurity and fears as an actor.

Her fourth and final column, titled " Facing death in Sri Lanka and Thailand ", described her two near-death experiences in late 2004.

Her Home Life column in The Spectator was published in four volumes.

Her formidable power remained unchallenged until February 14, 1937, when Hedda Hopper, a struggling character actress since the days of silent movies, whom Parsons had been kind to and mentioned occasionally in her column, and who had returned the favor by giving Parsons information on others, was hired to be a gossip columnist by one of Hearst's rival newspapers.

Her left elbow rests on a basket of grain, while an ibis stands on the column at her feet.

Her column was stopped in 2007, a year after Eriksson resigned as England manager.

Her weekly syndicated column appears in a number of newspapers and websites.

Her ability as a writer was recognized by Du Bois, who put her in charge of a column in the magazine, where her brief included writing critiques of works by the literary giants of the day, including Langston Hughes, Zora Neale Hurston and Dorothy Parker.

Her last column appeared on December 3, 1958 but she continued to work for the newspaper until 1966.

Her column often angled towards the more irritating aspects of life, with her husband regularly the subject of loving scorn.

Her weekly ' With the Stars ' column in the Toronto Star was published from 1951 to 1981.

Her letters to Véronneau, wrote Christie Blatchford in her Globe and Mail column, were " in French and on the same sort of childish, puppy-dog-decorated paper she once wrote to her former husband … the same kind of girlish love notes she sent to him.

Her column, formerly printed twice weekly in Fairfax Media newspapers The Sydney Morning Herald and The Sun-Herald, now appears in the News Limited Daily Telegraph with frequent posts on the Telegraph blogs.